The Pod Generation

Like others said, this film very much feels like an extended Black Mirror episode, but without a twist or something edgy to make it memorable.

This young couple want to have a baby in a world where babies can be made in artificial wombs i.e. Egg-shaped "pods". The woman (a nice portrayal by Emilia Clarke - the American accent was probably unnecessary given that there's no relevant backstory) is a highly successful professional, working for the same corporation that actually offers the pod services. She's an all around modern woman, having accepted the quirks and conveniences of this very high-tech society. Her husband, on the other hand (a warm and relatable portrayal by Chiwetel Ejiofor) is an old-school botanologist, who loves nature and is sceptical towards all of this tech taking over natural processes like pregnancy and childbirth.

You'd think that this conflict would drive the plot, but it doesn't. It somehow gets resolved very easily, without much of a takeaway and that's the problem of the whole film. No conflict, no high stakes, no twists or sinister revelations, just literally what it says on the tin: a couple having a baby in a pod.

There is no discernible stance or point that the film is making. If the point is "natural is better", it is made in a very underwhelming manner. If the point is to offer some food for thought and debate, then it also fails: there is, for example, the angle of this method of reproduction being liberating for women and an opportunity for men to bond with their unborn baby in a more meaningful way - but this gets quickly dismissed and satirized as if there isn't a deeper discussion about bodily autonomy and gender roles behind it.

One thing I will praise is the pace and aesthetic. I didn't find it slow, despite the lack of an exciting plot. And that's an achievement of the art department, which made the whole flow and visuals soothing and satisfying.

Decent effort, but ultimately powerless.

Start's off strong and intriguing with dark undertones..... around halfway through the film however, it just suddenly turns silly. The behaviour of the two leads becomes juvenile and slapstick and it goes from alluding to being more of a thriller into a light hearted comedy. It also slows pace massively and the second half is just padded out with nothing really interesting happening and just more of a romance story.

This would have been better suited to an hour long short show, and it ending with a sinister tone. The two leads act well with what they are given. The dreamlike sequences were also overused massively and irrelevant to the story.

I liked the premise of the film and the visuals so it had that going for it. It got the sci-fi aesthetic right at least.

"The Pod Generation" had the potential to shine as a gripping Black Mirror episode, with a compact runtime of just one hour. However, it seemed to have been needlessly stretched to 111 minutes, weakening its impact and leaving the narrative feeling rather hollow. Throughout the film, there were several scenes (dream scenes, therapy sessions, ...) that felt exuberant and ultimately failed to contribute significantly to the story, resulting in a sense of dragging and stagnation.

Even with the extended runtime, "The Pod Generation" left viewers with a lingering sense of incompleteness, as though there were unresolved threads that needed further exploration. I would have loved further world building or an extension of the conspiracies that were teased. Without any of that, the story could have been tighter, focusing on its core themes and plot points, and it would have benefitted from a more concise approach to storytelling, akin to the thought-provoking brevity that Black Mirror is known for.

This one kind of stumped me. I'm a fan of Emilia Clarke, I'm always down to watch any new projects of hers...and yet, something about "The Pod Generation" just seemed a little off to me. It was good enough overall, I didn't hate it. But the execution was so-so. Dialogue seemed clunkily-written and the overall pacing was too slow to fit under the traditional sci-fi genre. In fact, I'd classify this as a 'futuristic drama', more than anything. It has its quirks, but I didn't find it a romantic comedy, either. The repetitive dream sequences were thought-provoking but really went nowhere.

Emilia Clarke gives a solid performance despite her character's lack of backstory and depth. I think maybe that's what it's missing...the plot itself has potential but it never quite lives up to it. Mr. Chiwetel also gives a good performance, but there's no soul to this movie...aside from Emilia Clarke's truly radiant smile.

Just a set of confused parents-to-be, trying to sort out the rules and regulations around an AI-assisted "pregnancy" (via a Pod, hence the title). Alas, it was a great premise. As others had said, it would've made a stellar story for the TV show Black Mirror. (I would award automatic bonus points if Emilia and Chiwetel had still appeared!)

The Pod Generation isn't perfect and the responses have been pretty mediocre and low from the general public and critics but personally, I thought it was decent.

The movie explores an interesting narrative concept about the futuristic world of artificial wombs or pods with some beautiful futuristic production designs and make-up throughout. The camerawork is pretty good with the colorful lightening, settings, designs and special effects helping to add the futuristic setting and environment. With an solid soundtrack and direction as well.

The narrative is interesting and does provide some strong elements about human evolution and technology together. However, some of the narrative themes does feel a little preachy and inconsistent regarding it's message and social commentaries that is is trying to explore. The performances from Emilia Clarke and Chiwetel Ejiofor are pretty great and the two of them have surprisingly pretty good chemistry between on another.

One of the weaker elements are the characters as the characters aren't as fully interesting or engaging to connect with as much. There are some decent dialogue moment as well. Some of the pacing could have been improved.

Overall, it's decent.