Les Origines du péché

Flowers in the Attic: The Origin is a haunting and compelling prequel that masterfully exposes the tragic foundation of the Foxworth family's twisted legacy. This Lifetime adaptation brings new depth to V. C. Andrews' iconic Dollanganger series, focusing on the emotional transformation of Olivia Winfield Foxworth, the cruel matriarch from Flowers in the Attic.

The prequel introduces us to a younger Olivia, a hopeful and strong-willed woman who, upon marrying the cold and manipulative Malcolm Foxworth, finds herself ensnared in a web of family secrets and emotional abuse. Olivia's gradual descent into bitterness and cruelty is deeply affecting, as her spirit is systematically broken by Malcolm's unfaithfulness, cruelty, and the moral rot within the Foxworth family.

The Origin succeeds in humanizing Olivia, offering viewers a greater understanding of her tragic journey from a victim of her circumstances to the cold-hearted grandmother who imprisons her own grandchildren in the attic. This exploration of her motivations adds layers to the original story, revealing the emotional scars that compel Olivia to preserve the Foxworth legacy at any cost, even as it destroys those around her.

Malcolm Foxworth looms large as the architect of much of the family's dysfunction. His relentless quest for control, power, and dominance creates a toxic environment that infects every member of the Foxworth household. The prequel delves into the family's dark history, including Malcolm's illicit relationships and the consequences of his actions, which set the stage for the generational trauma that plagues the Foxworth lineage.

Perhaps most chilling is how The Origin recontextualizes the actions of Corrine Dollanganger, Olivia's daughter, whose betrayal in Flowers in the Attic shocked readers and viewers alike. Raised in an emotionally detached household, where greed and control reign, Corrine's willingness to lock her own children away for financial gain now feels tragically inevitable. The prequel paints a fuller picture of how the toxic environment shaped her, making her choices both horrifying and tragically human.

While Flowers in the Attic: The Origin does not entirely excuse the horrific actions of the characters we love to hate, it brilliantly fleshes out the emotional and psychological underpinnings that lead to their downfall. Themes of power, betrayal, greed, and emotional manipulation are woven into a gothic tapestry that enriches the Dollanganger mythos, offering a deeper, more nuanced look at the trauma that defined the family.

For longtime fans of V. C. Andrews' series, The Origin is essential viewing. It not only adds new emotional complexity to the Foxworth saga but also shines a light on the dark secrets and tragedies that led to the infamous events in Flowers in the Attic. With its gripping psychological drama and haunting revelations, Flowers in the Attic: The Origin offers a captivating, and at times heartbreaking, look into the origins of a deeply troubled family.

I too grew up on these amazing books of V. C. Andrews. The prequel is even better than the OG that appeared on Lifetime. Damn, near perfection with the high regard of consistency throughout this 4 episode series..Well done Lifetime. Max Irons was phenomenally intoxicating as Malcolm, all because of his good genes Jeremy Irons.

I haven't seen The Flowers in the Attic series yet, so when this came out I decided to start with it. It is riveting. There are so many fingers in this movie, that it keeps you looking around the corner for the next "surprise". The actors do an amazing and hauntingly convincing job as their character's continue to grown and change. Throughly enjoyed this series.

This is best viewed after watching Lifetime's other productions of the Dollanganger series adaptations from the VC Andrews novels. Like the book itself (Garden of Shadows), the impact of Flowers in the Attic (Book or film) will be lessened if this is watched first. It is a story that is written in retrospect. With that said, this lifetime series is probably better constructed and more heavily funded than the Lifetime adaptations that come later in the timeline. It's competent, compelling, and well-scripted material, even as watered down with a PG rating. Hannah Dodd as young Corrine fits a spitting image of Lifetime's future Corrine as Heather Graham. Honestly, it comes down to this: The VC Andrews source material is fantasticly dark, but also very mature, and will probably never get the on-screen justice it deserves. This is the closest any studio has come to re-creating it on film. Until an MA or R rated version of all this material is made, and a network is willing to fund a complete season per novel, this is the best there is and it is pretty good all things considered. At this point, Lifetime is way ahead of the game on VCA adaptations, so might as well just keep sticking with this working formula.

It is a shame to think that many people might skip this ambitious effort by Lifetime, thinking it will be one of their run-of-the-mill efforts, particularly their uneven adaptations of other books in the series. I first sampled it out of curiosity, thinking it could be some goofy, light summer fare. However, I was pleasantly surprised that this miniseries was shockingly good. I am as shocked as I would be had the Hallmark Channel has suddenly put something out that was of the same quality as THE THORN BIRDS. The acting, script, direction and design is excellent, and I believe this is worthy of Emmy nominations--this must have four times the budget of the typical Lifetime effort. This was a delicious, epic, fun ride through some gothic territory and well worth your time, particularly if you were a fan of the book series. If only they could give FLOWERS IN THE ATTIC and PETALS ON THE WIND (the two best books in the series) this much time and budget to tell their spellbinding stories.