Le Dossier Maldoror

Fabrice du Welz's "Maldoror" is a brutal and unflinching dive into a world of moral decay. The film is a visceral and punishing experience. A relentless sense of dread and a suffocatingly grim atmosphere propel the narrative forward. Du Welz masterfully creates a claustrophobic and unsettling environment.

This is not a conventional horror or thriller. Instead, "Maldoror" functions as a psychological endurance test. It explores the darkest aspects of human nature with a cold, direct gaze. At 155 minutes, the film can feel long. However, its unflinching look at systemic issues and moral ambiguity is compelling. The film avoids simple answers. It meditates on how broken systems can push people toward questionable choices.

Is It Worth Watching? Yes, but with a strong warning. This film is a powerful and disturbing work of art. It is a skillfully crafted thriller for viewers who appreciate challenging, morally complex crime dramas. The heavy subject matter and extreme content demand emotional resilience. It is definitely not for the faint of heart.

I am not from europe.

2 hours 33 minutes for a movie? It just feels way to long and boring.

If this movie was for 90 or 100 mins, it would have been perfect.

Slow pace, it just gets boring and camera man doesn't not help either.

Story is really good but time takes for execution is very long. Cast and their acting seems alright.

I give this 5 cause its a real story.

Another film that I have to recommend. Saw it yesterday. The film is based on real events. A very exciting film that lasts throughout the entire film. Very well-acted film by the entire ensemble and a wonderful reunion of actress Beatrice Dalle. Who dares to forget the film Betty Blue 37.2 sur le matin? Absolutely not me anyway. The film takes us through a police case that eluded Belgium for a time and the cooperation between different police districts that was not the best. The film is exciting throughout and very intense tension in some parts. Very worth seeing if you like this kind of films.

Inspired by horrifying crimes of infamous Belgian serial killer and child molester Marc Dutroux, "Maldoror" uses that case as a cornerstone to concoct a wholly fictionalised police procedural around, one that follows a young, hotheaded cop whose obsessive nature regarding the case threatens to destroy not only his career but but his entire life as well.

This film just flew by, even with a runtime two and a half hours I found myself fully engaged all the way through (it could have been longer for all I cared) The entire production as a whole is also a triumph, the grimy locations, disintegrating cityscape, disheveled characters and the ever greyed sky above it all sets an amazing backdrop for the dark and depressing story playing out on the screen.

Additionally the performances from the actors are all equally great, so why not a higher rating for this film?

Well, there's some very obvious script problems plaguing this movie, which along with a basic lack of originality or subtlety in regard to the material, severely compromise its many appealing qualities.

The movie starts off with incredibly momentum only to squander a lot of that goodwill when the second half takes a turn down a slightly more ludicrous path, stocking up on needless melodrama and questionable character attributes along the way, which doesn't really take away the watchability in the here and now, but does leave a bit of a sour taste when the movie is over.

But this is still a great watch for crime fans and while the material may seem dark and to some even distasteful (child abduction, pedophilia) I found it to be handled in a way in which it shouldn't be too difficult for the more mainstream audience members to watch along.

So, if you're able to ignore the aforementioned points of criticism, It's ultimately a very effective thriller that awaits you.

In 'Maldoror', director Fabrice du Welz tackles one of Belgium's darkest pages in recent history. The abduction and death of several teenage girls by Marc Dutroux caused a national trauma in 1996. The fact that local police forces and criminal investigators hardly cooperated during the investigation, may have cost the girls their lives. This failure led to a thorough reorganisation of law enforcement.

The movie tells the story from the viewpoint of a police officer, Paul Charlier, who searched the cellar where the girls were hidden. He heard them whisper, but couldn't find them because of the limited search warrant. These events happened in reality, but Du Welz mixes facts and fiction in his film. He portrays the police officer as a typical streetwise cop, who prefers his gut feelings over rules and procedures. Charlier knows he is right, but his superiors have other priorities. Ultimately, his perseverance and lack of respect for authorities lead to his downfall, the end of his marriage, but also to his ultimate moral victory.

The movie is at the same time an exciting police thriller and a character study of Charlier. His strong will is the result from his upbringing: his parents were far from law-abiding. He is determined to be 'on the right side', but for him hunting down criminals is what counts. If rules and regulations stand in the way, he ignores them.

Visually, the film is a joy to watch. The desolate industrial wasteland of Charleroi, where the abductions took place, is used to the maximum. Also, the hopelesness of the city, where unlawful activities seem to thrive, adds to the gloomy atmosphere.

The film documents an important part of Belgian history, and for those who followed the events at the time, it is an interesting interpretation. But some events are clearly fictional. In order to make an exciting police thriller with political elements, the movie abandoned historical accuracy.