Gassed Up

I'm a Londoner and have grown up in the east end. Growing up I knew teenagers into petty crime, and even some small time gangsters like those shown in the film. Gassed Up is a sort of believable portrait of that kind of culture in London, in the 2020s.

Honestly the depiction of London "Ghetto Culture" in this film is probably fairly close to reality, and in that respect the movie gets this aspect kind of right - London youth culture - but not 100% right, and it's not quite as believable as it would like to be.

Apart from that it's a fairly decent anti-crime film with a good message about not taking the wrong path. The story is interesting and watchable and the characters likeable enough to keep me watching.

Not a perfect film by far, but not a bad one either. Check it out if you're interested in London gang culture. But don't take it too seriously.

Most certainly not perfect, I'm not convinced by it I won't lie, but... 'Gassed Up' narrowly does enough.

Making your lead characters criminals is always a brave choice, you're almost setting yourself up for failure from a film point of view. I'm personally cool with a movie's main lot not being total good guys, like 'The Fast and the Furious' is literally one of my favourite flicks ever, but it does make it more difficult to root for the people onscreen.

In this execution of making the audience do the aforementioned, I think this film doesn't do the best job. I appreciate the backstory we get for them, well at least for a few of them, and it does work in making you understand their point of views. However, I'm just not sure if it's enough to overcome what the characters are actually doing; it's not like they are Robin Hoods... well, I guess they actually are robin hoods (ha! Get it! Sorry!) but you get what I mean.

There's also an inconsistency in that they avoid going up a level in their activities as they know it'll bring more heat - yet not long after stating that they brazenly take it up a notch anyway. A possible 'out' is they are blinded by wonga but that's unconvincing. All this is just me saying that the writing isn't the best, in my opinion of course.

What does save this is that the feel of the film is competent, it's fairly well put together and moves along at a decent pace. The cast are also positives, with Stephen Odubola being the clear standout as Ash. Taz Skylar and Mohammed Mansaray are alright, though Craige Middleburg and Mae Muller (strange casting for the latter) are more miss than hit. I would've liked Steve Toussaint to have been used more.

Glad I watched this at the cinema though, always nice to support productions from the homeland. Two groups of two were in there with me, though one duo did decide to leave with a good chunk of the movie left; I see other reviewers have noted likewise - ouch! I can possibly see why if I'm totally truthful, but for me I just about got enough out of it. I could easily be rating this a step lower, though.

Start watching at 1h and 10 mins. You won't miss nothing I promise you. No character build up, unrealistic I mean where was everybody with their mobile phones in the air, taking Instagram selfies at the rave. Haha.

3 out of 10 for the little bit you get at the end.

Should be able to post shorter reviews because I really have nothing good to say about this. So I'll give you an idea of the dialogue just to waste the last 108 characters required to complete my review.

Know' what I mean bro innit. Bro, bro, bro, bro my fam. Did I miss anything oh hang on... Bro, oh and bro. Innit!!!!!

Urghhhh.

Where do you even begin with this codswallop produced by Amazon? Not one interaction between any of the characters, no matter how big or small had an ounce realism. Everything was so unnatural that you might wonder if this group of supposed actors weren't just caught in a giant butterfly net on a London estate and instructed to speak a load of cringeworthy nonsense to one another in front of a camera. No one comes out of this with any credit. If you've seen one chav movie, you've seen them all. Tune in for a laugh but do be warned; viewing this drivel for any longer than 60 seconds could cause brain damage.

Know what I'm sayin' fam?

First up, this film was glamorising street crime in the way Top Boy, Adulthood et al did, but way late in the day; I was hoping this was a faded trend because this has been done over and over (the formulaic random kids in a street gang that swear too much and the Russian crime lords all set in the mean / clean streets of London #yawn)

Classics like 'The Harder They Come', where a protagonist makes a living through struggle by turning to crime, but karma gets back at him for his earlier actions are leaps and bounds over these types of dramas; you know why. Because they have an actual ability to portray a human's struggle not just mix together protagonists that could literally exist the whole production in balaclavas, vapid performances made relevant by young people speaking the mumble slang of modern Britain.

I despise how a company the size of Amazon just pushes a trend.

If any of the film crew were swamped by petty criminals on mopeds, they might have reconsidered the lame nature of trying to glamourize real-time criminality to gain social hits in this awful era of media creation.

This production was a childlike CBBC life drama made to help children try and gain an understanding of the modern world, but with the type of language that makes me think a writer asked Chat GPT to make an hour-long migraine of dialogue using as many swear words and brinkmanship of Stormzy's raw lyrics as it could.

Well done all around on style, lovely lighting and whatnot, wardrobe good, cast.. whatever, dialogue.. dry.

Just stop watching this stuff, guys; let the algorithms get to work on some classics again.