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Attack of the Hollywood Clichés!

  • Émission spéciale
  • 2021
  • 16
  • 58min
NOTE IMDb
6,1/10
4,7 k
MA NOTE
Attack of the Hollywood Clichés! (2021)
A special featuring some of the most famous films along with Screenwriters, Academics and Critics as they guide through the funny, weird and controversial clichés which appear on the screens.
Lire trailer1:31
1 Video
1 photo
ComédieDocumentaire

Personnages invincibles, coups de foudre improbables, explosions au timing parfait... Des stars et experts du cinéma démontent ces lieux communs, et bien d'autres.Personnages invincibles, coups de foudre improbables, explosions au timing parfait... Des stars et experts du cinéma démontent ces lieux communs, et bien d'autres.Personnages invincibles, coups de foudre improbables, explosions au timing parfait... Des stars et experts du cinéma démontent ces lieux communs, et bien d'autres.

  • Réalisation
    • Sean Doherty
    • Ricky Kelehar
    • Alice Mathias
  • Scénario
    • Dane Baptiste
    • Sean Doherty
    • Erika Ehler
  • Casting principal
    • Rob Lowe
    • Andie MacDowell
    • Ira Madison III
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,1/10
    4,7 k
    MA NOTE
    • Réalisation
      • Sean Doherty
      • Ricky Kelehar
      • Alice Mathias
    • Scénario
      • Dane Baptiste
      • Sean Doherty
      • Erika Ehler
    • Casting principal
      • Rob Lowe
      • Andie MacDowell
      • Ira Madison III
    • 81avis d'utilisateurs
    • 9avis des critiques
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    Official Trailer
    Trailer 1:31
    Official Trailer

    Photos

    Rôles principaux35

    Modifier
    Rob Lowe
    Rob Lowe
    • Self - Host
    Andie MacDowell
    Andie MacDowell
    • Self - Actor, Four Weddings and a Funeral
    Ira Madison III
    Ira Madison III
    • Self - Broadcaster
    Anna Smith
    Anna Smith
    • Self - Film Critic
    Florence Pugh
    Florence Pugh
    • Self - Actor, Little Women
    Aisha Harris
    Aisha Harris
    • Self - Broadcaster
    James King
    James King
    • Self - Film Critic
    Anna Bogutskaya
    Anna Bogutskaya
    • Self - Broadcaster
    Keith Lucas
    Keith Lucas
    • Self - Screenwriter, Judas and the Black Messiah
    • (as The Lucas Brothers)
    Kenneth Lucas
    Kenneth Lucas
    • Self - Screenwriter, Judas and the Black Messiah
    • (as The Lucas Brothers)
    Jack Howard
    Jack Howard
    • Self - Broadcaster
    Amy Nicholson
    Amy Nicholson
    • Self - Film Critic
    Jonathan Ross
    Jonathan Ross
    • Self - Broadcaster
    Franklin Leonard
    Franklin Leonard
    • Self - Film Executive
    Jess Cagle
    Jess Cagle
    • Self - Broadcaster
    James Schamus
    James Schamus
    • Self - Screenwriter, Crouching Tiger, Hidden Dragon
    Helen O'Hara
    Helen O'Hara
    • Self - Film Critic
    Kim Newman
    Kim Newman
    • Self - Film Critic & Writer
    • Réalisation
      • Sean Doherty
      • Ricky Kelehar
      • Alice Mathias
    • Scénario
      • Dane Baptiste
      • Sean Doherty
      • Erika Ehler
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs81

    6,14.6K
    1
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    10

    Avis à la une

    5bmarsh-352-908525

    Interesting, but with leftist bent

    Kinda like a live action version of TV Tropes. However tends to lean heavily into a very "woke" commentary. From denigrating everyone involved in the Hays Code to criticizing white people as being automatically bad.
    5repo136

    Too short for a serious analysis

    I was really looking forward to this as being a lover of film I know a cliché or two.

    Sadly at a running time of less than an hour it was never going to go full pelt into the rich and varied history of the Holly cliché. I felt that the examples used were far too fleeting, and the whole thing felt rushed. They could've spun it out to at least a three-part series. Nothing is ever really explained ('here is a trope... haha. Now here is another one...'). It would have been interesting if some of these were analysed a bit more than merely glossing over them quickly.

    Considering the richness of many industry professionals on display here they were criminally underused simply to provide a cheat and quick gag. Is this really what Netflix's supposed demographic wants? This is nothing more than televisual fast food.

    However the most disappointing aspect of this is that it has Charlie Brooker attached to it. Not to say I'm not a fan of his, far from it. Up until this show he was a one-man seal of quality.
    6a-sin_13

    I wish the attack was more precise

    This Netflix special has a great sense of purpose, but it's not as focused as it could be if it was. It's a bit like a Spit -Take or Montage mode, and it's full of all the crazy facts that come from a fake scare called the Luton Bus, as well as the story of Willem's screams. It's not as thoughtful as it could be, but since it's only an hour, you can probably still watch it on your free weekends and pass it along to your cinema-loving friends. The problem is that it's not as funny as it should be, and it's not as irreverent as it could be. It's got the same lazy familiarity of the Hollywood movies it's trying to mock.

    ~ P. X.
    4tannguyen-62510

    Waste of time

    There are actually Youtube channels that do better video essays than this hour-long and poorly-patched together Mojo list. The analysis of cliches are rushed and selections of movies are erratic, like a high school essay written from a Google searched of the book summary. Clips and highlights served as a "I told you so" rather than movie analysis.

    In important "attacks" related to race, gender, (and the police?), the example scenes are so obviously cherry picked for talking points that fit the current political climate. In this process, they completely ignore how the particular scene fit in the theme of the whole movie and in the dynamics between the characters. Not to mention the vast assumptions they constantly make on how some random film was perceived, as well as the horrible (or great) audience that would celebrate these cliché to try and inject their own politics.
    3wolfrahms

    Woke

    The White Savior trope was discussed as a trope where a white person acts as a savior to black people. This is simply shameless and offensive appropriation, as that trope is strongly associated with native americans and other real or fictional cultures in movies such as Dances with Wolves, Last Samurai, Dune, Pocahontas and Avatar.

    They ignore all the premiere examples to focus on a movie like The Green Book, where the trope is so weak that it might not even be worth discussing, but they just had to make it all about black people, of course. Cringe and tone deaf.

    Bland and uninspired show, that doesn't even discuss the BWAAARP sound Nolan uses in every trailer.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Gaffes
      In the segment about actors eating apples, there was a scene of Chris Pine as Captain Kirk in "Star Trek (2009)" biting in to an apple. Mr. Lowe says something like "here is Captain Kirk eating an apple while saving the Enterprise." The scene shown is actually Captain Kirk attending the Starfleet Academy and once again taking the Kobayashi Maru test--this time sure he will "pass" the test and save the (mock) day.
    • Connexions
      Features Le vol du grand rapide (1903)

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    Détails

    Modifier
    • Date de sortie
      • 28 septembre 2021 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Site officiel
      • Netflix Site
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Attack of the Hollywood Cliches!
    • Lieux de tournage
      • Hollywood, Los Angeles, Californie, États-Unis
    • Sociétés de production
      • Broke and Bones
      • Irony Point
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 58min
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 16:9 HD

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