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Overdose

  • 2022
  • 18
  • 1h 59min
NOTE IMDb
5,8/10
2,3 k
MA NOTE
Kool Shen, Nicolas Cazalé, Assaad Bouab, Sofia Essaïdi, and Alberto Ammann in Overdose (2022)
Follows Sara, head of the Toulouse police narcotics squad, who is forced to collaborate with Richard, the head of the local criminal police, to stop a go-fast between Spain and France and find the murderer linked to the case.
Lire trailer1:57
1 Video
7 photos
ActionCriminalitéThriller

On y suit Sara, chef de la brigade des stupéfiants de Toulouse, qui est obligée de collaborer avec le chef de la police criminelle locale, pour arrêter un go-fast entre l'Espagne et la Franc... Tout lireOn y suit Sara, chef de la brigade des stupéfiants de Toulouse, qui est obligée de collaborer avec le chef de la police criminelle locale, pour arrêter un go-fast entre l'Espagne et la France et trouver le meurtrier lié à cette affaire.On y suit Sara, chef de la brigade des stupéfiants de Toulouse, qui est obligée de collaborer avec le chef de la police criminelle locale, pour arrêter un go-fast entre l'Espagne et la France et trouver le meurtrier lié à cette affaire.

  • Réalisation
    • Olivier Marchal
  • Scénario
    • Christophe Gavat
    • Olivier Marchal
    • Pierre Pouchairet
  • Casting principal
    • Sofia Essaïdi
    • Assaad Bouab
    • Alberto Ammann
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,8/10
    2,3 k
    MA NOTE
    • Réalisation
      • Olivier Marchal
    • Scénario
      • Christophe Gavat
      • Olivier Marchal
      • Pierre Pouchairet
    • Casting principal
      • Sofia Essaïdi
      • Assaad Bouab
      • Alberto Ammann
    • 18avis d'utilisateurs
    • 7avis des critiques
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    Official Trailer
    Trailer 1:57
    Official Trailer

    Photos6

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    Rôles principaux57

    Modifier
    Sofia Essaïdi
    Sofia Essaïdi
    • Sara Bellaïche
    Assaad Bouab
    Assaad Bouab
    • Richard Cross
    Alberto Ammann
    Alberto Ammann
    • Eduardo Gracia
    Nicolas Cazalé
    Nicolas Cazalé
    • Reynal
    Kool Shen
    • Bob Fontana
    Simon Abkarian
    Simon Abkarian
    • Daniel Prat
    Nassim Lyes
    Nassim Lyes
    • Saïd Masriche
    • (as Nassim Lyes Si Ahmed)
    Naïma Rodric
    • Vanessa Sanchez
    Moussa Mansaly
    • Franck Darcheville
    Zoé Marchal
    • Lucie Di Marco
    Francis Renaud
    Francis Renaud
    • Willy de Berg
    Carlos Bardem
    Carlos Bardem
    • Alfonso Castroviejo
    Olivier Barthélémy
    • Victor Piquemal
    Pierre Laplace
    • Charles Molins
    Kenza Fortas
    • Leila Hamoudni
    Philippe Corti
    • Nino Braghanti
    Nicolas Marétheu
    • Lemas Abramzcik
    • (as Nicolas Maretheu)
    Nicolas Gerout
    • Chris Rehlinger
    • Réalisation
      • Olivier Marchal
    • Scénario
      • Christophe Gavat
      • Olivier Marchal
      • Pierre Pouchairet
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs18

    5,82.3K
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    10

    Avis à la une

    5geister_faust

    Undercooked

    Over the time Olivier Marchal created his own sub genre of gritty French movies and some of them could be treated as niche classic. The formula of success was quite simple: down to Earth cops who often forced to work with the criminals in one way or another to stop the bigger evil, dark story, complete disregards for happy endings and visually dark cinematography. You can find sun in some of his movies, but it always feels like a dark cloud forms above the character on the screen even if action is set in Nice or Marseille.

    Sadly, this one is never going to be one of his best films, neither will it be even close to pieces like MR 73 or 36 Precinct. First of all, story. It feels like the script was made from some leftovers and it lacks common sense. Criminals could be stupid, but organized crime, the focus of this movie, usually is not. Their complete disregard of operational security, useless violence, reckless behavior are only serving as reasons to provide the viewer with dramatic, clip-like scenes of fast cars and automatic weapons in action. While some action scenes are quite decent, the story feels nonexistent and the script feels incoherent to the point of discomfort and total disbelief. I will not spoil the story, but it is as unrealistic as it even could be and any Marchal fan will spot it after first 10-20 minutes of runtime.

