High Heat

The premise sounds fun, and with Olga Kurylenko and Don Johnson also involved I had high hopes. I see the sparks of potential in James Pedersen's screenplay, with hard-hitting action counterbalanced by wry humor; a story of mob and KGB ties returning to haunt Ray and Ana is adjoined with notes of domestic squabbles. The stunts, effects, and otherwise action violence is sharp and terrific, the humor is far too variable but ranges from mildly amusing to cheekily funny, the music adds delightful flavor wherever it raises its head, and the production values reflect the best of modern standards. The cast give excellent performances full of personality, with Kurylenko absolutely standing out with the hard-nosed severity she carries as trained assassin Ana; given smaller supporting parts, I dare say Kaitlin Doubleday, Chris Diamantopoulos, and Bianca and Chiara D'Ambrosio steal the show from all others, and threaten to also upstage Kurylenko.

Yet speaking of those supporting figures, therein lies a prime example of the troubles 'High heat' faces. Kurylenko and Johnson are the stars, but for as much as everyone else dominates the screen, Kurylenko and Johnson almost feel like the support. It's D'Ambrosio and D'Ambrosio who earn the first of only a couple laughs at about the 53-minute mark, and though it's not true across the board, it's the twins, and Doubleday and Diamantopoulos, who seem to benefit from some of the strongest writing. On the other hand, Jackie Long and his character Gary have way too much screen time and aren't as clever as anyone thought. As the picture switches moods to and fro - seen not least in a scene between Long and Diamantopoulos, and also exemplified in Max Di Carlo's music - the pacing drags even more than it already was with excessive scenes of dialogue between Dallas Page, Ivan Martin, and other mafia figures, all of whom seem to speak with an especial droning cadence and timbre. There's unfortunate imbalance between the different ideas here: the action really does look great, but it's deemphasized; the humor adds a bit of fun, though is inconsistent both in its quality and in its dispensation; the narrative in and of itself, and the simple drama it should carry, is smaller than one would ever suppose.

In a runtime of 84 minutes we're one-quarter through before the action kicks up; following the climax, the last beat to resolve the plot in the denouement sails past with a strangely casual, almost indifferent tenor. The diminished presence of Kurylenko and Johnson may have worked if the screenplay were structured differently - say, if it were built to show the persistent efforts and failures of bad guys to bring down Ana, Ray, and the Etoile Rouge, and being foiled at every turn; a more high-octane rendition of 'Home alone, if you will. In that hypothetical circumstance, too, the more selective bursts of action may be fitting, provided a more comedic edge in their stead. As it stands, all too little of 'High heat' feels like it's coming together just right, and the proportions are off in too many important ways. Director Zach Golden has a hard time finding the right tone, too, demonstrating that Pedersen and Di Carlo weren't the only contributors to be dogged by these issues. The crew behind the scenes turned in fine work, and I appreciate the cast, but the end result is an action-comedy where neither the action nor the comedy are particularly satisfying, and a vehicle for two stars who take the back seat to their co-stars.

None of this is to say that I didn't enjoy the feature, and for something light and uninvolved it's a decent enough way to spend one's time. The problem is that too many elements feel a little wrong, and there's no major stroke of brilliance or jolt of vitality to help carry the day. It's entertaining, but no more so than the least of most titles. I'm glad for those who get more out of 'High heat' than I do, and I admire what it does well, but I think this dish needed a different mixture of the same ingredients, cooked longer and more thoroughly, to have really met with the desired success.

I figured with Don Johnson in it the film (movie) would be decent but I was wrong. The actors are mostly forgettable. The script seemed like something a student writer would be encouraged to seek a different career over. Meandering, uninteresting, muddled, boring, flavorless, not comedic engaging or dramatic. I think someone had budget money left over and needed to spend it so they gave Don and Olga 80% of it and then hired volunteers to fill in the cast leaving them with just enough left over to rent a street, a parking garage, 4 vehicles, and part of a commercial kitchen.

In my next life I will not watch this movie.

This was horrible to watch ... From the first moment, the 2 main characters, Kurylenko and Johnson play a couple but the 30 years of age difference ruins it from the first moment. Why did grandpa Johnson not retire instead of making this crappy movie ? The moment her friend, who comes to help her, is driving the car is hilariuous. The image through the rear window is the same, she keeps talking but you hear the car several times acceleration fast which is not logical. Then you see the road ahead one moment : no cars but behind there were all the time cars. When the masseuse Gary must go to the restaurant, the character is a complete idiotic someone that acts like in a slapstick movie ... I will feel bad all day long because I was forced to give one star and I prefer giving it a zer, but unfortunately, one is the minimum you can give on IMDb...

Well, seeing Don Johnson and Olga Kurylenko work on the same project is always tempting and interesting, however doesn't necessarily mean that it will be a winning combination. This movie is kind of a mixture between Mr & Mrs Smith meets Desperate Housewifes meets Boiling Point. The director wanted to put this all together and hope for a fun outcome, but it ended up being a drag although it is only 80 minutes... The side roles appear suddenly like they fall from the sky with no whatsoever background story or connection, just a few sentences between them to get it over with. The story is the cheesiest possible and reminds of an old school action movies when everyone was a former KGB or Cia agent etc.. In the end very boring and dragged out movie although with Don and Olga on board had the potential for more fun.

A one-location and "defend the fort" type of movie, with an attempt at colorful characters and a bunch of bad guys that rush in to their death under the pretense of a thin-layer of a story.

I'll be honest! The alluring, creative and simple intro credits won me over! Then the repetitive and dull dialogue started to lose me.. Doesn't help that most of the cast is comprised of boring roles (with a few exceptions that probably shine when compared) and their interactions forgettable. The pacing is meandering and the sporadic "action scenes" aren't worth it. Even if the camerawork is commendable. I also noticed strange and choppy editing cuts, including sounds abruptly ending.. as if rushed. And when Olga's stunt double is SO visibly-not-her on screen (and doesn't even look like her) for longer than she is, you mark this as a disappointing night.

If you see the SABAN Films logo, you tone down your expectations.