Les conséquences du premier assassinat d'un président américain et la lutte pour préserver et protéger les idéaux qui étaient à la base des plans de reconstruction de Lincoln.Les conséquences du premier assassinat d'un président américain et la lutte pour préserver et protéger les idéaux qui étaient à la base des plans de reconstruction de Lincoln.Les conséquences du premier assassinat d'un président américain et la lutte pour préserver et protéger les idéaux qui étaient à la base des plans de reconstruction de Lincoln.
- Récompenses
- 4 nominations au total
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Man, this show about tracking down Lincoln's assassin John Wilkes Booth was kind of a snoozefest. You'd think with such a dramatic historical event as the backdrop, they could've cooked up a more exciting cat-and-mouse chase. But instead, Manhunt feels super drawn out and sluggish.
If you're a hardcore history buff who geeks out on the Lincoln assassination, maybe you'll like all the period minutiae. For the rest of us, Manhunt is just a plodding, tedious missed opportunity to really dramatize and modernize this famous pursuit for the TV audience. Not the worst show ever, but definitely a bit of a snoozer.
If you're a hardcore history buff who geeks out on the Lincoln assassination, maybe you'll like all the period minutiae. For the rest of us, Manhunt is just a plodding, tedious missed opportunity to really dramatize and modernize this famous pursuit for the TV audience. Not the worst show ever, but definitely a bit of a snoozer.
I've been waiting for this miniseries for years going back to when Harrison Ford was attached. I like how they spared no expense and hired good actors (all except for Lincoln). Booth character is true to form and is well acted very much encompassing what Booth was probably like personality (vain and self involved). As a historian I'm disappointed because they changed the story when the story itself was so interesting & would have been captivating if they just stayed true to it. For starters how they approach Spangler and Mudd (neither of them knew what Booth was up to when they first helped him) & Stanton: they portrayed not as his extremely flawed self who Lincoln had many run ins with. He never called him "Abe" nobody did everyone called him Mr President or Lincoln (Lincoln did not like to be called "Abe" and only his stepmother was the one who "Abraham"). This just could have been so much better considering they turned it into a miniseries which does give me hope because it would have been a perfect place to start is talking and show the kidnapping plot and how Booth recruited has Conspiracy Band. Also how the band broke up when the war ended and also I don't like how they portrayed David Harold (they made him out to be more self confident and competent than he really was; in real life he was kinda of seen as not that bright and did whatever Booth said). Again I'm hoping it gets better.
Despite the poor ratings from some I watched show with an open mind and was suitably rewarded
Very good acting in main . Perhaps upping pace at times could have reduced show to fewer episodes? Stopped me giving it perhaps another star
It took awhile to get accustomed to time switches but generally found them illuminating
Decent sets, costumes and settings - not sure why some reviewers are upset about beards though - surely a minor irritation at best
Also I can't understand preoccupation of some reviewers with moaning about casting as I found all characters relatable with good acting from all
Tobias Menzies and Anthony Boyle in particular are always watchable and the scenes they are involved in are usually the best of show
I also found the involvement of Reconstruction issues interesting and worthwhile as an English viewer as it wasn't something I was as aware of from across the pond.
As a historical drama with probably some minor inaccuracies ( as all are bound to have) I found the show to be far better than the negative off-putting reviews would have you believe.
I consequently found myself wondering was there not another agenda at play here?
Very good acting in main . Perhaps upping pace at times could have reduced show to fewer episodes? Stopped me giving it perhaps another star
It took awhile to get accustomed to time switches but generally found them illuminating
Decent sets, costumes and settings - not sure why some reviewers are upset about beards though - surely a minor irritation at best
Also I can't understand preoccupation of some reviewers with moaning about casting as I found all characters relatable with good acting from all
Tobias Menzies and Anthony Boyle in particular are always watchable and the scenes they are involved in are usually the best of show
I also found the involvement of Reconstruction issues interesting and worthwhile as an English viewer as it wasn't something I was as aware of from across the pond.
As a historical drama with probably some minor inaccuracies ( as all are bound to have) I found the show to be far better than the negative off-putting reviews would have you believe.
I consequently found myself wondering was there not another agenda at play here?
Menzies, as always, is excellent, as are most of the cast. But as much as I love Patton Oswalt, he isn't well suited to a historical drama. A couple of other minor character actors similarly detracted.
