Dans un village irlandais isolé, Finbar, endommagé, est obligé de se battre pour la rédemption après une vie de péchés, mais quel prix est-il prêt à payer ? Au pays des saints et des pécheur... Tout lireDans un village irlandais isolé, Finbar, endommagé, est obligé de se battre pour la rédemption après une vie de péchés, mais quel prix est-il prêt à payer ? Au pays des saints et des pécheurs, certains péchés ne peuvent être enterrés.Dans un village irlandais isolé, Finbar, endommagé, est obligé de se battre pour la rédemption après une vie de péchés, mais quel prix est-il prêt à payer ? Au pays des saints et des pécheurs, certains péchés ne peuvent être enterrés.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 7 nominations au total
Ciarán Hinds
- Vincent O'Shea
- (as Ciaràn Hinds)
Avis à la une
Once again one of the better Liam Neeson films. The film is entertaining and has a great cast. The simple story, about IRA terrorists who cross paths with Liam Neeson, stands out above all because of the camera. The landscape shots are beautiful. The music is atmospherically good. The film is told in a straight forward manner. No action fireworks, but a quiet and atmospheric thriller. A worthwhile film that is surprisingly different to otherwise tried and tested Liam Neeson films. It's amazing what this little film brings out of its actors in terms of performance. Little jewels in a simple setting.
In the Land of Saints and Sinners shows perfectly how you make a solid movie without putting billions into special effects and explosions - just tell an old tale new with the help of a superb cast. Especially the acting shines bright in this little flick and makes the story and the characters believable. No doubt, for someone just wanting lots of bum bum and computer generated gimmicks a la Fast and Furios or Tom Cruise's quests on high octane, this won't work to well, but for someone who wants a well told story, this one will do and provide plenty. Not an excellent one but a good one for sure.
Liam Neeson has been pumping out so many slightly generic action/revenge thrillers with the regularity of an alarm clock since Taken took off in 2008 that sometimes it's refreshing to see him do... an actual movie lol. In The Land Of Saints & Sinners is admittedly an action/revenge thriller by definition but it's a damn sight more thoughtful and artistic than most he's done lately and reminds us just what a powerful presence he can be with the right material. Here he's Finbar, a hitman in 1970's Northern Ireland who works for a local kingpin (Colm Meaney) whose outfit solely targets bad people. Finbar has vowed to give up killing, until he can't help himself knocking off the relative of a friend of his whose daughter the guy has been molesting. One less scumbag in the world, the only problem being that this particular scumbag is heavily connected to IRA factions that have been skulking in the area and soon his fiery sister (Kerry Condon) comes looking for those responsible with guns blazing. This is a wickedly suspenseful, character driven piece with vicious bursts of violence and terrific passages of philosophical dialogue in between. Neeson hasn't been this good in a while, he isn't simply on tough guy autopilot, he's actually playing *somebody.* Condon is terrifying as the fierce villainess, a monster who lost sight of her cause long ago and despite twisting morality to suit her own bitter agenda, isn't without a humanity herself that emanates through in her performance. Jack Gleeson proves that he's got more that Joffrey Lannister's sickening impudence in his acting stable and provides solid character work as a younger hitman with an unfortunate past who both admires and resents Finbar, while the usually striking Ciaran Hinds is oddly and sadly underused as the ineffective local policeman. This is a fine thriller with a rock solid, emotionally charged Neeson performance, intense antagonist work from Condon and gorgeous Irish scenery, one of the strongest films so far this year.
After one generic action movie after another, Liam Neeson stars in a different kind of movie.
Although I thoroughly enjoyed the former, this movie was a pleasant surprise for me for two reasons: first, it's a slower paced movie that's more of a drama than an action thriller. Secondly (and most importantly), there is no clear line between good and evil. Most of the characters can be seen as both saints and sinners in their own way.
I also liked the actors (besides Liam Neeson, especially Ciarán Hinds), the score and the landscape shots.
If you like Liam Neeson's earlier action movies but want to see something different with him in the lead role, you should watch this movie!
Although I thoroughly enjoyed the former, this movie was a pleasant surprise for me for two reasons: first, it's a slower paced movie that's more of a drama than an action thriller. Secondly (and most importantly), there is no clear line between good and evil. Most of the characters can be seen as both saints and sinners in their own way.
I also liked the actors (besides Liam Neeson, especially Ciarán Hinds), the score and the landscape shots.
If you like Liam Neeson's earlier action movies but want to see something different with him in the lead role, you should watch this movie!
I suppose this worked for me not because it has Liam Neeson dispensing typical Liam Neeson savior duties, but for its '70s Irish backdrop, some fine supporting performances, and a snowball-ish plot. For a change, Neeson looks and feels comfortable on his home turf, and his "good heart" becomes the reason for things spiraling out of control. An attempt to help one of the locals invites trouble, and though this is somewhat of a cliché in actioners featuring older stars, the story progression is quite interesting. Kerry Condon, in an antagonistic role, is having fun and chewing up the scenery (I can't wait to see how good she is in Night Swim). There's also the amusing sidekick character played by Jack Gleeson and the confused cop friend played by a reliable Ciarán Hinds; both commendable. Tom Stern's effort in capturing panoramic Irish imagery is probably the strongest reason, however, to watch the film.
Le saviez-vous
- AnecdotesDespite being an American, Robert Lorenz decided to keep the film as authentically Irish as possible, not only employing an all-Irish cast, but also employing an all-Irish crew.
- GaffesAt 6 minutes in, when Finbar and the Garda are discussing the broken sign, two wind turbines can be seen on a hill in the distance on the right-hand side of the screen. The 1st wind turbine in Northern Ireland wasn't until around 1995. The film is set in 1974.
- Citations
Finbar Murphy: There's more to me than this. I'd like people to see it.
- Bandes originalesIt's All in the Game
Performed by Tommy Edwards
Words & Music by Carl Sigman & Charles Dawes
(c) Music Sales Corporation, 1951 WC music Corp.
(c) Larry Spier Music LLC
With kind permission of Bosworth Music GmbH, Intersong Musikverlag GmbH and Downtown Music Services
(p) 1958 UMG Recordings, Inc.
With kind permission of Universal Music GmbH (Switzerland)
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- How long is In the Land of Saints and Sinners?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Saints & Sinners
- Lieux de tournage
- Kilcar, County Donegal, Irlande(Football match and street scenes)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 2 258 795 $US
- Week-end de sortie aux États-Unis et au Canada
- 1 034 132 $US
- 31 mars 2024
- Montant brut mondial
- 3 629 978 $US
- Durée
- 1h 46min(106 min)
- Couleur
- Mixage
- Rapport de forme
- 2,39:1
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