Sahmaran

Just started this series, so I don't know how it will end, but I like the atmosphere, the sense of magic, the delightful images and the charm of the lead actors. I can see why it's too slow for some, and a bit cryptic, but it's this legend style that makes it appealing, actually. Like a bedtime story.

That's all I wanted to say, but it looks that a review has to be longer, that's not a good idea, cause let's face it, how many of us have the time to read all these long reviews?

But let's see, I can add that some things shoud' ve been worked out better: that mysterious character that is supposed to be scary, that is rather funny, so it failed in creating the necessary threat.

Looking at the reviews on this series, there are lots of 1 ratings but also lots of 10s, indicating a complete disconnect for some but VERY high praise by others. I fall into the 10 category. It was so delightful for me to be enveloped by it.

I was totally captivated by this subtle but well-acted and well-produced series, and I will recommend it to my more discerning friends. I much enjoyed the acting, the music, the ancient story line, the setting in Turkey. But one must not come at the series with a Western bias. Approach it with openness and seeing it through the actors' eyes and a Turkish cultural perspective, not your own. Look at the Turkish people, study the intriguing storyline, revel in its creativeness.

If you can do so, maybe you'd give it a 10! But if you can's see it or do not wish to move yourself to see it, just drop it. Move on to what talks to yourself.

I was totally engrossed in this Turkish series. For me what made it so interesting and drew me in was the instrumentation (not the typical digital crap) used by the composers. Very few films score to the action as this did. That is ambitious and thoughtful attention to detail. Great example of the difference music can make to the overall impact of the storyline. The overall ambient sound work was really excellent, too. It made me realize how much that is lacking in most series and films. Even big budget films. Hollywood can definitely take some cues from this. So A+ to the sound design people and composers and musicians!

I honestly don't get the bad reviews, it is a decent and well acted show. The atmoshpere is mystic and absorbing, the story is interesting,and all in all I have enjoyed all three episodes so far.

Younger audiences like fast paced and action filled thrillers,which is not the case here, this is a slow burner,but a good one.

Shahmaran is actually a mystic figure in the center of an epic tale. If you know about the tale, most of the the mysterious and weird looking pieces come together right from the start, and it is a much more enjoyable story for the viewer.

By the way, it is not fair to rate so low on a show, when you don't know what to look for when rating.

Seeing so many 1 star reviews (ONE star, y'all, that's saying this is among the WORST that all of television has to offer, and The Golf Channel exists, for reference) is baffling for a show that's not only "not THAT bad" - it's really not bad. Here's my guess. The low ratings calling out cringe either don't know that English audio dubs are rarely reflective of the show's intended tone. They don't just translate the language into English which subtitles already accomplish, they Americanize the story. Ever notice how the English audio and the English subtitles rarely match 1 to 1? Watch the show again with just subtitles and just see if you still think it's as bad as "School of Golf."