Dans un collège, deux lycéens homosexuels peu populaires créent un club de combat pour faire l'amour avant d'obtenir leur diplôme.Dans un collège, deux lycéens homosexuels peu populaires créent un club de combat pour faire l'amour avant d'obtenir leur diplôme.Dans un collège, deux lycéens homosexuels peu populaires créent un club de combat pour faire l'amour avant d'obtenir leur diplôme.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 5 victoires et 24 nominations au total
Avis à la une
Let me start off by saying that I absolutely love this movie. I really adore all of the characters because they don't feel forced. Most of the time when I see Gen Z being portrayed on TV it is physically painful to watch, but with this writing it was so unserious and fun that I actually caught myself laughing multiple times. The humor is definitely not for everyone but it was exactly my cup of tea so it was absolutely delightful to watch. And seeing loser lesbians as main characters is something straight out of my dreams...
This is going to become a classic in my house and a nostalgic pick when i want to get reminded of my youth!
I really recommend it!
(Ruby Cruz absolutely stole my heart as Hazel and this movie made me a fan of hers lmao)
I really recommend it!
(Ruby Cruz absolutely stole my heart as Hazel and this movie made me a fan of hers lmao)
Bottoms
This teen comedy sees two high schoolers begin a fight club to be in close proximity with the cheerleaders they're interested in, and ultimately date them.
Bottoms is different from most teen comedies, this flick is raunchy, bloody, violent and dripping in satire. But for how over-the-top Bottoms becomes, it isn't funny, or not as funny as it should be, which is especially sad because the trailer promised a swell time. The zany jokes that a movie like this should have are missing; the comical moments here can't provide more than a smile.
The cast brought the best they could to this project, and most of the characters are distinct.
Themes of sexuality, friendship, women empowerment and identity are employed here.
Bottoms is a fresh idea, and would have worked with a funnier script.
6/10.
This teen comedy sees two high schoolers begin a fight club to be in close proximity with the cheerleaders they're interested in, and ultimately date them.
Bottoms is different from most teen comedies, this flick is raunchy, bloody, violent and dripping in satire. But for how over-the-top Bottoms becomes, it isn't funny, or not as funny as it should be, which is especially sad because the trailer promised a swell time. The zany jokes that a movie like this should have are missing; the comical moments here can't provide more than a smile.
The cast brought the best they could to this project, and most of the characters are distinct.
Themes of sexuality, friendship, women empowerment and identity are employed here.
Bottoms is a fresh idea, and would have worked with a funnier script.
6/10.
The "teen movie" is making a comeback, and the latest from Emma Seligman (of 2021's Shiva Baby) is one of the funniest, wildest, and most delightfully ridiculous in recent memory.
I certainly liked it better than last year's Do Revenge, which harkened back to the Jawbreaker era (and was only at points funny); this one has been described in similar terms, but perhaps more so as a modernized Animal House, or a John Hughes film where the girls take center stage and get to be the weirdo freaks and outcasts with schemes to get laid (still with girls) and attain popularity. Of course, then there's the crucial Fight Club call-back when a self-defense group is formed to help the female students at Rockbridge Falls protect themselves from the kind of movie jocks that never take off their shoulder pads even when having sex. (Even as I've tried to describe this plot, I defy you to try to predict where it winds up.)
Bottoms also continues the trend of making everyone fall in love with Rachel Sennott, whose face is becoming more and more prominent in my kino circles -- this may even be her absolute most hilarious performance. Her co-star Ayo Edebiri (another name I'm glad to be seeing more and more of lately), is similarly on-point, same with the various co-stars, all of them firing on all silly cylinders and bringing chaotic energy to even the most laid-back performances.
Every single person here seems to be having the time of their lives. It reminded me a bit of the energy in Barbie, only this one is -- in the best possible sense -- a lot more unhinged.
Its influences are many, as I said (one of its more "early 2000s" elements is the Avril Lavigne needle drop, which is up there with the Bonnie Tyler sequence as one of the most glorious and hilarious moments in the movie), but this is a film that does something truly special with its homages and love letters. I rarely say things like this, but if this movie spawns a bunch of sequels, where these characters go on Scooby-Doo-style adventures, say, or otherwise start playing around with other genre tropes in outrageous ways, I won't complain. This is a universe I'd love to see more of. We don't get many of those.
I understand that many people on here hated this. But since most of the complaints seem to be coming from the same faint-of-heart Zoomers who lost their minds over the content in No Hard Feelings (because an upbringing saturated with sexless Marvel movies will do that to you), I feel like I've made the right call here.
