Anonymous
- 2011
- Tous publics
- 2h 10min
La théorie selon laquelle c'est en fait Edward De Vere, comte d'Oxford, qui aurait écrit les pièces de Shakespeare. Avec, en toile de fond, la succession de la reine Elizabeth I et la rébell... Tout lireLa théorie selon laquelle c'est en fait Edward De Vere, comte d'Oxford, qui aurait écrit les pièces de Shakespeare. Avec, en toile de fond, la succession de la reine Elizabeth I et la rébellion du comté d'Essex contre elle.La théorie selon laquelle c'est en fait Edward De Vere, comte d'Oxford, qui aurait écrit les pièces de Shakespeare. Avec, en toile de fond, la succession de la reine Elizabeth I et la rébellion du comté d'Essex contre elle.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 7 victoires et 12 nominations au total
- Earl of Essex
- (as Sebastian Reid)
Avis à la une
One other point. This movie is a work of fiction and so if it is loose with certain historical facts, so what? This movie is not a documentary. Rather, it is a fictional historical drama that revolves around a controversial and even shocking plot. Whether Shakespeare is the actual author of the works attributed to him is not the point. That is a matter for debate. What is the point is whether the movie works as a movie. The story is complex, yet the movie manages to engage the audience through strong acting and by presenting a story crammed with political intrigue. Who can say for certain what was going on in England 500 years ago? It is all a matter for speculation, based upon the available historical material, all of which is subject to interpretation. The idea of English writers bickering and fighting over the authorship of plays may seem trite and far fetched, but the conflict makes for good drama, even if it is pure fiction.
This movie is all about story and script writing. It steers through the complicated corrupt Tudor history, entwines them in a way that is more of a mystery than investigative story. But Intriguing plot, stunningly created Tudor London, breathtaking shots.. an impressive mise-en-scene, superb costumes, convincing performances. A good watch.
If, on the other hand, you want a perfectly entertaining and interesting way to spend a couple of hours then you should go and see it. I thought the story was engaging and original (if, like myself, you're not a pretentious academic). The acting was, on the whole, very accomplished. In particular, I thought Rhys Ifans gave a brilliant performance as De Vere and was perfect for the role. I did find Rafe Spall pretty annoying as Shakespeare, but perhaps I should give him the benefit of the doubt as this was probably the aim of the character.
With regards to the historical rewrite then surely if people are interested in what 'Anonymous' suggests they'll try to find out more about the subject in order to make their own mind up. Nothing wrong with that. And those taking Hollywood's version of history at face value are pretty much beyond help anyway.
Certainly one of the most memorable movies i've seen (for the right reasons) this year.
If it's difficult for you to imagine a historical costume drama done by the director of "Universal Soldier," "Stargate," "Independence Day," "Godzilla," "The Day After Tomorrow" and "2012," you are not alone. :-) I suspected that the screenplay (by John Orloff) came first, and that Emmerich discovered it and became enamored of it, and a quick trip to the IMDb verifies that this intuition was correct. It also informs me that Emmerich, taking advantage of the money he made on the previous films, paid for this whole movie out of his own pocket, so that he could have full control of the film, without interference from any studio. It shows.
It's not a bad movie at all. And this is something I never thought I'd find myself saying about a Roland Emmerich movie. The cast is simply to die for: Vanessa Redgrave as Queen Elizabeth the elder; her daughter Joely Richardson as Elizabeth the younger; Rafe Spall as Shakespeare (a talentless clod of an actor); Sebastian Arnesto as Ben Johnson (a talented playwright, but not even in the same galaxy of greatness as the author of Shakespeare's plays); David Thewlis as William Cecil; Edward Hogg as Robert Cecil; Derek Jacobi doing the prologue; Jaime Campbell Bower (from "Camelot") as the younger Edward de Vere, 17th Earl of Oxford; and Rhys Ifans as the older Edward de Vere, and the real author of Shakespeare's work.
As presented, the plot is not at all a scholarly argument for the Earl of Oxford's authorship of these plays. It is instead a clever reimagining of historical events (some treated as loosely as Shakespeare himself treated actual history) to turn the answer to the mystery that scholars argue about into a taut political thriller. In Orloff's/Emmerich's vision, Edward de Vere wrote the plays and published them under someone else's name for no less a reason that to foment revolution, change the course of history, and determine the next king of England.
And damnit, that reimagining kinda worked for me. The sets and costumes are pitch perfect, the performances are good, and the potential is there for a good time to be had by all. Like anything related to Shakespeare, the more you know about him and his work, the better this film will be for you. There are so many asides and in-jokes that I cannot begin to go into them. Orloff really did his research. Except for the part about Edward de Vere having died before at least 10 of Shakespeare's plays were written, that is. But that's just a nitpick, and should not stand in the way of writing a good drama. Those kinds of historical nitpicks did not deter Shakespeare, and they don't deter Orloff and Emmerich. All of them understand that "The play's the thing," and that history doesn't mean diddleysquat compared to that.
Le saviez-vous
- AnecdotesVanessa Redgrave and Joely Richardson play the older and younger versions of Queen Elizabeth respectively. In real life, they are mother and daughter.
- GaffesThe playwrights in the movie are all astonished that Romeo and Juliet is written in verse, specifically iambic pentameter. In fact, English drama had been written in verse for hundreds of years, and mostly in iambic pentameter for about the previous 25 years. Prose drama, not poetry, was the innovation.
- Citations
Anne De Vere: You, your friends, your blasphemous theater have brought nothing but ruin and dishonor to this family.
Ben Jonson: Ruin? Dishonor? My lady, you, your family, even I, even Queen Elizabeth herself will be remembered solely because we had the honor to live whilst your husband put ink to paper.
- Crédits fousApart from the production companies, the only opening credit is the movie's title, displayed on the marquee of the prologue's theater.
- ConnexionsFeatured in Maltin on Movies: The Rum Diary (2011)
- Bandes originalesNight of the Long Knives
Written by Byrd & David Hirschfelder (as Hirschfelder)
Performed by David Hirschfelder
Courtesy of The Decca Music Group
Under licence from Universal Music Operations Ltd.
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Nặc Danh
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 30 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 4 463 292 $US
- Week-end de sortie aux États-Unis et au Canada
- 1 021 768 $US
- 30 oct. 2011
- Montant brut mondial
- 15 395 087 $US
- Durée
- 2h 10min(130 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1