    If you are in the market for a good French action, check out Stronghold (2020), Les Miserables (2019) or Athena (2022): all of them are doing better what Marchal have started while maintaining a good, believable story.

    The only reason Overdose exists is to make cash to its creators and you can do much better with your time.
    6danielcereto

    Another drug crime drama

    I really enjoyed this predictable but pretty well drug crime drama. It is below of masterpieces like Sicario, but still watchable.

    The storyline is based on the usual crime drama's that include some action here, some violence there and not really any great twist or surprise here.

    Best here are some of the characters that you can root for. So it is interesting to know more and more about them and how the story ends. I think the story is quite decent and the conclusion obvious but pretty well executed.

    So, overall good but not great, it could have been far better with a more risky script. I don't know why movie's directors are always using the same formula, an acceptable 6/10.
    6norbert-plan-618-715813

    Conventional package for the genre to which it belongs

    This kind of product contains a set of ingredients that we find in all films of this genre, precisely. You need cars and motorcycles, with crumpled canvas and chases. You need a more or less intense police war, in this case less so, as the different police forces communicate: Spanish, French, Parisian, provincial, special units. You need weapons. It needs villains, thugs, who when they appear shout it (hairstyles, costumes, make-up). It needs gore and extreme violence, here unnecessary (the hammer) and off behind a wooden door (good idea). It needs sex, which is totally unnecessary here. And a romantic story between police officers. All this is conventional and unoriginal. But it's well tied together by a script that integrates these ingredients.

    Olivier Marchal deserves credit for his talent in directing the actors, all of whom are excellent. The film is perhaps a little long (20 minutes too long) and could have been tightened up a little. But on the whole, it lives up to its brief. A nominal quality in a conventional package for the genre to which it belongs.
    6ops-52535

    the french...

    Are usually very good at this kinda genre, but this flick really undermines the reputation. Its not the cast, by all means they do their job, so it has to be something else...who overdosed is still a mystery.

    Quite a few things i might mention without spoiling the fun for thos who loves french police-bandit action thrillers. The story is full of plotholes and the actual caracters are poorly presented. The plotspeed is like a 118 minutes roller coaster of gutwrenching action and...nothing..., that repeats itself at least 10 times. The cinematography could might as wellve been made by a youtuber, its mostly and merely only close-up-inside the communicative comfort zone camera zooms, and dark musky , fathaired blackeyed hyperpupilllated gangsters and policemen hunting and carchasing eachother in a clonical fit-like ad/hd-amfetamine pace, can be pretty dragging and you loose the thread in the heat of the hunt....

    but that aint the actors fault, its rather a wannabe french superdirector who wants to hang on to a great french franchise genre. So if you can deal with a lot of confussion in a mach2,2 speed, then its a recommend from the grumpy old man.
    8Amadio

    Really rather good

    Whilst French cinema likes to tend to the philosophical, French action films are often well watchable and underrated.

    Overdose is well written, acted, directed and edited, and provides a satisfying drama. The villains are villainous, and the cops determined, and although this is only going to end one way, the turns along the way keep you entertained.

    In places, it is not an easy watch (I said the villains are villainous), and there is little relief from the relentless focus of both sides. There is a little bit of sex, but it is not very sexy, rather unlike a French film in that respect.

    The pacing of the film is enjoyable, through the borderlands between France and Spain, and the camerawork is hard to fault.

    Definitely worth a watch if you like action crime drama.

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    Histoire

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    Le saviez-vous

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    • Gaffes
      Inspector Sara would not have the picture of an undercover agent so easily and readily visible on her mobile phone.

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    FAQ

    • How long is Overdose?
      Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 4 novembre 2022 (France)
    • Pays d’origine
      • France
    • Langues
      • Français
      • Espagnol
    • Aussi connu sous le nom de
      • Aşırı Doz
    • Lieux de tournage
      • Carry le Rouet, France(drug delivered on the beach)
    • Société de production
      • Gaumont
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

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    • Durée
      1 heure 59 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 2.35 : 1

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    Kool Shen, Nicolas Cazalé, Assaad Bouab, Sofia Essaïdi, and Alberto Ammann in Overdose (2022)
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    What is the Canadian French language plot outline for Overdose (2022)?
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