Le Jour où j'ai décidé de me prendre en main

My wife picked this movie, and we enjoyed it for the most part. It's a comedy, but it's not hilarious funny. It has a few good cringe moments. The main character is believable and likeable. In general, I believe this movie was made for women, which is a bit unfortunate. The male characters are weak, whiny, and manipulative. Apparently, men are the single biggest problem in women's life. This message becomes painfully obvious in the last few minutes of the movie. This is a rather silly point of view, but it wouldn't have bothered me much, if they didn't push it so hard at the very end. If "the message" doesn't bother you, and you enjoy cringe comedy, then I would give it a shot.

The film begins on a promising note, offering some genuinely humorous moments. However, as it progresses, it becomes increasingly predictable, relying on repetitive humor scenarios in which the central character, Hanna, finds herself in embarrassing situations.

One of the central questions raised by the film is its underlying message. Initially, Hanna is depicted as a character with significant flaws - she neglects her family's needs, makes major financial decisions unilaterally, and appears emotionally distant. Towards the film's conclusion, she declares that she won't change who she is, and others should accept her for it.

This choice is somewhat perplexing, as it misses an opportunity for a more intriguing reversal of stereotypes, where a female character could be portrayed as a workaholic instead of the traditional male figure. Moreover, it departs from the common theme found in many films that emphasize the importance of family. In this case, the movie conveys a somewhat contradictory message, suggesting that individual desires should take precedence, and others should unquestioningly accept one's behavior. This message strikes an unusual and somewhat perplexing chord, at least in my interpretation.

Contrary to some other reviews, I found this movie hilarious and uplifting. Masturbation does feature, obviously, and it's up to the viewer to decide whether to take it literally or metaphorically - either way, it works. We follow the main character through what should be the most depressing period of her life, during which time circumstance forces her into the company of people she'd never have ordinarily met, all of whom enrich her life, while at the same time she re-evaluates her existing relationships from a new perspective. They say when you hit rock-bottom, the only way is up, and she rises like an surprised Phoenix from the ashes. If you do take my advice and watch this lovely movie - watch the credits to the very end.

Ultimately, the film is a slow downward spiral until the third act's climax and tone shift. For what it lacks in originality, and the stereotypical tropes of female empowerment and middle age crisis it repetitively falls into, it makes up for with some lighthearted humor. I would caution to say it's an interesting character study, as much of the narrative is too predictable. This film is perhaps slightly more polished and mature than your typical Romcom is, though likely just as satiable for that target audience. There is little to like in this movie, which is why I would recommend to skip it.

This movie script must have been written by some of the laziest... something, anything... but not writers. Besides the usual feminism BS that is flooding the screen nowadays (with the usual bumbling idiots, aka man) there is so very little that makes any sense in this movie. There's no structure, no actual progress, just feelings and life changing advices received by what a seems a successful women from another one she accidentally met, some extremely reliable person that is passing thru life hopping from meaningless job to another (bar keeper, dogs walker, some sort of a fitness instructor and the sort).