As a love letter to modern L.A. it does a great job, though with less nuance than, say, L.A. Story. Sara Rue is likable in the eponymous role, and she grows quite a lot in the film though rather more quickly than is credible and in a fairly predictable way. Her take on the "I have no filter" character is convincing, but the character itself is a little hackneyed. Her costar Haz Sleiman (Cookie) is very very good. The secondary characters are mainly OK though generally not believable as humans.
Unfortunately, Elliott Gould -- one of my very favorite actors - gives what has to be the worst performance of his career. His dialogue is full of clichés about old Jewish men of at least half-a-generation above him, the lines coming out of his mouth do not fit him at all, and he is obviously aware of this as he delivers them. As he has by far the strongest presence of any actor in the movie he dominates every scene in which he appears, and the movie suffers as a result.
From the description this could have just been simple Hallmark fare, but it has more to offer than that. It is worth watching if you're looking for an uncomplicated, reasonably funny urban romance, and willing to overlook the main plot line and some of the worst dialogue excesses while keeping an eye out for the great visuals and some of the genuinely funny interactions between Rue and minor characters like Bubba Ganter, Sonya Eddy and the wonderful Tonita Castro.
