Ready Player One
- 2018
- Tous publics
- 2h 20min
Quand meurt le créateur d'un monde de réalité virtuelle appelé OASIS, ce dernier publie une vidéo dans laquelle il défie tous les utilisateurs d'OASIS de trouver son oeuf de Pâques. Le vainq... Tout lireQuand meurt le créateur d'un monde de réalité virtuelle appelé OASIS, ce dernier publie une vidéo dans laquelle il défie tous les utilisateurs d'OASIS de trouver son oeuf de Pâques. Le vainqueur héritera de toute sa fortune.Quand meurt le créateur d'un monde de réalité virtuelle appelé OASIS, ce dernier publie une vidéo dans laquelle il défie tous les utilisateurs d'OASIS de trouver son oeuf de Pâques. Le vainqueur héritera de toute sa fortune.
- Réalisation
- Scénaristes
- Stars
- Nommé pour 1 Oscar
- 11 victoires et 58 nominations au total
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Résumé
Reviewers say 'Ready Player One' is visually stunning with impressive effects and nostalgic pop culture references, yet criticized for diverging from the novel and lacking depth. The film entertains with its homage to classics but is faulted for a weak storyline and underdeveloped characters. Performances by Mark Rylance and Ben Mendelsohn are praised, though the lead roles are seen as lacking. Overall, it offers a fun yet shallow experience, making it a mixed bag for audiences.
Avis à la une
Vintage Spielberg
I've noticed quite a few reviews here from book fans complaining that the movie wasn't true to the novel. As a fan of the book, let me just say that's true but it's fine. The overarching story is the same. The fact of the matter is with a nearly 400 page novel packed full of pop culture references, some things would have to be cut to make it onto the big screen. Partially it's an issue of length. Partially it's just the reality that the planets were never going to fully align to allow use of many of the properties from the novel. Yes, I loved the 2112, WarGames, D&D, Joust, et al references from the novel as much as the next person, but still I felt that Spielberg captured the wonder and fun and the story of the novel accurately, even if he did so using different references. The are actually some things I even think were an improvement from the book, especially the way they re-imagined I-R0k. The bottom line is, if you're a book reader, just take this movie for what it is, an alternate version of the story, written by the same person who wrote the novel.
Great movie but different from the book
Pretty good movie visually and even though the changes from the book are obvious but they don't spoil it. They are changes that have to be made so it translates well on to screen.
The comedy in the film is charming and not over the top. It fits in well with the film.
The visuals are awesome. There are so many Easter eggs and references from pop culture it's unbelievable that they managed to add so many. It'll take a long time to spot them all.
Overall I'd say this film is definitely worth a watch.
The comedy in the film is charming and not over the top. It fits in well with the film.
The visuals are awesome. There are so many Easter eggs and references from pop culture it's unbelievable that they managed to add so many. It'll take a long time to spot them all.
Overall I'd say this film is definitely worth a watch.
You don't have to have read the book to find this film disappointing
Sat through this dull, predictable, kids movie and was even bored by the 70s and 80s references. Which is a shame given that was the time of my youth. Take the scene at the disco, they are dancing to New Order's Blue Monday (1982] and they say 'let's go old school' and start dancing to Saturday Night Fever (1977). How lazy is that, 5 years doesn't make one tune old school and the other not. Not considering this is supposed to be set in the Future.
Lazy assed effort, boring boring boring, Steven I am so dissapointed with this.
Lazy assed effort, boring boring boring, Steven I am so dissapointed with this.
Near future, virtual reality rules.
My wife and I watched this at home on DVD from our public library and found it thoroughly enjoyable, even though we are grandparents and far removed from the virtual reality, gaming crowd.
This is a Spielberg movie, and even though this story is unique it has many of the movie-making elements he used in such movies as "E.T.", "Raiders", "Jurassic Park", "A.I." and more recently "The BFG". Imaginative cinematography, interesting action, and a really killer of a sound track. That alone makes it a worthwhile viewing.
There is also a good story going on. It is Columbus, Ohio in 2045, it is somewhat dystopian and many have turned to a virtual reality existence in something called Oasis. It is a form of escape, it allows one to avoid dealing with real world issues.
Upon the death of the creator and owner of Oasis it is announced that the winner of a contest, finding obscure clues in Oasis, would be given Oasis and complete control of it. So the story becomes a contest between a few dedicated gamers and a big corporation using its resources to win the contest.
The key gamer is Texas native Tye Sheridan as 18-yr-old Wade, who in virtual reality goes by Parzival. He is helped by British actress Olivia Cooke as Samantha who goes by Art3mis. His intention are honorable, he realizes that people need to get back to reality, to connect with each other rather than gravitate towards virtual reality.
The movie is really well made, and even though it is long at 2+ hours it never wore out its welcome.
This is a Spielberg movie, and even though this story is unique it has many of the movie-making elements he used in such movies as "E.T.", "Raiders", "Jurassic Park", "A.I." and more recently "The BFG". Imaginative cinematography, interesting action, and a really killer of a sound track. That alone makes it a worthwhile viewing.
There is also a good story going on. It is Columbus, Ohio in 2045, it is somewhat dystopian and many have turned to a virtual reality existence in something called Oasis. It is a form of escape, it allows one to avoid dealing with real world issues.
