NOTE IMDb
6,1/10
3,8 k
MA NOTE
Une avocate est entraînée dans une conspiration après avoir été accusée d'un meurtre qu'elle n'a pas commis. Sa seule chance de survie réside dans la découverte du secret d'un vieil avion al... Tout lireUne avocate est entraînée dans une conspiration après avoir été accusée d'un meurtre qu'elle n'a pas commis. Sa seule chance de survie réside dans la découverte du secret d'un vieil avion allemand de la Seconde Guerre mondiale.Une avocate est entraînée dans une conspiration après avoir été accusée d'un meurtre qu'elle n'a pas commis. Sa seule chance de survie réside dans la découverte du secret d'un vieil avion allemand de la Seconde Guerre mondiale.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 4 nominations au total
Avis à la une
If ever there was a 'foreign' film crying out for a Hollywood remake with a big director, star names and a decent budget, 'Operation Napoleon' is it.
The premise of a mysteriously long missing WW2 Nazi plane and its clandestine mission re-discovered in Iceland (thanks to global warming) is a damn good one.
However the low event feel, wooden cast and annoying crossover of Icelandic and English dialogue ultimately ruins it. Indeed, the film plays out more like a terrestrial tv show than a big screen movie. It even audaciously sets itself up for a sequel in an unneccesary tagged-on ending.
Plus points are the stunning widescreen vistas, good pacing and some reasonable action sequences, but these are outweighed by a clunky screenplay, lack of chemistry between the two leads and the aforementioned wooden acting. Brit actor Jack Fox (from the Fox acting dynasty) is especially bad as a bumbling professor come sidekick, while the sadistic pencil-loving female CIA agent is downright laughable.
I would suggest however, if you can get past all these obvious groans and gripes it's worth a watch, but don't expect a classic of the genre like The Odessa File, Girl with the Dragon Tattoo or Marathon Man... this is more akin to a prime-time Netflix drama set in the snow.
The premise of a mysteriously long missing WW2 Nazi plane and its clandestine mission re-discovered in Iceland (thanks to global warming) is a damn good one.
However the low event feel, wooden cast and annoying crossover of Icelandic and English dialogue ultimately ruins it. Indeed, the film plays out more like a terrestrial tv show than a big screen movie. It even audaciously sets itself up for a sequel in an unneccesary tagged-on ending.
Plus points are the stunning widescreen vistas, good pacing and some reasonable action sequences, but these are outweighed by a clunky screenplay, lack of chemistry between the two leads and the aforementioned wooden acting. Brit actor Jack Fox (from the Fox acting dynasty) is especially bad as a bumbling professor come sidekick, while the sadistic pencil-loving female CIA agent is downright laughable.
I would suggest however, if you can get past all these obvious groans and gripes it's worth a watch, but don't expect a classic of the genre like The Odessa File, Girl with the Dragon Tattoo or Marathon Man... this is more akin to a prime-time Netflix drama set in the snow.
I enjoy reading icelandic crime novels, and although i live in a mediterranean country, i am very attracted to the icy scenes, thick wool sweaters, snowmobiles, and aerial views of snowy forests. I also really like the detective erlendur series of arnaldur indraðsson, perhaps the greatest writer of icelandic detective fiction. The novel which the movie is based on is not one of them, but when i saw indraðsson's name, i was excited to watch it. But the result is a complete disappointment. I wish i had bought and read the book before. The movie is terrible, and now that i know the plot, i have no desire to read the book. The actors seem to have stepped out of a hollywood c-series movie. So, i was quite happy to see a familiar face in the second half of the movie: ólafur darri ólafsson. He did not surprise me again, he is perhaps the only good thing about this bad movie. With his big body, he makes you think how tired he was on the film set, but even if he was, he never shows any signs of tiredness in the films, he moves so easily within the story that for a moment, one can forget that he is watching something fictional. It can still be watched to kill time, but when you take away a few good things like ólafsson, there is almost nothing left...
This is a perfect example of how you completely fail at adapting a book into a movie. The only thing this film has in common with the book is its title.
