Saint Omer

In a court room in Saint Omer a lady's tried, it's quite bizarre just what she's done, the reasons why, as she's questioned by the beak, the facts and reasons she doth seek, as to why a baby girl was drowned and died. The defendant makes the case that there's a curse, that's been administered by someone who'a averse, to the things that she has done, the way she's lived under the sun, it's intriguing but it's also quite perverse. In the stalls a woman listens with intent, the story of a life, the way that it's been bent, finds too many parallels, in the tale that she sells, and it causes her some confusing lament.

It's a curious piece of filmmaking based on real events, events that are perhaps more relatable to the filmmaker than anyone else, but it's a fascinating watch and might introduce you to the ways of the French legal system, some Greek mythology and/or the conditioning that some people undergo (intentional or otherwise) that can result in the most extreme of outcomes.

The difference between passing judgement and serving justice is at the heart of this incredibly moving film. Laying open social issues surrounding isolation, education, assimilation, and culture, whilst taking them apart word by word is beautiful to watch. And extremely emotional to experience. With restraint and very few words, the story of two seemingly connected Senegalese women living in France cross roads with the mythical Medea in a tragic tale of loss. The actors are powerful and I found myself engrossed watching the film even more the second time around. This one is not for the faint hearted.

I have to start by saying as I was left the theater, I was pretty certain I did not like this movie. The acting was impeccable, but there were many long scenes of people sitting and thinking and it caused me to lose focus. But after leaving and reflecting on the story - and more importantly the facts of the real-life court case - it stuck with me. This movie has clear philosophical aspirations and asks the viewer to think about the limits of the present criminal justice system.

It would represent a failure of imagination to not be able to think of at least a couple reasons that a perpetrator may be justified for such a heinous act. Maybe the mother was coerced in some way (blackmail or threat of violence); or maybe it was an internal force like a psychotic delusion. All of which could - while not fully absolving her of guilt - lessen the immorality of the act. But what if the explanation were not something rational? Her explanation to the mystified judge is that sorcery was responsible and while that explanation may not make sense in the context of a western judicial system - it also does not mean she is entirely unjustified.

What happens to a solitary life that resulting from an unfair hand dealt to them? A life that in turn, echos affecting others? Are we truly better off locking them and sending them away? Or should we be bringing them in?

"Saint Omer" is a powerful and thought-provoking film directed by accomplished documentary filmmaker Alice Diop. The film is based on the true story of Fabienne Kabou, a French-Senegalese woman accused of killing her infant daughter and leaving her to drown on a beach. Diop has created a film that leaves the audience with more questions than answers, but it is this approach that allows the film to resonate with anxieties and the undertow of subterranean influence. The film stars Kayije Kagame as Rama, a novelist and professor who is drawn to attend the trial, and Guslagie Malanga as Laurence, the accused woman in the dock. The film's cinematography by Claire Mathon is stunning, and the performances by the lead actors are outstanding. "Saint Omer" is a film that will stay with you long after you've left the theater.

This paints a clear picture of how commonly forced social norms and cultural barriers can largely effect people leading to deplorable acts of violence, almost like a curse that cannot be broken.

I loved what this film presented, a well written, acted and precise story that delivers an interesting broken individual filled with misery. I just wish there was a bit more going on overall with its shot composition, which does the job nicely but in no way stands out, and with it's narrative that, as intriguing as it was, (in my opinion) gave everything it had to give with one viewing.

A good companion piece to Anatomy of a Fall.