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Notre-Dame, la Part du feu

Titre original : Notre-Dame
  • Mini-série télévisée
  • 2022
  • 16
NOTE IMDb
5,3/10
848
MA NOTE
Notre-Dame, la Part du feu (2022)
It follows the story of the night of April 15, 2019 in Notre-Dame Cathedral alongside firefighters and the impact that it had on different characters across France.
Lire trailer2:16
5 Videos
15 photos
DrameDocudrame

Il suit l'histoire de la nuit du 15 avril 2019 dans la cathédrale Notre-Dame aux côtés des pompiers et l'impact qu'elle a eu sur différents personnages à travers la France.Il suit l'histoire de la nuit du 15 avril 2019 dans la cathédrale Notre-Dame aux côtés des pompiers et l'impact qu'elle a eu sur différents personnages à travers la France.Il suit l'histoire de la nuit du 15 avril 2019 dans la cathédrale Notre-Dame aux côtés des pompiers et l'impact qu'elle a eu sur différents personnages à travers la France.

  • Casting principal
    • Roschdy Zem
    • Caroline Proust
    • Megan Northam
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,3/10
    848
    MA NOTE
    • Casting principal
      • Roschdy Zem
      • Caroline Proust
      • Megan Northam
    • 19avis d'utilisateurs
    • 10avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 1 nomination au total

    Épisodes6

    Parcourir les épisodes
    HautLes mieux notés1 saison2022

    Vidéos5

    The Hunchback Of Notre Dame: Intro
    Clip 1:10
    The Hunchback Of Notre Dame: Intro
    Official Trailer
    Trailer 2:16
    Official Trailer
    Official Trailer
    Trailer 2:16
    Official Trailer
    Notre-Dame (French)
    Trailer 2:16
    Notre-Dame (French)
    Notre-Dame
    Trailer 2:13
    Notre-Dame
    Notre-Dame: Making Of (French)
    Featurette 2:18
    Notre-Dame: Making Of (French)

    Photos15

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    + 9
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    Rôles principaux79

    Modifier
    Roschdy Zem
    Roschdy Zem
    • Général Zacharie Ducourt
    • 2022
    Caroline Proust
    Caroline Proust
    • Gabrielle Varèse
    • 2022
    Megan Northam
    • Alice
    • 2022
    Simon Abkarian
    Simon Abkarian
    • Max
    • 2022
    Alice Isaaz
    Alice Isaaz
    • Eléna
    • 2022
    Marie Zabukovec
    • Victoire
    • 2022
    Sandor Funtek
    Sandor Funtek
    • Anthony Casemari
    • 2022
    Corentin Fila
    • Sergent-chef Taupin
    • 2022
    Ambroise Sabbagh
    • Lieutenant Bastien
    • 2022
    Frédéric Chau
    Frédéric Chau
    • Steph Noyelle
    • 2022
    Victor Belmondo
    Victor Belmondo
    • Benjamin Ducourt
    • 2022
    Kassem Al Khoja
    • Bassem
    • 2022
    Zineb Triki
    Zineb Triki
    • Sherine
    • 2022
    Edouard Michelon
    • Grégoire BFMTV
    • 2022
    Marthe Drouin
    • Mère Denis
    • 2022
    Roberto Calvet
    Roberto Calvet
    • Type Bar à chicha
    • 2022
    Rayad Mohamed
    • Billy
    • 2022
    Charles Clément
    • Préfet Chesnay
    • 2022
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs19

    5,3848
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    Avis à la une

    3Agentman00

    I don't think so

    I admire Netflix for its internationally produced content. There are a lot of great production companies in the world besides what is regular fare in the continental US (aka superheroes, gunfights and cowboys).

    This is a big budget Netflix series. You can tell by the effort to recreate the firefighting efforts that riveted the world for those 15 hours in April , 2019, the extras, the vfx, the general level of production standards.

    But I actually had to stop watching like other reviewers mention (after ep.3)

    The fire and the cathedral are the main "character" but take a backseat to maudlin characters in a US styled "Soapbox" like script.

    Yes the production is trying to flesh out literally the human character aspects of a few selected courageous firefighters (plus a couple of reporters covering the fire) who put the fire out and saved many irreplaceable aspects of this world UNESCO heritage site and symbol of the French nation, including the pipe organs, the bells and stain glass windows (only the bells are actually portrayed being saved) with flashbacks, family issues and the like.

    But there's a cardboard quality to these portrayals even when the characters are in the midst of the most intense situations. A kind of even-handedness to the level of intensity when really, with the whole cathedral in imminent danger, the script cuts away to some escort who has befriended a young African-French kid and whose father who runs a shop is trying to find her in time to say goodbye to her estranged, but dying mother.

