Open

Open, directed by Miles Doleac in 2023, weaves an intriguing tale of a woman in a failing marriage who finds herself drawn to a former teen heartthrob, fallen from the spotlight. The film stands out with its imaginative use of hallucinations, where the protagonist envisions herself as the leader of an 80's New Wave Band. These sequences are not only visually captivating but also symbolize her escape from reality and her journey towards empowerment.

Doleac's direction skillfully balances the fantastical elements with the emotional struggles of the characters. The performances are compelling, with the actors bringing depth and authenticity to their roles. Their exploration of love, self-discovery, and redemption is both sincere and poignant. The film's visual flair, particularly in the band sequences, is a vibrant homage to the 80's, complemented by a carefully chosen soundtrack that enhances the storytelling.

In conclusion, Open is a unique and engaging film that combines drama, romance, and a nostalgic musical backdrop. It impressively blends imaginative storytelling with strong performances, making it a thought-provoking and entertaining experience. This film is not just about entertainment; it's an invitation to reflect on self-discovery and the timeless influence of music.

I love movies where you have no idea where the plot is going. Jeremy London is on fire in the role as a former teen heart throb who stumbles into an open marriage and gets a little too involved. The dialogue gets better and better with every scene and all the acting is outstanding. Drop in some hallucinogenic music videos and it's a wild ride. You wouldn't think having the main characters reenact the emotions of the movie in '80s style video clips would work but oddly it does.

Miles Doleac has made quite a few movies and none is like the last -- this one makes me wonder where he partner Lindsay Williams are going next.

I was so fortunate to watch this film with main crews and casts in Sunset screen activities locating in LA, California. After the screening, I was so honored to have a long private Interview with fabulous filmmakers of this great commercial film. I am one of the huge fans of the actress Elena Sanchez. Delighted to see her use her skillful acting skill in front of real camera instead of being parts of hard working stunt actings in The hunger game and Avengers in the past few years! Honestly , this is a deep tone film from the director Miles's viewpoint about analyzing the broken marriage in a unstable musical atmosphere. The stage works in the shots of musical scenes are fabulous in the design of voice and costumes on main characters' clothings. To encapsulate, I would recognize this film as a stylish achievement in exploring the balance between the focus of life marriage in protagonist's daily life and reflected musical pieces. This gonna be a cool way for dragging ur mind into breaking stereotypes of a broken marriage. Because everyone's involved in thinking of who I really belong to making a brave choice in facing a broken marriage. The shots are going well in the whole film to serve for cut in between great musical imagination and reality after knowing the truth of marriage.

Early on in this film, lead character, Kristina (the wonderful Lindsay Anne Williams) muses about what it means to be normal. It's a question that the film forces audiences to wrestle with throughout as director Doleac and his team fully embrace the weird, bold, outside-the-box, at times, positively wild, both from a story and style perspective. And it totally works because everyone is committed to it fully, especially the game cast, all of whom deliver top-tier performances, with Williams and Jeremy London, as ex-TV icon Erik, whose "star has dimmed" considerably, delivering particularly compelling work. But Doleac as husband, Robert and Elena Sanchez, Emma have great scenes together and excellent chemistry and Yohance Myles shows up late as Erik's agent and nearly steals the show.

Doleac's casting game is strong here, even William Forsythe, as a crusty, wise-cracking police captain (and Emma's dad) is in on the fun. And, yes, it's a musical! But not that kinda musical. The MTV-style music videos that populate the narrative represent Kristina's inner monologue as she struggles to navigate a personal tragedy, unfulfilled childhood dreams, a struggling marriage, a decision to "open" said marriage in hopes of saving it, and her new relationship with Erik, which turns out to complicated. The songs are tongue-in-cheek (but thoroughly catchy, enjoyable, and, on occasion, riotously funny) and the videos embrace that trend of the 80's where every video seems to have been shot in a nebulous void space with lots of fog, the occasional actor in an animal costume and cheesy effects.

The fictional band is made up of the people in Kristina's real life, including Erik, Robert, Emma and more ... now clad in copious make-up, wigs, and lots of 80's-inspired vinyl, leather and such. Yes, OPEN is anything but "normal" in cinematic terms and that's what makes it absolutely worth a watch.

From start to finish, this film is bursting with charm, creativity, and an infectious love for the era it celebrates. The production design and costumes perfectly capture the neon-soaked magic of the '80s, while the music feels both nostalgic and fresh. The film doesn't just rely on retro aesthetics-it tells a genuinely compelling story with humor, heart, and a touch of rock-and-roll rebellion. The performances are top-notch, with the cast fully embracing the film's quirky, heartfelt energy. It's the kind of movie that sticks with you, leaving you humming the soundtrack long after the credits roll.