The story, characters names; their backstory, age and even gender are different from the book in every way. I wonder how the book's author could have possibly greenlit this script. The result is a paper thin film, a typical cliché which brings nothing original or fresh to this genre of "made for Hollywood" film market.
The characters drive, ambitions and goals are never solidified in any believable way. Heck they're barely introduced to the viewer by name half of the time.
Just to top it all, the "plot" behind the movie is hastily explained after everything has transpired, followed by the lame "two weeks later" on a black screen. The tone of the film weirdly changes to an Indiana Jones movie, completely contradicting the vague character building we have been objected to throughout the film.
The ending then gives a hint at a sequel which is funny considering there is only one book. But hey, why not, the book has already been established as a mere formality at this point.
The story, characters names; their backstory, age and even gender are different from the book in every way. I wonder how the book's author could have possibly greenlit this script. The result is a paper thin film, a typical cliché which brings nothing original or fresh to this genre of "made for Hollywood" film market.
The characters drive, ambitions and goals are never solidified in any believable way. Heck they're barely introduced to the viewer by name half of the time.
Just to top it all, the "plot" behind the movie is hastily explained after everything has transpired, followed by the lame "two weeks later" on a black screen. The tone of the film weirdly changes to an Indiana Jones movie, completely contradicting the vague character building we have been objected to throughout the film.
The ending then gives a hint at a sequel which is funny considering there is only one book. But hey, why not, the book has already been established as a mere formality at this point.
This film was part of a festival package for me (films based on books), but I delayed it until the last moment, because I read "action" and "conspiracy". I find American action thrillers extremely dull and dumb - I should have guessed that an Icelandic movie based on a renowned crime author would be completely different. It's captivating, refreshing, unpretentious, humorous, and fully rewarding. Anyone who's a fan of big budgets and larger-than-life "realism" would feel cheated - which already makes me chuckle. I'm glad this author has been filmed, and I'll look forward to both his books and more adaptations.
Not very good film but sometimes almost ok. The best thing about this movie was the pace. The movie never stopped or slowed down to breath. The action was nonstop and that is a good thing because you never had time to think about all the things that are wrong with this movie.
The acting was typical "Icelandic" or wooden. Maybe not all the time but enough to bug me. The leading actress was the worst. Iain Glen and Olafur Darri not so bad. The cinematography was also funky or lackluster. Not sure why but the word amateurish comes to mind. I also didn't buy why some characters did what they did. The motivation was missing or wasn't shown.
There are some scenes that are actually very good or at least not terrible. The fighting scene in the airplane was ok, nothing fancy but did the job. Also one or two scenes with Jack Fox and Vivian. I almost believed they liked each other. But most of the time I was thinking there is something missing here. Maybe better director or more money or both could save this movie from five stars that I'm giving it.
The acting was typical "Icelandic" or wooden. Maybe not all the time but enough to bug me. The leading actress was the worst. Iain Glen and Olafur Darri not so bad. The cinematography was also funky or lackluster. Not sure why but the word amateurish comes to mind. I also didn't buy why some characters did what they did. The motivation was missing or wasn't shown.
There are some scenes that are actually very good or at least not terrible. The fighting scene in the airplane was ok, nothing fancy but did the job. Also one or two scenes with Jack Fox and Vivian. I almost believed they liked each other. But most of the time I was thinking there is something missing here. Maybe better director or more money or both could save this movie from five stars that I'm giving it.
Le saviez-vous
- GaffesWhen Elias calls Kristin from the glacier, he uses a normal mobile phone not a satellite phone. Cell coverage in Iceland is limited to cities and main roads - he would have had no service in the middle of a glacier.
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- How long is Operation Napoleon?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Operation Napoleon
- Lieux de tournage
- Langjökull glacier, Islande(location, double for Vatnajökull glacier, Iceland)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 1 618 $US
- Week-end de sortie aux États-Unis et au Canada
- 909 $US
- 13 août 2023
- Montant brut mondial
- 469 632 $US
- Durée1 heure 42 minutes
- Couleur
- Rapport de forme
- 2.35 : 1
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