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Girls Will Be Girls

  • 2024
  • Tous publics
  • 1h 58min
NOTE IMDb
7,1/10
2,9 k
MA NOTE
Preeti Panigrahi in Girls Will Be Girls (2024)
Regarder Trailer [USSE]
Lire trailer1:58
3 Videos
13 photos
DrameRomanceLe passage à l'âge adulte

Il suit le parcours de Mira, 16 ans, dont le passage à l'âge adulte, sexy et rebelle, est perturbé par sa jeune mère qui n'a jamais pu passer à l'âge adulte elle-même.Il suit le parcours de Mira, 16 ans, dont le passage à l'âge adulte, sexy et rebelle, est perturbé par sa jeune mère qui n'a jamais pu passer à l'âge adulte elle-même.Il suit le parcours de Mira, 16 ans, dont le passage à l'âge adulte, sexy et rebelle, est perturbé par sa jeune mère qui n'a jamais pu passer à l'âge adulte elle-même.

  • Réalisation
    • Shuchi Talati
  • Scénario
    • Shuchi Talati
  • Casting principal
    • Preeti Panigrahi
    • Kani Kusruti
    • Kesav Binoy Kiron
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,1/10
    2,9 k
    MA NOTE
    • Réalisation
      • Shuchi Talati
    • Scénario
      • Shuchi Talati
    • Casting principal
      • Preeti Panigrahi
      • Kani Kusruti
      • Kesav Binoy Kiron
    • 29avis d'utilisateurs
    • 41avis des critiques
    • 79Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 21 victoires et 30 nominations au total

    Vidéos3

    Trailer [USSE]
    Trailer 1:58
    Trailer [USSE]
    Richa Chadha & Ali Fazal: Girls Will Be Girls, The First Film as Producers and M
    Clip 8:56
    Richa Chadha & Ali Fazal: Girls Will Be Girls, The First Film as Producers and M
    Richa Chadha & Ali Fazal: Girls Will Be Girls, The First Film as Producers and M
    Clip 8:56
    Richa Chadha & Ali Fazal: Girls Will Be Girls, The First Film as Producers and M
    'Girls Will Be Girls' Is a Coming-of-Age Story That Feels Like a Thriller
    Clip 3:23
    'Girls Will Be Girls' Is a Coming-of-Age Story That Feels Like a Thriller

    Photos13

    Voir l'affiche
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    + 6
    Voir l'affiche

    Rôles principaux22

    Modifier
    Preeti Panigrahi
    • Mira
    Kani Kusruti
    Kani Kusruti
    • Anila
    Kesav Binoy Kiron
    Kesav Binoy Kiron
    • Sri
    Kajol Chugh
    Kajol Chugh
    • Priya
    Nandini Verma
    • Divya
    Devika Shahani
    • Ms. Bansal
    Akash Pramanik
    • Hardik
    Aman Desai
    • Vikrant
    Sumit Sharma
    Sumit Sharma
    • Pratik
    Jitin Gulati
    Jitin Gulati
    • Harish
    Pratap Singh
    • Mr. Bakshi
    Pradeep Kapoor
    • Mr. Burman
    Neeraj Varma
    • Mr. Thomas
    Ved Amrita
    • Rita
    Ahana Malla
    • Aditi
    Megha Aggarwal
    • Tina
    • (as Megha Singh Aggarwal)
    Chiraag Behl
    • Store boy
    Jatin Sehgal
    • Nisarg
    • Réalisation
      • Shuchi Talati
    • Scénario
      • Shuchi Talati
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs29

    7,12.8K
    1
    2
    3
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    5
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    7
    8
    9
    10

    Avis à la une

    10neerajaraj

    Don't miss this amazing female sexual awakening film!

    Absolutely obsessed with Shuchi's work-what an incredible talent! I loved "Girls Will Be Girls" from start to finish. There were some truly scream-out-loud moments (I even got shushed in the theatre at Sundance London). The sharp social commentary on mother-daughter relationships was brilliantly executed (the chai scenes broke my wee heart). The 'realness' of young female sexual awakening (the teddy scene) was amazing as it's so rarely seen on screen! The characters were complex and relatable, making the story both engaging and thought-provoking. I can't wait to watch and analyze it all over again. The cinematography, in particular, was exceptional, capturing the nuances of each scene beautifully. Shuchi has truly crafted a masterpiece with this film.
    9jacksongaming-80094

    Less is more

    Coming-of-age films often face the challenge of portraying the teenage perspective authentically while balancing the unfiltered wisdom of older generations. This film walks that tightrope with near-perfection, capturing the complexities of generational divides and emotional truths.

