Ajouter une intrigue dans votre langueAfter hearing disturbing noises from the next motel room, a fugitive on the run and his girlfriend become prey to the notoriously brutal 'Pale Face' killer, whose legend has haunted the loca... Tout lireAfter hearing disturbing noises from the next motel room, a fugitive on the run and his girlfriend become prey to the notoriously brutal 'Pale Face' killer, whose legend has haunted the local community for decades.After hearing disturbing noises from the next motel room, a fugitive on the run and his girlfriend become prey to the notoriously brutal 'Pale Face' killer, whose legend has haunted the local community for decades.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 22 victoires et 33 nominations au total
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The best parts of the movie were the fall colors as the car drove through parts of Utah on the way to the motel. Carly has Gabe in the trunk of her car, as Gabe is a very wanted man. Carly pays for three nights at the motel. For almost the rest of the movie we are regaled with a very paranoid driven Gabe, who has to stay out of sight in the room. There are some flashbacks which fill in some of the background. There is some use of jump scares, and also seeing people that are not there. There is a scene where the motel manager tells Gabe that Carly's credit card didn't go through, something about the address being wrong. The last act seems a bit rushed and incoherent. But do stay for the credits, as much is revealed, and it also seems this movie got some crowdfunding. But this movie is best forgotten, and even not viewed.
He Never Left is a smaller film, and in some ways, I appreciate what it is trying to do. Production is decent. Acting is okay if a bit grating. Plot tries to be intriguing, but it comes across a bit to simplistic, even if everything isn't known up front. The plot combines two storylines that are unconnected but by the barest of a thread. And this connection doesn't make a difference in the overall story, just a weird coincidence. So why bother?
I wanted to like this more than I did. The bleak ending didn't help as I don't appreciate evil winning just to make for a "cute" ending. Hopefully, they won't make a sequal anytime soon. Tired characters didn't help as they just became lame tropes of standard wrong doers. But, the parts didn't add up to much. Oh well.
I wanted to like this more than I did. The bleak ending didn't help as I don't appreciate evil winning just to make for a "cute" ending. Hopefully, they won't make a sequal anytime soon. Tired characters didn't help as they just became lame tropes of standard wrong doers. But, the parts didn't add up to much. Oh well.
This is a film I brought based on the description at the same time as heart eyes and hoped in a similer vein it would be just as good. Unfortunatly though I was very wrong. This woman called carley goes to a motel, but smuggles her boyfriend in the trunk because his on the run from the cops because of murder. The guy running the place seems a little creepy but not a whole lot really happens here in terms of horror. This becomes more of a thriller and any attmept at horror is null void. The mask however was creepy enough. Acting not the worst ive seen in these typs of films either. I was just overall let down by this one.
This is not a slasher...it is something more. It is a fantastic character study, executed with a stylish sense of filmmaking whilst bathed in Halloweentime ambience. The writing and presentation recall a time when horror films (thrillers, if you prefer) were just as much about mystery and intrigue as they were about shock and schlock. He Never Left has all of this to offer in spades, plus a few surprises along the way. The wonderful Witching Season Films family never fails to impress, with James Morris masterfully manifesting the macabre mise-en-scène both behind and in front of the camera, beside Michael Ballif, who poignantly paints each frame in dual roles as cinematographer and editor and never allows the same motel setting to get stale. Randin Graves' score is composed with as much compelling, calculating complexity as the performances from Jessica Staples and Colin Cunningham who evoke unrelenting empathy as David McMahon and Charla Bocchicchio meanwhile offer quiet quirkiness to round out a truly classy cast. Also true is that this film may not go the way you want or expect, but it stands currently as an antithetical to so many of its contemporaries in the zeitgeist and if it doesn't find massive success now, it will certainly find a cult of its own in due time.
Seeing the 8, 9, 10 ratings and reviews I couldn't not express my view of this film.
I guess technically it was mediocre. The plot was intrresting and could have worked.
What canceled out any positives were the preposterous breaks in continuity.
Every time the dialog negated what was established moments earlier was physically jarring.
After the 3rd or 4th total break in the established story, I just could not take it anymore.
I stopped to write this half way through.
If you watch this, you will know what I'm talking about assuming you follow what has been established.
Literally mind boggling.
I guess technically it was mediocre. The plot was intrresting and could have worked.
What canceled out any positives were the preposterous breaks in continuity.
Every time the dialog negated what was established moments earlier was physically jarring.
After the 3rd or 4th total break in the established story, I just could not take it anymore.
I stopped to write this half way through.
If you watch this, you will know what I'm talking about assuming you follow what has been established.
Literally mind boggling.
Le saviez-vous
- AnecdotesAll of the individuals playing the US Marshals are real law-enforcement officers, with the exception of Sean Hunter (who plays Mike).
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Détails
- Durée1 heure 29 minutes
- Couleur
- Rapport de forme
- 2.39:1
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