Batman: Year One

Named as one of IGN's 25 greatest Batman stories of all time and one of the books that any Batman fan would swear by, Frank Miller's 1987 classic Batman Year One finally comes to life as a full length animated movie. Besides inspiring elements in various Batman animated shows since the 1990s, Batman Year One is also the main inspiration for the blockbuster hit "Batman Begins". So with its influence seen in all incarnations of Batman in the last 15 years, the producers are hard pressed to come up with anything original. So instead of just retelling Batman's origins, drawing influence from Batman Year One, the creative team decided to stick as close as possible to the source material and literally transfer the book into animated form.

To date, Batman Year One is easily the movie that is most faithful to its source material. Barring a few lines tweaked to flow more naturally in dialogue, the script is almost exactly the same as in the book. Whole scenes are reproduced shot for shot, as if the comic panels themselves came to life. One could literally watch this movie and read the comic side by side. Sadly, the plot itself is weaker than what one would expect, mostly due to the limitations of the audio/visual media.

Batman Year One contains two parallel tales. One follows Bruce Wayne, a millionaire playboy with a tragic past who returns to Gotham City after many years. The other follows Lieutenant Jim Gordon, a cop transferred to Gotham Police Department. Crime and corruption run rampant through the city, driving both Gordon and Wayne to bring justice to this lawless town through their own means. Initially, they are powerless against against a world of vice and sin, a world that does not want their help and would instead seek to crush their bodies and spirits. But both men soldier on in their quest. Wayne decides to become a masked vigilante; striking from the shadows against those that the authorities are powerless to touch. Meanwhile Gordon, knee deep among crooked Cops, struggles to expose the corrupted powers that be.

When it first debuted in 1987, Batman Year One was meant to be a realistic reinterpretation of Batman's origins. No fancy gadgets, no Batmobile, no crazy freaks. Batman does not befriend the police, and is in fact wanted as a criminal at one point. Those expecting long drawn out Batman brawls might be disappointed by the lack of appearances by Batman. Remember, the story is less about the icon and more about the man behind the mask. Also, the voice cast is possibly one of the weaker ones from DC animation. None of the performances really stand out, especially Benjamin McKenzie's Batman who seems to be doing a bad Christian Bale impression.

In true comic book fashion, the story is the very definition of brevity. Despite running barely over 60 minutes, the movie does a wonderful job of getting to the point of how both Wayne and Gordon struggle to keep their beliefs in a world devoid of morality. The power of a comic's visuals in telling a story without words is reflected very well in the animation. Scenes are loaded with impact and potential interpretations. Sadly, in an animated medium, one cannot mull over a page or let the imagination "set" to fully appreciate a scene's impact. Perhaps some would feel that the movie is too "to the point"; giving the audience the story instead of letting it play out over time.

On the flip side, what the animated medium takes full advantage of is bringing motion to static artwork. The animation by Korean studio "Moi Animation" is so smooth and seamless, a standard usually only seen in big budget theatrical feature films along the lines of "Rebuild of Evangelion" and "Sky Crawlers". The fight scenes are definitely the highlight of the movie. Fully animated, without a single cost saving short cut, it is almost like live action combat sequences out of a blockbuster. The art is no pushover either. It is David Mazzucchelli's original comic designs and characters, combined with an Asian anime flaire and aesthetics. This means small tweaks like giving characters more expressive eyes, sharper features and a less murky color palette. Purists would cry foul at the tweaks but they never detract from the original artwork's feel; it is still dark, gritty, and atmospheric as ever.

Being incredibly faithful to the source material means that one need not be familiar with the graphic novel to appreciate this show. If anything, this film allows those who would normally be averse to reading a comic book appreciate a timeless tale, integral to Batman lore. It is the same book, just a different way of reading it.

