The Big 4

Timo Tjahjanto is one of the best action directors in the business. If you need convincing, just watch Headshot (2016) and The Night Comes For Us (2018), both of which deliver amazing fight choreography and brutal violence aplenty.

Unfortunately, Timo doesn't appear to be so great at comedy, of which there is lots in The Big 4; his attempts at humour in this film are pretty terrible, making it quite tedious at times, especially whenever the film takes a break from the kicking and punching and shooting and explosions.

Things kick off in fine form, as the titular quartet of vigilantes make a gang of evil organ traffickers pay the price for their crimes. It's gleefully OTT, the screen painted red with the blood of the guilty. The foursome -- Topan (Abimana Aryasatya), Jenggo (Arie Kriting), Alpha (Lutesha) and Pelor (Kristo Immanuel) -- have been trained as assassins by their adoptive father Petrus, whose real daughter, policewoman Dina (Putri Marino), has no idea about her dad's other 'children'.

Three years later, Petrus is murdered, and Dina investigates, discovering her father's secret...

The comedy kicks in when Dina encounters her 'brothers and sister', who have now retired from the killing business, and the film suffers for it, the silliness being more irritating than funny. Of course, the film ends with a jaw-dropping action set-piece in which Tjahjanto piles on the stylish ultra-violence with aplomb, but it's not easy to forget all of the daft nonsense that precedes it.

9/10 for the action, 2/10 for the rest, which averages out at 5.5/10 (rounded up to 6 for IMDb).

Nothing new in terms of storyline, we've seen a lot of this kind of story in Hollywood movies, but I have to admit that the CGI and the martial choreography is good and nice to watch.

Abimana and Putri Marino are the main casts that really standout, well done...!!

The other casts seem to be occupied with the script that makes them unable to develop characters.

Honestly, I do like the harsh words used in this movie, although a little cultural shock for me, but it relevant to the characters and the kind of life they are in.

The comedy in the scripts are quite good, it do tickles and make me smile and laugh.

Nice film, with good actor.. for indonesian movies, is very amazing and awesome,. The way director took a film so coll and cinemart..

That's what i kept on saying when watching the movie.

It was a thrilling watch, that's for sure. The action was solidly well choregraphed; the filmatography was briliant. The movie somehow balanced the gore and comedy seemlessly; and CGI showed some high quality work. The story was well told; the plot was straight to the point, without any unnecessary scenes (don't you hate it when they tend to drag it out? I mean, just get to the point!). The cast was great! They really delivered. I've been following Kristo Immanuel for a while, and I was really glad to see him in bigger projects like this one (and really nailed it!).

I thoroughly enjoyed the movie. I was laughing and biting my nails at the same time. Indonesian movies have come a long way -- I mean, the talent 💯

Solid movie with action, gore CGI, good humor, but it doesn't have gun recoil whatsoever in the movie. Everyone knows that when you fire a gun, it will kick back, it is called recoil, but this movie fails to show that simple detail, even when the skinny girl fires the bazooka, no kick back whatsoever, it is a freaking bazooka!!

Sometimes, good attention to details will make it a great movie, I dont know why am I so bothered about this "receh" detail. But overall this is a good movie, story is simple, comedy is good, cinematography is top notch. Putri Marino character is angry all the time I dont know why tho...

Tjahjanto's The Night Comes For Us is one of the best, most brutal action films I've seen in recent years, and Headshot was also a solid contribution to the genre, so I expected quite a lot more from this.

Sometimes comedy is very unique to certain cultures and doesn't really translate well. I don't know if that's the case here or if it was just not well-written, but most of the comedic parts (which make up the bulk of the film) are really cringe-inducing and not entertaining. The parts where the comedy mixed with the action were somewhat more successful. But overall there is just not enough action here.

At almost 2 and a half hours, the film is simply too long. They could have cut half an hour and it still would have been excessive. Tonally, the film is all over the place, and not in a way that was very satisfying. The best parts were those in which the violence was hilariously and intentionally over-the-top. But there were really only a couple of scenes like that in the entire film, and the "down time" between those moments was frankly difficult to sit through.

They clearly set this up for a sequel. I do think there's potential there, but only if it's a lot more focused than this first film and better prioritizes the action over the silly character moments that don't really work.