Kazhuvethi Moorkkan

"Kazhuvethi Moorkkan" is a cinematic marvel that transcends the boundaries of conventional storytelling. This extraordinary film delves into the depths of human emotions and experiences, enthralling audiences with its mystical allure and thought-provoking narrative. Through a mesmerizing blend of surreal visuals, haunting melodies, and enigmatic characters, "Kazhuvethi Moorkkan" takes you on an unforgettable journey that challenges perceptions, explores the complexities of existence, and leaves an indelible mark on the soul. Prepare to be mesmerized by this cinematic masterpiece, where the extraordinary and the ordinary intertwine to create a tapestry of profound beauty and intrigue.

This film reveals real Ramnad villages and that people's habits. Arul nithi done a roaring performance. This film is his life time best. Location also very fresh. Director weaved this subject by many kind of different characters.

Friendship is ever green formula in cinema. Director gave us another kind of formate friendship. I appreciate director for his talent. He had not stuck in any kind of formula. This film is entirely different from his first one. We can believe his next film also will be a different genre. Munish also delivered a super performance. Iman scored well. Dialogue is very strong.

On the whole, Kazhuvethi Moorkkan has its heart in the right place but succumbs to mediocre writing, and while terrific performances salvage it to be a decent entertainer, the film leaves you wishing for more. On the whole, Kazhuvethi Moorkkan has its heart in the right place but succumbs to mediocre writing, and while terrific performances salvage it to be a decent entertainer, the film leaves you wishing for more. On the whole, Kazhuvethi Moorkkan has its heart in the right place but succumbs to mediocre writing, and while terrific performances salvage it to be a decent entertainer, the film leaves you wishing for more.

This story was about two friends irrespective of their caste have a strong brotherhood with eachother, this relationship breaks-up at a situation where a major misunderstanding arises.

Also the dialogues were pretty good.

Cinematography and music were the main pillars of this films that carries the film throughout end and also support to sit back from our seats. D. Imman by this film proved once again that he is best at his zone which is village based theme films. The surprising factor is his horrific bgm, which comes whenever the visuals of Kazhuvethi appears in screen.

Overall a best movie.

Kazhuvethi was one of the ancient punishment method that was practiced in Tamil Nadu. Although this story has nothing to do with it, it is only used to justify the social message this film speaks about.

This story was about two friends irrespective of their caste have a strong brotherhood with eachother, this relationship breaks-up at a situation where a major misunderstanding arises.

Easily predictable screenplay make this film boring. The characters in writing was the only element which helps the film at many places from becomes boring.

Each and every characters in this film was built well and none of them created unnecessary. Characters namely higher official police, Hero's father, uncle and girl friend, etc.. Were like 'stays in heart' characters. The another reason for this was, the perfect casting choices for that respective character and the performances of the artists. Apart from the acting of Arulnithi and Dushara vijayan, I liked the acting of yaar kannan, Sharath Lohitashwa and Saya devi. Really stunned by their performances.

Also the dialogues were preety good.

Cinematography and music were the main pillars of this films that carries the film throughout end and also gives us a reason to sit back from our seats. D. Imman by this film proved once again that he is best at his zone which is village based theme films. The surprising factor is his horrific bgm, which comes whenever the visuals of Kazhuvethi appears in screen.

One of the best shots that attracted me was the way the cinematographer visualized the heroine's eyes. In that scene, the heroine not only challenging hero to see her eye to eye for a minute, also she challenge us. There were so many visual treats like this in this film especially when the visuals of Kazhuvethi hits us.

This film would have been better if the director gives some equal importance to the story as he gave to the content. Without a proper engaging screenplay any best content would fail to shine.