I certainly liked it better than last year's Do Revenge, which harkened back to the Jawbreaker era (and was only at points funny); this one has been described in similar terms, but perhaps more so as a modernized Animal House, or a John Hughes film where the girls take center stage and get to be the weirdo freaks and outcasts with schemes to get laid (still with girls) and attain popularity. Of course, then there's the crucial Fight Club call-back when a self-defense group is formed to help the female students at Rockbridge Falls protect themselves from the kind of movie jocks that never take off their shoulder pads even when having sex. (Even as I've tried to describe this plot, I defy you to try to predict where it winds up.)
Bottoms also continues the trend of making everyone fall in love with Rachel Sennott, whose face is becoming more and more prominent in my kino circles -- this may even be her absolute most hilarious performance. Her co-star Ayo Edebiri (another name I'm glad to be seeing more and more of lately), is similarly on-point, same with the various co-stars, all of them firing on all silly cylinders and bringing chaotic energy to even the most laid-back performances.
Every single person here seems to be having the time of their lives. It reminded me a bit of the energy in Barbie, only this one is -- in the best possible sense -- a lot more unhinged.
Its influences are many, as I said (one of its more "early 2000s" elements is the Avril Lavigne needle drop, which is up there with the Bonnie Tyler sequence as one of the most glorious and hilarious moments in the movie), but this is a film that does something truly special with its homages and love letters. I rarely say things like this, but if this movie spawns a bunch of sequels, where these characters go on Scooby-Doo-style adventures, say, or otherwise start playing around with other genre tropes in outrageous ways, I won't complain. This is a universe I'd love to see more of. We don't get many of those.
I understand that many people on here hated this. But since most of the complaints seem to be coming from the same faint-of-heart Zoomers who lost their minds over the content in No Hard Feelings (because an upbringing saturated with sexless Marvel movies will do that to you), I feel like I've made the right call here.
When 'Bottoms' started I thought to myself, okay this is 'Superbad' but with women. And it kind of was for a time. Then it somehow became 'Fight Club' with women, and finished up as a film I had never seen before. This was a journey.
The film is done in quite a bizarre way. It's set in the present but everyone dresses like the 70s and there are no smart phones. Also there are almost no adults in the film and the few that there are are absolute monsters. If there's a school assembly the students are just running it, for example. You get used to it after a while but I can't remember another film like it in that sense.
The film is at its best when it is just trying to be wacky and funny. There's a period in the middle where some conflict arrises and the film gets bogged down briefly. Which is a shame because when the film is trying to be funny it is genuinely funny. There is some great dialogue in this film. I had a good time. 8/10.
The film is done in quite a bizarre way. It's set in the present but everyone dresses like the 70s and there are no smart phones. Also there are almost no adults in the film and the few that there are are absolute monsters. If there's a school assembly the students are just running it, for example. You get used to it after a while but I can't remember another film like it in that sense.
The film is at its best when it is just trying to be wacky and funny. There's a period in the middle where some conflict arrises and the film gets bogged down briefly. Which is a shame because when the film is trying to be funny it is genuinely funny. There is some great dialogue in this film. I had a good time. 8/10.
Now here's a high school, that you'd love to go to, as anything goes - nothing's taboo, where two single girls, who aren't looking for pearls, start a club to find love, that gets quite misconstrued. There is punching and kicking, a shove with a push, the dialogues quite racy and might make you blush (if you're of a certain age and demographic), a battle of sexes, as pairs become exes, the romance is there, but it just isn't mush. Growing up can be tough if you're different from others, once being a woman kept you under the covers, now the rules of engagement, don't lead to enragement, and a progressive world - just will not be smothered.
Le saviez-vous
- AnecdotesMarshawn Lynch was initially unsure about accepting the role. He ended up taking it as a way to rewrite his regret of mishandling his younger sister coming out to him in high school.
- GaffesWhen Hazel places a bomb beneath Jeff's car, Isabel and Josie are seen sitting in the front seats of the van, about to kiss. However, fifteen seconds later when the bomb goes off, Josie and Isabel are somehow in front of the van with the rest of the group.
- Crédits fousThe first half of the credits features many outtakes and alternate line readings.
- ConnexionsFeatured in eTalk Daily: Épisode datant du 28 août 2023 (2023)
- Bandes originalesPain
Written by Shawn Everett, Tobias Jesso Jr., Nicholas Alex Long and King Princess (as Mikaela Straus)
Performed by King Princess
Courtesy of Zelig Music, LLC/Columbia Records
By arrangement with Sony Music Entertainment
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- How long is Bottoms?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 12 036 071 $US
- Week-end de sortie aux États-Unis et au Canada
- 461 052 $US
- 27 août 2023
- Montant brut mondial
- 12 976 079 $US
- Durée
- 1h 31min(91 min)
- Couleur
- Rapport de forme
- 2.39 : 1
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