Malchanceuse et criblée de dettes, Emily est impliquée dans une arnaque à la carte de crédit qui l'entraîne dans le monde criminel de Los Angeles, entraînant finalement des conséquences mort... Tout lireMalchanceuse et criblée de dettes, Emily est impliquée dans une arnaque à la carte de crédit qui l'entraîne dans le monde criminel de Los Angeles, entraînant finalement des conséquences mortelles.Malchanceuse et criblée de dettes, Emily est impliquée dans une arnaque à la carte de crédit qui l'entraîne dans le monde criminel de Los Angeles, entraînant finalement des conséquences mortelles.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 9 victoires et 25 nominations au total
Avis à la une
Holy moly what a surprising gem... with soooooo many terrible movies coming out and finding a decent, let alone, a good movie is like finding a needle in a haystack.
Reminded me a bit of "Good Time," (Safdie brothers film) and I am certain the director was inspired by Good Time, from the opening of the interview to all the very tight shots of everything, documentary style, to the music. Also "Straight Time" (Dustin Hoffman) with the authentic style and BELIEVABLE acting. Never a dull moment from beginning to end, and this is coming from someone who basically gives 98% of movies coming out a bad review, and deservingly so.
From the cinematography, camera work, and music, this was just excellent and Audrey was amazing.
I literally had zero expectations of liking this, since I've been hitting 99 to 1 on finding good movies.
The story was unique and surprising.
This is what other indie filmmakers like Sean Baker should aspire to do. They have great natural approach to filmmaking, but lack story and excitement, as they have in this one.
The movie got better and better, which was even more shocking.
What a breath of fresh air that a movie has a great plot but never forgets about the characters and relationship, and most important, approaches it with such authenticity.
Emily certainly wasn't the most likable character nor brightest of the bunch and they may have made her a bit too dumb, which seemed a bit inconsistent to the rest of her interactions, like going against their simple instructions of what not to do. Usually, that is the writer being lazy or unable to come up with a better way to create drama and/or conflict, so that is my minor criticism.
Other than that, it was really good. In summary, I had know idea what to expect, but every minute was pleasantly surprising.
I can't give it ten stars, because it wasn't without any problems, which I normally would list, but since there are so few good films out I will leave it out because I do recommend this.
Reminded me a bit of "Good Time," (Safdie brothers film) and I am certain the director was inspired by Good Time, from the opening of the interview to all the very tight shots of everything, documentary style, to the music. Also "Straight Time" (Dustin Hoffman) with the authentic style and BELIEVABLE acting. Never a dull moment from beginning to end, and this is coming from someone who basically gives 98% of movies coming out a bad review, and deservingly so.
From the cinematography, camera work, and music, this was just excellent and Audrey was amazing.
I literally had zero expectations of liking this, since I've been hitting 99 to 1 on finding good movies.
The story was unique and surprising.
This is what other indie filmmakers like Sean Baker should aspire to do. They have great natural approach to filmmaking, but lack story and excitement, as they have in this one.
The movie got better and better, which was even more shocking.
What a breath of fresh air that a movie has a great plot but never forgets about the characters and relationship, and most important, approaches it with such authenticity.
Emily certainly wasn't the most likable character nor brightest of the bunch and they may have made her a bit too dumb, which seemed a bit inconsistent to the rest of her interactions, like going against their simple instructions of what not to do. Usually, that is the writer being lazy or unable to come up with a better way to create drama and/or conflict, so that is my minor criticism.
Other than that, it was really good. In summary, I had know idea what to expect, but every minute was pleasantly surprising.
I can't give it ten stars, because it wasn't without any problems, which I normally would list, but since there are so few good films out I will leave it out because I do recommend this.
Decent movies are becoming rarer nowadays. They're produced like junk food. On an industrial scale and with very little intrinsic value, soul or art. This little gem is definitely not one of those and I'd comfortably place in the fantastic category. Aubrey is outstanding! She's still the same actor you'll recognise instantly but also manages to pull off something completely fresh and unexpected. The story is a cracker. Excellently shot. Pacing is on point. Cast is spot on.
One of my favourite films this year so far, and after being disappointed so many times that's a very pleasant surprise!
Encore!!
One of my favourite films this year so far, and after being disappointed so many times that's a very pleasant surprise!
Encore!!
In a saturated cesspool of entertainment now a days, it's films like these that are hard to come by. Engaging, tense, well acted, really drove the message of our awful job market in the states in a tasteful way. No CGI, greenscreens, gender politics. Just solid story telling. It's Breaking Bad "lite" for those that are a fan of the series.
This is a very engaging movie. Plaza is good, and Rossi, as her mentor in crime, is even better. They have a good chemistry together, which makes all the difference.
Her initial state --- student debt, no good job available, shared housing, etc. -- makes her desperation for something else understandable. Her step-by-step descent into crime feels credible, as do the details of the criminal schemes themselves.
Well worth watching.
Her initial state --- student debt, no good job available, shared housing, etc. -- makes her desperation for something else understandable. Her step-by-step descent into crime feels credible, as do the details of the criminal schemes themselves.
Well worth watching.
Aubrey Plaza and Theo Rossi are Terrific Together in this drama and thriller rolled into one. Plaza shows great acting acumen as a "down on her luck" artist who becomes swept up in a crime spree to earn extra income. She is sweet, vulnerable, and relatable in this roll. She plays it really well. Rossi is terrific as her crime mentor. He plays a savvy non-violent criminal with a softer side. The film reminds me of another great film, Uncut Gems, in all the right ways. The acting is sharp. The Direction is first class. The Cinematography is very good. The movie is small in some senses. But it evokes many emotions- from anxiety to sadness, and more. This so worth watching for the performances alone.
Le saviez-vous
- AnecdotesShot in just 21 days in "the worst parts of L.A."
- GaffesWhen Emily first goes to the Dummy Shopper meeting she's asked, who gave her the number, by Khalil. She tells him it was Javier. Khalil then calls Javier to confirm it. Later on while working together, Javier asks Emily if she texted the number, which he should know she did from the call he received.
- Bandes originalesString Sextet in A Major, OP. 48, B. 80: IV. Finale. Theme and Variations
Written by Antonín Dvorák
Performed by Anna Kreeta Gribajcevic, Jens Peter Maintz, Fine Arts Quartet
Courtesy of Naxos of America, Inc.
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- How long is Emily the Criminal?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Emily la criminal
- Lieux de tournage
- Puerto Vallarta, Jalisco, Mexique(End scene after Emily left the U.S.)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 3 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 2 156 296 $US
- Week-end de sortie aux États-Unis et au Canada
- 669 161 $US
- 14 août 2022
- Montant brut mondial
- 2 157 673 $US
- Durée
- 1h 37min(97 min)
- Couleur
- Rapport de forme
- 2.35 : 1
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