    There could have been so much more to up the level of intensity and focus more on the actual fire and the cathedral. For example, the audio levels of the fire burning is kept at an even output which does much to diminish its threat and dramatic character - even in close ups - when a ferociousness to the audio track would have done wonders to compliment the visual intensity of the flames. Its all watered down (no pun intended).

    In the end there are a few genuine dramatic moments with the character portrayals by individual cast members, but for almost all intensive purposes drowned out by the overall script, the even-handedness of the filmic pace, the stultifying audio.
    4nilsonsc

    Starts well but goes downhill

    At first I thought the series had potential: the nonlinear story and the photography caught me at the beginning and made me want to continue watching. But from the second episode on, you have to ignore a lot of nonsense to keep watching. The series is supposed to be a realistic drama, but one of the main characters, Max, is like Bruce Willis in Die Hard. Apart from a few firefights, all characters are dumb and reckless.

    I felt like it deserved a better direction, cause the plot isn't bad. For the amount of money spent in the production (the effects are great), they could've invested a bit more and delivered something more credible. It's only worth watching if you like the French language, otherwise I wouldn't have finished it.
    8nolwd69

    A worthy series

    Unlike many in here, I really enjoyed it. I cannot understand all the negative comments, many of them, to me so ignorant...... It was a fictional drama presented in an individual way.

    I liked the way that the disparate stories, evidently from accounts of those involved in events of that night, wandered in and out.

    The integration of real footage of the fire, with Netflix's art, was impressive.

    However, it's a pity that so many found it so difficult to follow. I wondered if we all had watched the same series. Sometimes we have to get beyond having to have everything laid out before us.

    I thought the acting was very good and .....
    2yannik_kng

    This is...

    *Disclaimer: I only watched the first three episodes. Couldn't stand it any longer*

    I accept that there are some things you have to do differently in a TV Show than it is in reality to keep all viewers hooked. However, in a TV Show thats claims to be based on real reports and follows Fire Fighters on a real event, I expect basics to be real and to see some realism. As a firefighter myself, I was in physical pain watching this. Here are some of the things which are totally wrong:

    -You always take a fire Hose with you when you walk into a house which is on fire(!!!!!!!!!!)
    • You never pass a fire
    • You never take your mask of indoor. When there is a problem, the whole squad immediatly heads back out
    • When something major is wrong with your SCBA (There aren't any ventiles you need to set on your mask, only connect and disconnect...) you recognize this directly after putting it on
    • The commander does not order more troops by phone
    • Why do you sometimes here the SCBA and sometimes not?


    • In multiple scenes, they totally stand in smoke. Highly toxic smoke. Why aren't they using their SCBA?


    In the german synchronisation, important technical terms are wrong. It's "Strahlrohr" not "Spritze" and "Truppführer" not "Truppchef".

    Besides this, there are other problems. The show has too many characters which are too unpersonal. I don't care what happens to them, so I am emotionally completly out. In addition, I don't really get the time jumps, imo they are only there to make the show longer.

    What the heck is the story of this black little boy supposed to be? He is behaving absolutly stupid and is totally annoying. Nearly as stupid is the story of the journalist. I can't imagine this to have any real base. What she does is wrong under every aspect. Why are you promoting this as based on real reports if basically everything can't be real or everyone was TOTALLY unprofessional if it really happend like this.

    The acting performance of some actors is... well, mediocre at best. For example the one Fire Fighter in the control room. He sees his old love after six or seven years and shows no reaction.

    All in all, this has nothing to enjoy, ecxept the good production quality. A real waste of my time.
    7anonimus01

    Where were you when this happened?

    This show is ok, its not fantastic, but not bad either.

    This is not purely disaster thriller or some action peace, this is more of a day in person's life kinda show.

    It follows multiple story lines that begin, evolve and conclude, not necessarily directly related to the fire. Stories are not very sophisticated, like boy looking for his dad or dad looking for his daughter, few flashbacks to give context to the characters.

    Musical score is good, if you like symphonic orchestra, opera kind of music, its definitely one of the strong sides of this show. There were some moments without dialogue, just scenes with music.

    So yes, its ok overall.

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    FAQ

    • How many seasons does Notre-Dame have?
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    Détails

    Modifier
    • Date de sortie
      • 19 octobre 2022 (France)
    • Pays d’origine
      • France
    • Site officiel
      • Netflix Site
    • Langue
      • Français
    • Aussi connu sous le nom de
      • Notre-Dame
    • Lieux de tournage
      • Paris, France
    • Société de production
      • Cheyenne Federation
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

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    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 16:9 HD

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