Une ancienne chauffeuse pour des criminels se retrouve forcée de replonger dans son passé lorsqu'un ancien employeur lui propose un marché pour sauver la vie de son ex, aussi instable qu'imp... Tout lireUne ancienne chauffeuse pour des criminels se retrouve forcée de replonger dans son passé lorsqu'un ancien employeur lui propose un marché pour sauver la vie de son ex, aussi instable qu'imprévisible.Une ancienne chauffeuse pour des criminels se retrouve forcée de replonger dans son passé lorsqu'un ancien employeur lui propose un marché pour sauver la vie de son ex, aussi instable qu'imprévisible.
Jon Elliott
- Stilts
- (as Jon Elliott Solomon)
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This movie hits home in so many ways. Samara did a great job as a person that struggles to have control of her life, but can't break free, because loyalty can be a curse.
The car chase scenes were used to not as a main point, but to give a break from some heavy drama, which I appreciated.
Kudos to Marshawn, his acting is improving, keep up the good work, there's lots of room for improvement.
I would have given the movie a 7, but it's pace was good enough that I didn't check my phone/tablet the entire movie, which is very rare for me. So the extra star was for Shawn Simmons' directing and Chris Patterson's editing.
The car chase scenes were used to not as a main point, but to give a break from some heavy drama, which I appreciated.
Kudos to Marshawn, his acting is improving, keep up the good work, there's lots of room for improvement.
I would have given the movie a 7, but it's pace was good enough that I didn't check my phone/tablet the entire movie, which is very rare for me. So the extra star was for Shawn Simmons' directing and Chris Patterson's editing.
Well acted, witty, fast-paced. Exactly what we needed for a Saturday night in. I was actually quite impressed considering hopes were low based on the ratings and it had my preconceived notions to overcome. Now I wonder if I would've scored it higher had I not let keyboard warriors into my head. I need five more characters for this review to be complete. Done.
It's shallow, with the plot and vibe bringing little to the table, yet I enjoyed every minute of it. I wasn't preached at, signaled at what the correct world view I was supposed to have, or even tried to impress me with masterful writing or directing. If I was rating this movie in an earlier year, I would probably rate it lower. But with absolute unwatchable garage getting 7-8 ratings, this easily scores as a 7 in my book.
This is like a low-effort version of 'Crank' - less action, more 'vibe'. If you aren't in the mood for that vibe, it might rub you the wrong way. Decent enough car scenes to be entertaining, decent enough acting to sell the casual 'what did I do?' vibe, and chaotic enough to entertain.
This is like a low-effort version of 'Crank' - less action, more 'vibe'. If you aren't in the mood for that vibe, it might rub you the wrong way. Decent enough car scenes to be entertaining, decent enough acting to sell the casual 'what did I do?' vibe, and chaotic enough to entertain.
I just finished "Eenie Meanie" and I'm left wondering what the point was. The film's script is so incredibly weak that it makes the entire experience feel ponderous and slow. The dialogue is unnatural and tries way too hard to be witty, which just comes off as forced and cringeworthy. I was really looking forward to this, especially after seeing Samara Weaving in the trailer, who is usually amazing. But even she can't save the central relationship between the main character, Edie, and her ex-boyfriend. He's so utterly unlikable and a walking liability that it's impossible to believe why she would go to such lengths for him. It's frustrating to watch and completely undermines her strength.
Is it worth watching? Not really. It's a classic case of a film that has a decent cast and a tired premise, but gets held back by its flimsy plot and sluggish pace.
Is it worth watching? Not really. It's a classic case of a film that has a decent cast and a tired premise, but gets held back by its flimsy plot and sluggish pace.
Once again, Samara Weaving absolutely shines in a middling film that struggles to find its true footing amid abrupt genre shifts. For the most part, the film feels like a silly action comedy with shades of Bonnie and Clyde, but there are scenes in between which indicate that it's also a relationship drama and a heist thriller. Whenever there are veterans like Steve Zahn or Andy Garcia involved, the film puts on a rather serious face. And where I'm most conflicted about Eenie Meanie is in its conclusion -- it does make sense from the perspective and character arc of Edith (Weaving), but it's also likely to leave viewers on a bittersweet note. Weaving looks hot, performs well, and gets full marks here. That's most certainly the oomph factor in a not-bad, but soon-to-be forgotten flick.
Le saviez-vous
- AnecdotesSamara learned to drive for the role
- GaffesIn the opening scene with her parents, Edie is 14 years old. The movie flashes forward to 14 years later, making Edie 28. Later in the movie, there is a reference to when Edie was 15 and a comment that it was 15 years ago, making Edie 30. Later in the movie where she's sitting the car talking to her dad again, she says, "18 years is a long time not to go get your daughter."
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- How long is Eenie Meanie?Alimenté par Alexa
Détails
- Durée
- 1h 46min(106 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
- 2.39:1
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