Spiritwalker

It's more flying or hopping rather than "walking", although there is a lot of walking in the movie too (outside of driving and car chases that is). And then there is fighting, either with guns or hand to hand combat. But I got ahead of myself ... a lot.

If like me you have discovered Korean action and thriller cinema (either a long time ago or because Parasite gave you a reason too), I do not have to convince you. Actually the movie itself is more than able to convince you - with more than a tight plot and story, that has as many twists and turns as one can imagine. I would wish that the main character would be a bit more charismatic and I know you can fault the movie on certain details too, but not on how it is thought through (convenient timings and other stuff aside too).

Great action, amazing cinematography and a sound design that is as subtle as it is genius. Another winner - even if won't be another Oscar (winner)

SPIRITWALKER is a complex thriller from the first moment the film begins. We are dropped in the midst of a story where every twelve (12) hours it seems our main character's essence is somehow transferred into a new body. His memories seem to be retained from the start of the film, but not prior to the car crash that opens the film. He does not know who he is and how he got into this situation. What he does know is that there are dangerous people trying to kill him; criminals and, possibly, intelligence agents. He just needs to reconstruct the puzzle pieces to find out why?

Director Yoon Jae-keun (Heartbeat), along with award-winning martial arts choreographers Park Young-sik and Chung Seong-Ho (SAG Awards, Best Stunt Ensemble, "Squid Game"), bring to life the action-packed thriller

While the movie is complex it is not confusing. The complexity is not superfluous. It is part of what makes it interesting. As each change occurs the layers of the onion are peeled back and we learn a little more information towards solving this riddle. Is Yoon Kye-sang's character crazy? Is there a supernatural explanation? The film converges in an exciting climax.

Yoon Kye-sang, a former K-pop singer, is very good in the lead role. So is the supporting cast, which includes Park Yong-Woo (Nailed), Lim Ji-Yeon (Obsessed, High Society) and Park Ji-Hwan (The Pirates: The Last Royal Treasure). They all do a good job of making you feel that the lead character's personage does change, even though Yoon Kye-sang, essentially, plays all of the characters in the transference.

This is a psychological thriller but it is also an action film. It has its share of well choreographed and realistic fight sequences. The climactic fight scene is riveting and fun to watch. This is top notch martial arts and action choreography. The action is engaging. This movie has a lot going for it.

This film has many of the underlying themes that are prevalent in South Korean Cinema. It is also a high quality film that rivals anything Hollywood has produced.

The idea of concept is amazing and something you don't see it usually, including Action and Sci-Fi mixed very good with a lot of potential.

The man was killed, but his soul was here to take the revenge and save his wife.

Definitely doesn't deserve this rating 6.2, It's on general 7.5/10.

The special effects live up to the intriguing sci-fi premise, but the interpersonal presentation is inconsistently revealed and murkily convoluted. The initial slow pacing causes the setup of the story to drag out. Then the hyper action-packed finale comes in the form of a frenzied resolution without enough satisfaction of the plot complications.

The dubbed dialog mis-coordinates with the subtitles for increased confusion and sometimes results in unintended hilarity.

The bad guys have way too much of the upper hand throughout, and there is nowhere near enough righteous retribution. Even so, it manages to have an upbeat ending and turns out to be worth the watch.

A solid Korean thriller that boasts some commendable action sequences; it seems to me that Korean cinema has moved on from being inspired by the BOURNE films to instead being inspired by the JOHN WICK franchise. And who can blame them? This one's a version of the perennial 'body jump' storyline, and it's as complex and fast-paced as befits that premise, so much so that there's never a dull second, just the plot moving inexorably onwards.