Fresh Kills

Great movie!! I wasn't sure exactly what to expect but being a big fan of mafia type movies and books I realized I'm seeing what the wife goes through but more so what the kids see it really interesting take I've never seen anything like this I love it and my wife who isn't the biggest fan like me when it comes to mafia stuff loved the look through the woman's eye it a movie we will watch forever like a goodfellas or sopranos great job Jennifer I look forward to seeing more of your work. I love the dads part but Rose and the mom were it for me such a great look into what the families go through.

Honestly though, the mob stuff felt like the trappings around the real heart of it (to me), what do you do when you feel alone in the midst of family; when everything you know is isolating, when the people who are supposed to be your rock don't understand or relate to you? The undertones of feeling trapped in your life and just needing to run, to get out, hung strong with me. This was so well done, felt so real and lived in. Phenomenal acting, writing, directing, cinematography, wardrobe, everything. It's a drama, not an action movie, and there is no thriller aspect here, just real life trauma.

Fresh Kills reaches through the established perimeters of a well-known genre to extract a sympathetic, gut-wrenching, and at times abrasive look into the lives of the typically obscured wives and daughters of the mob. Well written, well cast, with convincing production design and on location shooting, Fresh Kills fairly exhales the atmosphere of 1980/1990s Staten Island, NY. First-time writer/director Jennifer Esposito handles the reins with aptitude and steers the narrative in a way that invites the viewer to not only empathize with the women on screen but to relate to the challenges they face in bearing the burden of their predetermined roles. Authentic performances by the cast flesh out the on-screen characters and leave indelible impressions of their existence that won't fade when the credits roll. Fresh Kills is a notable film. Not perfect- but good. Very, very good.

FRESH KILLS is the BEST film I have seen on the festival circuit in the last 15 years. A gritty, gut wrenching story about two sisters that are stuck in a life they didn't choose... Their father's mob world. BUT, It's NOT a Mob film.

The depth of character these two young actors (Emily Bader & Odessa A'zion) share in their performances, explodes from the script on to the screen, via the expert direction of Esposito. Like all classic Independent Films, FRESH KILLS is intimate and raw, while bursting at the seams with story, content and style. It should be on everyone's must see list for 2024 and beyond!

I saw this film on opening night. The audience was comprised of Jennifer's family, friends and film students. All who were told to post glowing reviews online. THE TRUTH: THIS FILM WAS TERRIBLE. Plot was barely there, and what you get is endless stereotypical Italian profanity laced dialogue. And the male and female characters essentially speak in the same manner, as if the writer is using the same voice for all characters. This goes to the inexperience in the writing and directing. 2 hours long, 30 of which could have been cut. This is basically a self-funded student film. Tubi is waiting for you.