I am surprised at the user reviews here and they basically compelled me to write my own. Year one is one of the greatest batman story ever and the movie sticks closely to the source material. If you are unfamiliar with the comic, Year one basically details Bruce Wayne's first year after his return to Gotham City, twelve years after his parent's death. Running parallel to this is the story line of James Gordon, a lieutenant transferred from Chicago to Gotham City. The challenges faced by these characters as they embark on their respective paths and how those paths cross is where Year One shines. The animation perfectly brings David Mazzucchelli's muddy comic panels to life. The inclusion and portrayal of Catwoman might some but it is a very brief part of the story. Year One is an excellent movie and I would recommend this to any Batman fan.

The Batman franchise is currently dominating every single form of media there is. From the incredible Arkham Asylum videogames, the Christopher Nolan revamped films, to the recently developed animated sagas, Batman is performing beyond all other comic-book heroes.

Ironically, he is one of the only graphic novel characters I appreciate more in my maturity, due to the story's vast amount of themes and ideas.

Batman: Under the Red Hood 2010 was perhaps the most enthralling animated film since the famous Batman: The Mask of the Phantasm 1993, so I greatly anticipated Batman Year One.

This film retells the story of one of the most famous fictional crime- fighting partnerships ever created. Batman and police official Lieutenant James 'Jim' Gordon.

When I heard Jim Gordon was going to be one of the protagonists, I had my reservations. I should have known better. This movie did not disappoint. In fact, it was far the opposite.

The plot follows both characters with their respective stories: Bruce Wayne, boy billionaire returns to Gotham City after being absent for many years following his parent's murder. He is lost and seeking a path to cope with vengeance. His transformation into the dark avenging angel Batman is the crux of the plot.

Running parallel, Jim Gordon is a honourable police officer joining a corrupt authority in Gotham City's Police Department. His durability in pursuing his career, regardless of the crooked cops he is surrounded by form his intriguing story.

There were specific points that illustrated the relentless will-power of each character. The first sighting of Batman revealed his character defining raison d'etre – his upkeep of justice as opposed to vengeance, and his preservation of human life over killing: He knocks a man off a balcony, but holds onto his leg. The expression of this point emerged from the beating he receives from two other thugs as he maintains his grip of the criminal who could die if he lets go.

Jim Gordon's most challenging moment was his perseverance in the police force, following a remorseless physical attack from his work colleagues.

The professionalism of the directors and producers was shown through their selection in voice actor Ben McKenzie for Batman. The dialogue, inner monologues and delivery portrayed a young Batman just commencing his crusade on crime and it worked.

The film is definitely worth watching if you are a Batman fan, but I would never recommend this as a general crowd pleaser. Animations are often seen as childish cartoons and understandably, they are shunned by adult audiences. If Batman is perceived as a kid's passion, then consider me a big child, because I cannot ever imagine disliking this character nor ignoring any of the films, be it live action or animation.

Nevertheless, if you do like 'the dark knight', then add this to the hit-list.

Bruce Wayne returns to Gotham after 12 years abroad. Lieutenant James Gordon transfers to Gotham where he finds corruption in the police department. Both decide to clean up the problems in their own way.

It's a fine adult animation of Batman. Gordon has the more interesting story. It's good animation. If anything, it needs to be longer than one hour. There are scenes that needs more fleshing out. Catwoman is fun. With more time, some of this could be even better. Overall, there is nothing big to complain about.

This movie is great, brilliant, realistic, dark, gritty and very-very emotional Batman adaptation. Forget Mask of the Phantasm, Return of the Joker or Under the Red Hood. They are great of course but Year one is in a completely different league than those. This is not something what you can see on Cartoon Network. It is clearly not for kids, not at all. It is a serious story with real people with real and logical choices (Finally Batman is realistic as a person and as a hero, he is not over the top, he uses his batarang the way he should. He is not god like...this was a big problem many times in the comics and also in the animated features too at many areas. He can be shot, beaten and also he can't beat the crap out from 3-4 people easily just because he is Batman. He is a believable person here who can really exist out there in the real world.). If you know the original comics than you won't be disappointed with this. This is how Batman should be. Also Year one is more of Jim Gordon's story and it also works great. Brilliant, just brilliant.

10/10