Many of the expressions used in the writing ("consider me Switzerland," "don't get me wrong," as just two examples) and open discussion of a homosexual relationship in court were wholly out of place for a dramatization of historical events from the 1860s. I found it distracting, and fairly surprising that a production of this caliber hadn't had a better copy editor.
Side note: great costuming.
Many of the expressions used in the writing ("consider me Switzerland," "don't get me wrong," as just two examples) and open discussion of a homosexual relationship in court were wholly out of place for a dramatization of historical events from the 1860s. I found it distracting, and fairly surprising that a production of this caliber hadn't had a better copy editor.
Side note: great costuming.
The title might refer to the manhunt for Booth after Lincoln's assassination but the miniseries covers a lot more than just that narrow scope.
It encompasses the aftermath of the Civil War from many angles: Jefferson Davis was still on the run, Confederates were planning their revenge, foreign countries were giving aid and comfort to fleeing rebels, former slaves were adjusting to their new status and the government was planning radical steps for reconstructing the south into a more equitable society, a goal pushed by Secretary of War Edwin Stanton but undermined by the new President, Andrew Johnson.
From that perspective, there are many parallels to modern times, which the writers sometimes call out a bit too clumsily. Sometimes the plotline, dialogue and acting is also clumsy. The big scope means the story is at risk of going off the rails. But in the end they tie it all together.
Standout performances from Tobias Menzies as Edwin Stanton; Anthony Boyle, believably creepy and hateful as John Wilkes Booth; and Hamish Linklater as Abraham Lincoln.
I would have liked the writers to pay more attention to scrubbing anachronisms from the dialogue. It happened over and over. It may be amusing to think that John Wilkes Booth knew about the theatrical superstition, "break a leg," when he really did break his leg on stage, but there's no evidence of that superstition existing till the 1920s and most likely it developed no earlier than the early 20th Century. There are many more examples like that, far too many.
Still, it's a competent and often well-acted production of historical events with modern relevance. Recommended.
Apple really should consider continuing the saga with a new story, covering Johnson's fraught one-term Presidency and the very different administration of his successor, Ulysses S. Grant, who was serious about Reconstruction and went to war with the KKK.
It encompasses the aftermath of the Civil War from many angles: Jefferson Davis was still on the run, Confederates were planning their revenge, foreign countries were giving aid and comfort to fleeing rebels, former slaves were adjusting to their new status and the government was planning radical steps for reconstructing the south into a more equitable society, a goal pushed by Secretary of War Edwin Stanton but undermined by the new President, Andrew Johnson.
From that perspective, there are many parallels to modern times, which the writers sometimes call out a bit too clumsily. Sometimes the plotline, dialogue and acting is also clumsy. The big scope means the story is at risk of going off the rails. But in the end they tie it all together.
Standout performances from Tobias Menzies as Edwin Stanton; Anthony Boyle, believably creepy and hateful as John Wilkes Booth; and Hamish Linklater as Abraham Lincoln.
I would have liked the writers to pay more attention to scrubbing anachronisms from the dialogue. It happened over and over. It may be amusing to think that John Wilkes Booth knew about the theatrical superstition, "break a leg," when he really did break his leg on stage, but there's no evidence of that superstition existing till the 1920s and most likely it developed no earlier than the early 20th Century. There are many more examples like that, far too many.
Still, it's a competent and often well-acted production of historical events with modern relevance. Recommended.
Apple really should consider continuing the saga with a new story, covering Johnson's fraught one-term Presidency and the very different administration of his successor, Ulysses S. Grant, who was serious about Reconstruction and went to war with the KKK.
Le saviez-vous
- AnecdotesContemporary newspaper reports after Lincoln's Gettysburg Address describe his speaking voice as high-pitched and sometimes "scratchy", not the booming voice of an accomplished orator one would expect. The Lincoln portrayed in this series by Hamish Linklater is accurate as to the President's speaking voice.
- GaffesEdwin M. Stanton had a long, gray beard at the time of the assassination and thereafter. He also bore a heavy build. However, some historical films are known for having 'non-impersonations' of a figure's appearance, they don't always have to be accurate with the appearance.
- ConnexionsFeatured in WatchMojo: Top 10 TV Shows of 2024 (So Far) (2024)
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- How many seasons does Manhunt have?Alimenté par Alexa
Détails
- Durée
- 51min
- Couleur
- Rapport de forme
- 2.35 : 1
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