La chicane d'un avocat en difficulté et d'un entraîneur de lutte bénévole revient le hanter lorsque le petit-fils adolescent du client qu'il a doublé entre dans sa vie.La chicane d'un avocat en difficulté et d'un entraîneur de lutte bénévole revient le hanter lorsque le petit-fils adolescent du client qu'il a doublé entre dans sa vie.La chicane d'un avocat en difficulté et d'un entraîneur de lutte bénévole revient le hanter lorsque le petit-fils adolescent du client qu'il a doublé entre dans sa vie.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 5 victoires et 22 nominations au total
Avis à la une
For a basic plot summary, "Win Win" sees Mike Flaherty (Paul Giamatti) struggling to make a living for himself and his family. His law practice is hemorrhaging funds, the bills are piling up at home, and his health is even failing due to the anxiety. After becoming personally involved with a client (Burt Young), Mike "inherits" a son (Alex Shaffer) who provides a spark for his high school wrestling team and lifts his spirits. That is, of course, until life intercedes once again.
In better times, this might be the kind of movie that people would stay away from due to the fact that is is so down-to-earth in its portrayal of life's struggles. In tough times, though, "Win Win" really resonates on a personal level. The struggles of life are not black-and-white, but full of shades of grey and ambiguity.
Also, while the film is well-acted as a general rule, Giamatti's performance is especially moving. Giammatti is one of the great character actors of our time and never fails to shine on the big screen. There's no one who can match his style of acting in terms of combining over-the-top physical/verbal acting with dramatic intensity.
About the only thing that prevents this movie from being a true classic is that the climax doesn't necessarily live up to the build-up. Don't worry, though, as the rich characters and believable circumstances are more than enough to provide compelling drama and entertainment.
Writer, director Thomas McCarthy (who also wrote and directed one of my all time favorite movies, "The Station Agent") has created a group of characters as strange and wonderful as real people, but with better lines. Paul Giamatti and Amy Ryan are perfect. New-comer Alex Shaffer as a troubled teen wrestler creates a whole new kind of cool. Bobby Cannavale (also from "The Station Agent) sparkles in every scene.
If you want to see writing, directing and acting at it's best go see "Win Win." You'll win too.
The character of Jack is very reminiscent of Giamatti's character from Storytelling, a guy somewhat down on his luck who just can't seem to get ahead or on top of things, of course these films are very different but the similarities are definitely there.
Amy Ryan impressed me a lot, I've never seen her in anything before but after seeing this I look forward to catching other films with her, she has a great presence in screen and her and Giamatti work excellently together... Also worth mentioning is the always fantastic Jeffrey Tambor, equally as cool as Giamatti.
The only thing I thought didn't work was Melanie Lynskey, that woman has one of the sweetest faces and personalities, and seeing her playing a gold digging, backstabbing selfish mother just didn't work. I still love her though.
A nice film that is not groundbreaking, but especially entertaining and pleasant to watch.
One might say that Win Win is perhaps his most conventional dramedy, as it features a normal suburban family with normal suburban problems. Paul Giamatti is "Mike Flaherty" an attorney with a small practice who's also a high school wrestling coach. He's not perfect, but he's doing the best he can. He and his wife "Jackie" (the always wonderful Amy Ryan) are busy raising two kids and leading their quiet life. But when Mike gives into temptation to become the guardian of one his elderly clients (for the $1,500 a month commission) things get to be a little more complicated. The client's grandson, a troubled 16-year-old kid named "Kyle" (Alex Shaffer) comes to stay with his grandfather while his mother goes through her drug treatment. Since his grandfather is living in a retirement home, Kyle ends up staying with Mike and Jackie, who feel compelled to help the kid out.
The film is funny and sweet and paints a really true-to-life portrait of its characters. No one is purely good or purely bad, they're all just human. They make mistakes, whether large or small, and they try to make up for them. In that way, the film will strike a nice honest chord with most of its audience.
Paul Giamatti is great in this, giving a much lower key performance than some of his previous works like American Splendor, Sideways, and even "John Adams." He falls into the suburban dad character very well and wears the character's skin rather nicely. Amy Ryan is always a joy to see on-screen, but I was a bit disappointed that her character was a little one-dimensional, depicting her primarily as a stay at home housewife and mother. Bobby Cannavale and Jeffrey Tambor are fun to watch as well, but serve generally to provide comedic relief (which they do in abundance) and their characters aren't nearly as well painted as Mike or Kyle.
Alex Shaffer, in his very first role, holds his own among some heavyweight actors. I thought some of the emotional scenes were a bit rough for him, but if he decides to continue his acting, more experience will only help to mature his instincts and abilities. Now, outside those heavily emotional scenes, Shaffer is great. His sort of deadpan, monotone delivery works very well for the character.
Kudos go out to Thomas McCarthy's directorial style and talent. He's put together three solid films, all of them equally enjoyable and smart. With Win Win, he's proved he can move past the "loner" archetype of his previous films and move into something more family oriented and encompassing of more characters (although when I think about it The Station Agent had that type of familial quality to it in the friends that Finbar meets). Either way, McCarthy is batting 1.000 in my book and has yet to have a misstep.
When the film releases on March 18th, I'd highly recommend people go and check it out. It's a very sweet and very funny film that deserves the large audience it hopefully will get.
Le saviez-vous
- AnecdotesAlex Shaffer was indeed the New Jersey state high school wrestling champion the year before the film was made. However, he had to quit the sport due to a back injury.
- GaffesWhen the team is on the bus heading to a match, they are going from their school in NJ to another school in NJ. However, the shot of the road they are driving down is in Rockville Centre, Long Island, NY (one of the admitted locations where the movie was filmed). In traveling from one school in NJ to another school in NJ, there would be absolutely no reason to pass through LI.
- Citations
Mike Flaherty: [to the wrestling team] Now, did you all see what Kyle did the other day? He exploded up, right? Kyle, show the guys what you did.
Kyle: It's kind of my own thing.
Mike Flaherty: Well, can you share it with us?
Kyle: But it's not even a move or anything.
Mike Flaherty: It's okay.
Kyle: All right. Well, I just tell myself that the guy on top's tryin' to take my head and shove it under water and kill me, and if I don't wanna die on bottom, I have to do whatever the fuck it takes to get out.
Stephen Vigman: [breaking a stunned silence] Okay. So the move is "Whatever the fuck it takes." Let's go. Let's work on it.
Terry Delfino: [chiming in forcefully as if knowledgeable] WHATEVER THE FUCK IT TAKES! LET'S GO, GENTLEMEN. UP!
- ConnexionsFeatured in Maltin on Movies: Battle: Los Angeles (2011)
- Bandes originalesRunaway
Written by Bryan Crouch, Joe Barlow, Drew Dockrill, Chad Richardson, Darryl Romphf and Alex Aligizakis
Performed by Hail the Villain
Courtesy of Roadrunner Records and Warner Music Canada
Meilleurs choix
- How long is Win Win?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 10 179 275 $US
- Week-end de sortie aux États-Unis et au Canada
- 150 362 $US
- 20 mars 2011
- Montant brut mondial
- 11 789 613 $US
- Durée1 heure 46 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1