Horror Noire

Thought all were well made and strong acting. Agree with other that some of them could have been fleshed out. I liked Sundown and Daddy. Though Daddy could have been longer, kid and dad were great and scary. I'd like to see a sequel as the concept is clever.

I was a little bit hesitant when I sat down to watch the 2021 horror anthology titled "Horror Noire", as horror anthologies usually tends to be dubious most of the time. But still, as I hadn't already seen this one, I sat down to watch it.

And as I had not even heard about it, I didn't know what to expect, aside from it being a horror anthology.

Well, sure "Horror Noire" was watchable, but the segments were of varied levels of enjoyment and entertainment, much as expected since it is an anthology after all.

The first segment was titled "The Lake" and actually had some potential to it, but ultimately it drowned out in a rubbish ending. A shame really, because this segment was off to a great start.

The second segment was titled "Brand of Evil" and that one was actually my personal favorite of the stories told in "Horror Noire". Why? Well, simply because the storyline was the most interesting and compelling.

Moving on to the third segment, which was titled "Bride Before You". Now this one was interesting and had a great atmosphere to it, perhaps the most atmospheric of all the segments. The build up of tension was good, but I just wish that we were allowed to see what was causing all the noise in the house.

The fourth segment was titled "Fugue State", and while it actually had Tony Todd on the cast list, it was just not an interesting segment. It was actually the least interesting of all the segments.

"Daddy" is the title of the fifth segment, and it was a swing and a miss in terms of entertaining me. The storyline was just not well-constructed and offered little of anything actually.

And finally "Sundown" is the sixth and final segment in "Horror Noire". It was fair enough, as it was nicely paced, but it was just a bit too generic in terms of originality. This segment, however, had Peter Stomare on the cast list, which was a nice touch.

Ultimately then "Horror Noire" was a mediocre horror anthology, and it didn't manage to stand out amidst other horror anthologies. And it is not one that I will be returning to watch a second time.

My rating of "Horror Noire" lands on a five out of ten stars.

I was hopeful after the first minute, it seemed like this had a decent budget and filmed well, then the dialogue started unfortunately. The writing is terrible, the stories lack imagination, and overall silly and boring. Since this is supposed to be a showcase for black horror given the title it amazes me the writer ignored hundreds of years of powerful folklore in black history, many of which would offer excellent stories.

Unlike other reviewers, I thoroughly enjoyed every story in this horror anthology and that's a first. This anthology is NOT for those looking for stories of Black struggle or a deranged maniac chasing corny Black stereotypes through a neighborhood. If you're looking for that, you'd have a better time watching Leprechaun in the Hood.

Each story is based on realistic horrors that Black people in America face everyday like the history of being barred from public spaces, colorism, voting rights, polarizing politics/religious zealotry, and the duality of feeling a like a success and a sellout. Each theme was weaved into a story that seems unrelated until you look closer.

As far as production, overall every story had good direction and there were no glaring sound issues, which can be a problem in a lot of low budget movies. Some sets were bare, but again this was on a low budget. The actors didn't treat it like a low budget and still gave good performances.

While the subject matter of the stories is intended to explore racial problems using the horror genre, the film mostly falls flat because of sub-standard writing.

By far the worst of the bunch is the second segment - a truly dreadful script - but elsewhere there isn't really much that shines, in spite of the very competent cast.

Thanks to Laura Crichlow's performance, the most successful story is probably the period piece, and elements of humour sometimes rescues the final story from mediocrity.

Overall, a wasted opportunity which doesn't do black cinema much in the way of favours.

Given that this site is now insisting that I type more, and having nothing else of importance to say, I'll point out that it's now raining outside my window.