Upon the death of the creator and owner of Oasis it is announced that the winner of a contest, finding obscure clues in Oasis, would be given Oasis and complete control of it. So the story becomes a contest between a few dedicated gamers and a big corporation using its resources to win the contest.
The key gamer is Texas native Tye Sheridan as 18-yr-old Wade, who in virtual reality goes by Parzival. He is helped by British actress Olivia Cooke as Samantha who goes by Art3mis. His intention are honorable, he realizes that people need to get back to reality, to connect with each other rather than gravitate towards virtual reality.
The movie is really well made, and even though it is long at 2+ hours it never wore out its welcome.
The book might be better, but the references work better on screen
Ernest Cline's fast-moving novel was a treasure trove for pop-culture junkies, but the endless references work better on the screen.
The year is 2045; the place is Columbus, Ohio. Our hero, Wade Watts, fills in the details while climbing past his grungy homes of his town, "the stacks," where trailer parks are piled on top of each other sky-high. Things are so miserable in Wade's world, everyone escapes to play in an immersive virtual reality game known as the Oasis. Its founder, James Halliday is worshipped like a god until his death some years before. However, before he left the mortal world, the creator left behind a series of games that would reward the winner with the prize of the keys to his virtual kingdom.
The book was a fast paced adventure that took its time to geek out on all of the 80's pop culture references but the film doesn't do that. . Spielberg doesn't have Wade (the titular character) talk audiences through it, and he doesn't spell out the references, he just quickly stamps down the Delorean in the middle of a action sequence and then continues onward. Fans can pause it frame by frame and analyse it thoroughly looking for the flux capacitor on the dashboard, checking the plates, and scanning for extra bonus material. Even to people who've never seen the Back to the Future movies and aren't vibing on the connection, the car doesn't need explaining. It's just a sleek piece of visual energy, one breathless element among dozens of others. That's why the movie works better than the books in terms of visual style and nostalgia.
The thin plot and the not so well done shallow characters make the film to be just a pop culture reference filled visual treat. Several plot holes( If movement is required to move an avatar in the game, how do people play in the Oasis while standing in their living rooms?) and a non-existent character arc makes it a fun, but a tangible watch. They're all already heroes, the big bad is evil from start to finish.
The story's breakneck speed, it's never ending references, make it a fun, exciting watch.
The year is 2045; the place is Columbus, Ohio. Our hero, Wade Watts, fills in the details while climbing past his grungy homes of his town, "the stacks," where trailer parks are piled on top of each other sky-high. Things are so miserable in Wade's world, everyone escapes to play in an immersive virtual reality game known as the Oasis. Its founder, James Halliday is worshipped like a god until his death some years before. However, before he left the mortal world, the creator left behind a series of games that would reward the winner with the prize of the keys to his virtual kingdom.
The book was a fast paced adventure that took its time to geek out on all of the 80's pop culture references but the film doesn't do that. . Spielberg doesn't have Wade (the titular character) talk audiences through it, and he doesn't spell out the references, he just quickly stamps down the Delorean in the middle of a action sequence and then continues onward. Fans can pause it frame by frame and analyse it thoroughly looking for the flux capacitor on the dashboard, checking the plates, and scanning for extra bonus material. Even to people who've never seen the Back to the Future movies and aren't vibing on the connection, the car doesn't need explaining. It's just a sleek piece of visual energy, one breathless element among dozens of others. That's why the movie works better than the books in terms of visual style and nostalgia.
The thin plot and the not so well done shallow characters make the film to be just a pop culture reference filled visual treat. Several plot holes( If movement is required to move an avatar in the game, how do people play in the Oasis while standing in their living rooms?) and a non-existent character arc makes it a fun, but a tangible watch. They're all already heroes, the big bad is evil from start to finish.
The story's breakneck speed, it's never ending references, make it a fun, exciting watch.
Bande-son
Écoutez un extrait de la bande originale ici et continuez à l'écouter sur Amazon Music.
Le saviez-vous
- AnecdotesIn an interview, Steven Spielberg said this was the third most difficult movie he has made in his career, behind Les Dents de la mer (1975) and Il faut sauver le soldat Ryan (1998).
- GaffesParzival doesn't count to 3 before throwing the Holy Hand Grenade, as depicted in Monty Python : Sacré Graal ! (1975). In that film, King Arthur counts "One, two, five," is corrected, and shouts "Three!" before throwing the grenade. However, these instructions are never specified in the Oasis so there is no particular reason to expect them to match the Monty Python version.
- Crédits fousThe title doesn't appear till about 10 minutes into the movie
- ConnexionsFeatured in Kain's Quest: The Terminator (2017)
- Bandes originalesJump
Written by David Lee Roth, Edward Van Halen and Alex Van Halen
Performed by Van Halen
Courtesy of Warner Bros. Records Inc.
By arrangement with Warner Music Group Film & TV Licensing
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Ready Player One: comienza el juego
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 175 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 137 715 350 $US
- Week-end de sortie aux États-Unis et au Canada
- 41 764 050 $US
- 1 avr. 2018
- Montant brut mondial
- 607 874 422 $US
- Durée
- 2h 20min(140 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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