Le labyrinthe

The film The Maze Runner is based off the three book series written by author James Dashner.

As post-apocalyptic films adapted from YA novels go, and there have been many, The Maze Runner might be the most successful of the 2014 year.

The film opens on a young teen, seemingly kidnapped against his will and unclear of what he is doing. His body, limp on the floor of a openly woven caged box, rises up to the sun and grass where he promptly meets a crowd of his peers, all male. Talking with them he discovers he is exactly like them, unknowingly in this location, his memory erased with only his name available to him, it is Thomas.

He soon discovers the grassy area's perimeter is completely encapsulated by steeply high concrete walls, beyond which is a maze. The goal is to figure out the maze as it is the only way to freedom.

The Maze Runner uses young up-and-comer actors and actresses rather than the obvious and nepotistic decision. Dylan O'Brien does a superb job as the newbie Thomas and Aml Ameen is especially captivating as the leader of the stranded survivors Alby. The primarily British young actors also do a splendid job of masking their native accents for a neutrally American vocal pattern.

Further, Wes Ball's direction of The Maze Runner has a clear vision as it emulates a vastly PG-er Lord of the Flies vibe. The beauty of the film is its simplicity. Since the children and teens are locked in an experimental cage, there is no need for monotonous information delivery regarding the futuristic world. There's no futuristic dialect, class system, government changes or anything of the type.

Wow, I really anticipated on this movie, suspense, action, the unknown, it all sounds very exciting. Now I must say that I have seen some very good movies and series round this theme that may influence my judgment, for example The Cube (1 - 3), Persons Unknown, Saw, etc. all have a person or group of persons who don't know how they get there or how to get away. How is it possible that those movies, some dating from 1997, are so much better then a 2014 movie? And being almost 2 hours long, how come so little happens in those 2 hours? Some reviewers already mentioned the contradictory and illogical elements in this movie, and yes, this does this movie, with such much potential, not much good, it's just annoying to see them not try what is so logic. The movie is entertaining, but leaves you very unsatisfied.

Although The Maze Runner story isn't one of the brilliants I have seen, it is interesting enough to satisfy my interest. Opening scene is intriguing and wakes your interest to wait to see what to come. Story itself is many times seen in various movies, but citation to such movies as Cube and TV- shows like Lost keeps you interest awake about what to come. Biggest problem is the movie casting. Thomas (Dylan O'Brien) is interesting character enough, but Will Boultier as villain of story is too lame personality. And somehow I don't understand the meaning of Teresa's (Kaya Scolecario) character who seem to pointless for the whole story. Maybe her role for the story grows and clears at the forthcoming movies. Sequel is coming next fall. After all great scenery combined with intensive storytelling is fresh enough to bring this movie a little bit more interesting, than most of those Hollywood's post-apocalyptic serial productions these days. I stay wait sequel with great interest.

I can see I am in the minority here, but, to be honest, I found the film to be quite intriguing and exciting. I went into the movie "cold", not having read the novel by James Dashner or knowing very much about the plot. For me, this was the type of film that I knew if I just went with the flow and didn't try and look for all the holes in the story and script that I'd be better off.

The way the film was presented by first time director Wes Ball was top notch, as I felt I was right there in the maze with the main characters. The obvious set-up for a sequel at the end of the movie didn't bother me too much as it seems like every movie of this type "has to" have at least one.

In summary, I found this movie to be very absorbing and kept my interest throughout.

My immediate thought while watching The Maze Runner was just how close the whole premise was to Vincent Natali's sci-fi horror Cube (1997), both films featuring a group of people who wake to find themselves in a strange environment with no memory of how they got there. The big difference is that, where Cube was a brilliantly executed low-budget thriller with nail-biting tension and a thought provoking ambiguous climax, The Maze Runner is a mega-budget blockbuster that, for much of its running time, moves like molasses, and which ends leaving questions that we know will be answered, just so long as we shell out more cash to see the next couple of instalments.

Obviously, at 47 I'm not exactly in the intended demographic for this film, but I do feel that this one missed the opportunity to be a hugely entertaining adventure for all ages. When the characters are in the maze, running for their lives from the grievers (metallic insectoid monsters), or dodging the changing architecture, the film is actually very enjoyable, but far too much time is spent in the relative safety of 'the glade', the idyllic green area at the centre of the maze where the boys first wake up. With my son currently reading the series of books, it's almost certain that I'll have to watch the sequels; I just hope that they make it a little more exciting next time around (and don't cut the film to reduce the UK rating to a 12 certificate. Grrrrrr!).

5.5/10, rounded up to 6 for IMDb.