    As a love letter to womanhood and its subtle nuances, unfortunately I can only sympatise with its message. But its emotional depth still resonated. Moments of quiet power gave me chills, and I found myself tearing up toward the end-a testament to its maturity and impact.

    Unlike most coming-of-age films that lean on soaring scores to heighten emotions, this one finds beauty in silence. The lack of music, coupled with sharp, subtext-rich dialogue, potrayed with long wide static camera shots speaks volumes without saying much at all. Watching it on the big screen was a delight, made even more memorable by meeting the lead actress who is a true force of nature in this.

    Highly recommended.
    5ranganmajumder

    Nothing new

    But to tell that, the film raises your expectations and slaughters them using its own hands. There's a nice group of actors, and a lucky handy teddy bear. But this is nothing new. And children nowadays experience such a phase much earlier in their lives. So while watching it, most of us can get a glimpse of some irrational delusions of the director.

    I can understand it's compulsory to speak in English inside the institutions but the film itself here is the institution. Language matters a lot, and that's a reason why it can't reach out to many. Sometimes it feels like Bombay with mountains. Local dialect exist krta hai?

    Anyways, makers should talk with students directly, make a nice use of their experiences.

    Nice attempt, best wishes.
    8arungeorge13

    Shuchi Talati, you have my attention! [+80%]

    Well, I haven't watched any of Shuchi Talati's short films yet, so this is my first exposure to her work. And I must say, she exhibits the finesse of a seasoned filmmaker in the coming-of-age drama genre. She's able to extract exceptional performances from her lead trio (Preeti Panigrahi, Kani Kusruti, Kesav Binoy Kiron) and offer very nuanced takes on a conflicting mother-daughter relationship, a teenage romance that gradually leads to sexual awakening, and a mother who's yet to truly come of age herself. I'm not one to complain of its unhurried pacing, minimalist score (the lack of which actually contributes more to certain scenes), and English-speaking characters in mostly non-English-speaking environments.

    The boarding school setting does feel like it's part of a distinct universe, but the emotions portrayed in the film are very candid and honest. I particularly loved the plot progression-Mira's urge to understand (and quench) her sexual needs, being heckled by some of her peers at school, trying to avert her boyfriend from giving too much attention to her mother, and figuring out whether her love is just "puppy love" or "big-dog love." When a film doesn't offer answers to every question, it leaves room for further thought. Girls Will Be Girls deserves a lot more attention in my eyes.
    8khananas-51399

    This movie felt like my first kiss

    The movie has your attention from the first scene, they get everything right the casting, the location, the costumes, everything!!, But this movie takes its time to build up to what it's trying to tell you. How a young girl Mira is exploring her sexuality and love in this patriarchal world. Yet, it is one of the best school romances made in India.

    Plot of th movie revolves around Mira, the head prefect of her school, she dealing to meet with her, her parents and her teacher's expectations of her school results, maintaining a decipline in her school irrespective of them being her friends but at the same time she is exploring herself. This coming of age movie is similar to most coming of age movies but has got almost everything right!!

    I am stealing: every one has their key, you just need to find them, and ofcourse the school romance, the tention of the first kiss.

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    Histoire

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    Le saviez-vous

    Modifier
    • Citations

      Sri: I'll get you the rooftop keys.

      Mira: From where?

      Sri: Bansal. I won't tell her it's for you.

      Mira: She won't give them to you.

      Sri: She will.

      Mira: Why?

      Sri: Because people also have keys, and Bansal's not that complicated.

    • Bandes originales
      Take it or leave it
      Written by George Robertson Mcfarlane, Mary Carewe

      Performed by George Robertson Mcfarlane, Mary Carewe

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    Détails

    Modifier
    • Date de sortie
      • 21 août 2024 (France)
    • Pays d’origine
      • Inde
      • France
    • Langues
      • Anglais
      • Hindi
    • Aussi connu sous le nom de
      • 模範生的禁愛祕密
    • Sociétés de production
      • Pushing Buttons Studios
      • Blink Digital
      • Cinema Inutile
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

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    • Montant brut mondial
      • 17 156 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 58min(118 min)
    • Couleur
      • Color
    • Rapport de forme
      • 1.44 : 1

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