En tant que muse des classiques indépendants de Hal Hartley et réalisatrice de l'acclamée Waitress, Adrienne Shelly était une étoile brillante au firmament du cinéma indépendant.En tant que muse des classiques indépendants de Hal Hartley et réalisatrice de l'acclamée Waitress, Adrienne Shelly était une étoile brillante au firmament du cinéma indépendant.En tant que muse des classiques indépendants de Hal Hartley et réalisatrice de l'acclamée Waitress, Adrienne Shelly était une étoile brillante au firmament du cinéma indépendant.
- Récompenses
- 1 nomination au total
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Andy Griffith
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Adrienne Shelly
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She will always be the "100% Indie actress" <3, along with fdirector Hal Hartley, it was for me, the Indie cinema era at their prime, before it became more comercial.
While I thought Adrienne was fairly well done, it also felt self-indulgent.
What happened to her was, of course, tragic. But, how many people experience the same or worse (e.g., genocide of an entire family... loss of a child to drive-by shooting, etc.) that never get to celebrate their loss via a film, much less, feel justice was served--closure, that Andy has. Not only was the perpetrator caught, and immediately, and is set to spend 25 years in prison, even then, Andy feels it's not enough.
It is the lack of gratefulness, all things considered, that is irritating. He doesn't have to endure years of sleepless nights wondering how his loved one met their fate. He doesn't have to feel angst over the lack of justice. And, he doesn't have to walk through life on his own, as someone who lost their entire family does. He has many reasons to feel gratitude and to move from victim to forgiveness. And yet, he practices and models non-forgiveness to their daughter, and stays in a victim role--15 years later.
Even those whose entire families were brutally slaughtered in African nations, find a way to forgive those who senselessly took everything they held dear. Even those wrongly imprisoned for decades, find a way to move past victim/bitterness. And others, whose refusal to let their losses define them, go beyond forgiveness to show compassion. They are the ones who are free. Andy is imprisoned.
Lastly, I felt it irresponsible that Andy essentially imposed the gravity of his sense of losing a mother, for a daughter, onto their daughter. Sophie 'would have' felt her own loss, had she been allowed to find it on her own.
What happened to her was, of course, tragic. But, how many people experience the same or worse (e.g., genocide of an entire family... loss of a child to drive-by shooting, etc.) that never get to celebrate their loss via a film, much less, feel justice was served--closure, that Andy has. Not only was the perpetrator caught, and immediately, and is set to spend 25 years in prison, even then, Andy feels it's not enough.
It is the lack of gratefulness, all things considered, that is irritating. He doesn't have to endure years of sleepless nights wondering how his loved one met their fate. He doesn't have to feel angst over the lack of justice. And, he doesn't have to walk through life on his own, as someone who lost their entire family does. He has many reasons to feel gratitude and to move from victim to forgiveness. And yet, he practices and models non-forgiveness to their daughter, and stays in a victim role--15 years later.
Even those whose entire families were brutally slaughtered in African nations, find a way to forgive those who senselessly took everything they held dear. Even those wrongly imprisoned for decades, find a way to move past victim/bitterness. And others, whose refusal to let their losses define them, go beyond forgiveness to show compassion. They are the ones who are free. Andy is imprisoned.
Lastly, I felt it irresponsible that Andy essentially imposed the gravity of his sense of losing a mother, for a daughter, onto their daughter. Sophie 'would have' felt her own loss, had she been allowed to find it on her own.
Director Andy Ostroy made this tribute about his late wife, Adrienne Shelley, the actress, writer and director who was murdered by an Ecuadorian immigrant who was looking for money to pay his debt to the coyote who brought him to the US. To add insult to injury, the NY police initially refused to look past the circumstances of her death and called it a suicide. Only after his arguments did they reopen the investigation and call it a murder.
Senseless.
The movie is Ostroy's gift to his their daughter Sophie, who looks much like her mother. Even fourteen years after Adrienne's death, Their pain is still palpable.
What Ostroy wants us to know is how much Adrienne had to offer the world, how much it hurts that she is gone, and how much more she might have done. He interviews friends and coworkers, and gives the viewer glimpses of her last project,
The documentary is sad and unfocused, but what would you expect from something so intimate?
Senseless.
The movie is Ostroy's gift to his their daughter Sophie, who looks much like her mother. Even fourteen years after Adrienne's death, Their pain is still palpable.
What Ostroy wants us to know is how much Adrienne had to offer the world, how much it hurts that she is gone, and how much more she might have done. He interviews friends and coworkers, and gives the viewer glimpses of her last project,
The documentary is sad and unfocused, but what would you expect from something so intimate?
Andy, thank you for sharing Adrienne with us. Your documentary shows us more about Adrienne than we knew. She was such a talented, beautiful and smart woman. I throughly enjoyed her work and fortunately I can watch her films to my heart's content. Of course I wish she was still here. Waitress is a film I've seen at least a half dozen times. Her writing was so on point and the characters were developed perfectly. It was a natural process for you to make a documentary about her since you're in the business. You're expression of love for Adrienne comes through in every scene. I wish for you and your daughter a happy life.
This film is a beautiful tribute to a thoughtful creative artist, mom, wife, daughter, sister, and friend. An exploration of life, death, mourning, legacy, and the human spirit. I remember when the news of her death broke in NYC. I remember all the inaccurate conclusions about her death being reported and then the truth seemingly coming out. This film finally put my curiosity and questions about what happened to rest and gave me closure. I loved "Waitress" when I first saw it and introduced it to everyone. Same with the musical. I saw it twice on Broadway and cried both times. Go see it! And watch this. This film celebrates her, while not shying away from the darkness and evil that intruded upon her and ended her life. She created a very touching lasting work about the human condition and that can never be taken away. Rest in Peace sweet soul and God bless her family for facing this head on and sharing their story with the world. Thank you.
Le saviez-vous
- AnecdotesThe Adrienne Shelly Foundation, which is briefly mentioned in this documentary, was founded in 2007 by Shelly's widower, Andy Ostroy. A memorial to her work, it is a nonprofit organization that awards grants to female actors, writers and/or directors of short films, feature films and documentaries. Among the films supported by a Shelly Foundation grant are the features 40 ans, toujours dans le flow (2020), Long Way Home (2018) and Pariah (2011), and the documentaries Roll Red Roll (2018), Bombshell: The Hedy Lamarr Story (2017), The Wolfpack (2015) and Freeheld (2007), which won an Academy Award for Best Documentary, Short Subject. The foundation also gave an early short film grant to Chloé Zhao, who under a decade later became the second woman in history to win the Academy Award for Best Director.
- Bandes originalesMany the Miles
Written and Performed by Sara Bareilles
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- How long is Adrienne?Alimenté par Alexa
Détails
- Durée1 heure 38 minutes
- Couleur
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