In the Land of Saints and Sinners

In the Land of Saints and Sinners shows perfectly how you make a solid movie without putting billions into special effects and explosions - just tell an old tale new with the help of a superb cast. Especially the acting shines bright in this little flick and makes the story and the characters believable. No doubt, for someone just wanting lots of bum bum and computer generated gimmicks a la Fast and Furios or Tom Cruise's quests on high octane, this won't work to well, but for someone who wants a well told story, this one will do and provide plenty. Not an excellent one but a good one for sure.

STAR RATING: ***** Brilliant **** Very Good *** Okay ** Poor * Awful

In the early 1970's, a rebel IRA faction, headed by Doiraenn McCann (Kerry Condon) plant a carbomb in a side street. Meanwhile, Finbar Murphy (Liam Neeson) is a former World War II veteran and mercenary, carrying out assignments for contractor Robert McQue (Colm Meaney.) Burnt out and cynical, he finds a personal reason to care when he sees a young girl being controlled by Curtis Jane (Desmond Eastwood), which sets in motion a shattering chain of events, involving a collision with Doiraenn and her clan.

No matter how much time passes, the western remains one of the most enduring genres, always finding new life in different variations in different styles of films, even to the point of being used in films set in the present times. Director Robert Lorenz is the latest example of this, following in the footsteps of films like 2016's Hell or High Water, with this slow burner. If you don't know it's been framed as a 'modern western', it won't immediately dawn on you, making the experience all the more of a meandering one.

Set against the backdrop of some pretty turbulent events in Ireland's history, it gives it some pretty heavy baggage to contend with, against the motivation of making some kind of modern day Clint Eastwood film. But in terms of lead star Neeson, it just feels like another notch on the post of his later life action hero trajectory, which he infuses with his usual gruff, mumbling style, to much the same effect as ever. He's propped up by a support cast, including veteran's such as Meany, and Condon, who is effectively icy and hard faced as the dogged central protagonist.

For die hard fans of the western genre who still exist in this day and age, the slower, more meandering pace and atomised plot might be more acceptable. It may even do this for those with a passing interest, and the result is something at least marginally successful. ***

I suppose this worked for me not because it has Liam Neeson dispensing typical Liam Neeson savior duties, but for its '70s Irish backdrop, some fine supporting performances, and a snowball-ish plot. For a change, Neeson looks and feels comfortable on his home turf, and his "good heart" becomes the reason for things spiraling out of control. An attempt to help one of the locals invites trouble, and though this is somewhat of a cliché in actioners featuring older stars, the story progression is quite interesting. Kerry Condon, in an antagonistic role, is having fun and chewing up the scenery (I can't wait to see how good she is in Night Swim). There's also the amusing sidekick character played by Jack Gleeson and the confused cop friend played by a reliable Ciarán Hinds; both commendable. Tom Stern's effort in capturing panoramic Irish imagery is probably the strongest reason, however, to watch the film.

In the Land of Saints and Sinners is an Irish Western that prioritises its characters over any action which makes it one of the better Liam Neeson vehicles of recent memory. It covers familiar ground in an effectively old fashioned way, operating as a slow burn and all the better for it.

Liam Neeson is on top form here. He's consistently engaging even if nothing is happening and with this focusing on the character work, he gets to show off more of his dramatic chops. Jack Gleeson has a roguish charm and Kerry Condon is a pretty ruthless villain despite the odd bit of sympathy.

Robert Lorenz's direction is thoroughly old school, all the way down to playing the credits over a final extended scene. It's workmanlike in its construction with some gorgeous scenery. Diego Baldenweg's score has a mournful quality that's an ideal fit for a film that's obsessed with the emotional toll of the violence opposed to the thrill of it.

Liam Neeson seems well suited to the role as a widowed hitman going up against the IRA, probably because its on his home turf and seems more relaxed around others from the same county?

He plays well off Ciaran Hinds as the local Garda and their friendship is funny and touching.

Kerry Condon is excellent as the villian; believable and refreshing to see a female as the baddie.

I liked the scenery (obviously!) and the soundtrack is solid.

We did struggle a lot with the dialogue , the accents here are very thick so we found it difficult to follow events.

The sweet, good natured Irish villagers and their simple life seemed trite and stereotypical but it's an watchable, well acted would be 'Western'