Family Dinner

Peter Hengl is one sick puppy, and I mean that as a compliment. He is both the writer and director of this wicked German film.

A teenage girl seeking to lose a few pounds is left with her aunt by her mother six days prior to Easter Sunday but do not expect a big bunny rabbit with colored eggs for the Holiday celebration.

Instead, the best selling author of diet books takes the young girl under her supervision with a crash diet program of no food for the six days leading up to a wonderful dinner with the aunt, her young son and her live-in boyfriend.

The diet coach is a strange woman filled with what seems to be a new age kind of religion. Earth mom is not playing with a full deck.

The ending was not a surprise to me but I still recommend Family Dinner.

No pun intended - someone who supposedly is good at diets, should be able to help a family member out, right? Well you would think that, but on the other hand, it seems like she has issues to keep her own son in check, so maybe she is not the best person to get advice from.

Now overall I assume most will know (predict) where the movie is going. You will not get bonus points (or brownies for that matter), if you guess that right. Even the weirdly placed wooden ritual thing is very on the nose. Still, this is a first time filmmaker (feature length that is) and maybe you are able to cut him some slack for that.

The performances are good, though quite understated. As intended I assume. There is insanity, but there could be more. There is some logic to it all, but there could be way better decision making. From all involved ... but it is what it is. Either go with the flow or leave it be.

Family Dinner is the feature debut of writer and director Peter Hengl, who had only produced short films previously. However, the bold red title font emblazoned across the opening credits, hint at the pedigree of the filmmaker as it reminds the viewer that he is a past student under the tutelage of the legendary Michael Heneke (Funny Games, Hidden) at the Vienna Film Academy. Hengl wears this influence on his sleeve as he crafts a morbid, murky, and brooding film that would garner praise from his former professor.

An overweight teenager (Nina Katlein) spends the Easter holidays at her famous nutritionist aunt's farm in the hope of getting help to lose weight, but soon after her arrival, she begins to suspect that something is very wrong and that her family should not be trusted.

Experienced horror fans will have no problem predicting where Family Dinner will go at its conclusion, but the journey will be mesmerising and harrowing. The German-language film is very deliberately paced in the rich history of elevated European cinema, but each scene crackles with intent and intensity. The viewer is left unnerved and unbalanced with each new interaction between characters who clearly have hidden motives.

Nina Katlein is a revelation as the determined Simi. The character sets her mind to something and fully commits to it and the actor beautifully manages to capture the duelling parts of Simi's personality as she struggles to make sense of the escalating tensions in the home of her aunt. Katlein effortlessly shifts between determination, compassion, fear, and bravery, as she crafts a fully-fledged three-dimensional person with specific goals and uncertain boundaries. She grapples with her unhealthy habits, but remains focused on body positivity and staying true to herself throughout the attempt to lose excess weight.

Pia Hierzegger is equally superb as the jittery and manipulative Aunt Claudia whose dialogue is layered with venom and disdain. Her performance is grotesque, unhinged and hypnotic, with each scene building momentum towards a brutal outcome which our protagonist is oblivious to.

The sound design for Family Dinner is a character in its own right as it gets under the viewer's skin. Creepy, but fun sound-effects make connections between the food being consumed, the physical changes the characters undergo and the continuous build-up of tension. The audience becomes a complicit voyeur, as Hengl immerses them in a strained and weird, but relatable, family dynamic, while the pacing keeps us, and Simi, mystified by the unsettling and perplexing events. The foreshadowing wonderfully pays off as a reward for anyone paying close attention to the unfolding madness.

Family Dinner is a deviously delicious recipe of psychological manipulation and macabre horror that combines effectively into a feast of a meal and gives us a cinematic first; a horror film set during the Easter period. Move over Halloween and Friday the 13th. Give way Killer Santa because the Easter Bunny has a malicious and creepy tale to tell.

The film was advertised as a domestic horror film and the mood and the location was very well met. In terms of action, the whole film takes place on a farm in the countryside (Lower Austria), the actors are all very convincing and were well chosen. Pia Hierzegger is of course fantastic as the aunt, very believable.

The label horror film is too strong for me, although it certainly fits into the genre, but measured against today's usual horror films, the film is already rather harmless, more psychological thriller. Also, the film offers little surprising.

The story: overweight teenager Simi visits aunt Claudia, a nutrition expert, in the countryside (with hopes to be helped with dieting), with (newly married) uncle Stefan and cousin Fillip (from the first marriage of the aunt). Simi feels uncomfortable from the beginning, the cousin a creep, the aunt strict, the uncle too nice?

I felt they got inspired by films like "Get Out," "The Wicker Man," as well as some Hammer films from the sixties. Without giving more away, you definitely guess what the whole thing is leading up to in the course of the film. That's what I meant by unsurprising. I was missing a twist that would change your view of the story and question your perception, so to speak, but that twist doesn't come. Conclusion: well done, but not top notch.

A slow moving, atmospheric, uncomfortable viewing is not going to be everyone's cup of tea... but there was something I quite liked about this one. It viscerally makes you uncomfortable and I love when a movie is able to do that. The acting is pretty great all around as well, everyone had very solid moments.

There truly wasn't all that much to the story here. There were hints of folk horror aspects here and there but nothing was ever really explained or elaborated on. This kept up the air of mystery, but I would have loved a little more just as far as a semblance of a solidified story's sake goes... that was a little lacking for me. But as a whole experience, it was a positive for me. 5.5 rounding up to a 6. Would recommend.