Passion
NOTE IMDb
5,3/10
25 k
MA NOTE
La rivalité entre la patronne manipulatrice d'une agence de publicité et sa protégée talentueuse passe de l'attribution du mérite à l'humiliation publique jusqu'au meurtre.La rivalité entre la patronne manipulatrice d'une agence de publicité et sa protégée talentueuse passe de l'attribution du mérite à l'humiliation publique jusqu'au meurtre.La rivalité entre la patronne manipulatrice d'une agence de publicité et sa protégée talentueuse passe de l'attribution du mérite à l'humiliation publique jusqu'au meurtre.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 nominations au total
Gernot Alwin Kunert
- Lab Technician
- (as Gernot Kunert)
Avis à la une
DePalma must have made this on a lark as it was pretty weak. Some of the shots are stellar, classic Depalma, especially with the use of streaks of bright color on Christine and some of the angles and hard shadows. The casting of Rachael McAdams as Christine was a huge mistake as it is impossible for anyone who saw the original Love Crimes to not compare her to the French Christine. McAdams' character was too young and girly, lacking the poise, command and sophistication required for a person in a position of Christine's. This movie moved too fast and did not explore the psychology of the characters with the necessary patience nor did it pace the plot properly. Noomi Rapace was good, but this is no surprise. Do yourself a favor and see the original, as the acting is far more superb, and it is casted and paced much better. It will not be ruined one bit by seeing Passion beforehand.
"Passion" was not as good as the original "Love Crime" movie. The story was the same but "Passion" added some surrealistic touches that really made no sense. The original "Love Crime" starred Kristin Scott Thomas and Ludivine Sagnier playing the roles that Rachel McAdams and Noomi Rapace reenacted in "Passion". Ms. Thomas was believable as a glamorous cut-throat executive where Rachel McAdams seemed like a high school mean girl in comparison. Noomi Rapace was decent playing the Ludivine Sagnier role, in fact maybe a bit more believable, though not as much of a babe. I never got into the story that Rachel McAdams was anything but a catty girl, not some powerful executive. Maybe it was because the age difference between the executive and the assistant was greater in "Love Crime". Much of the dialog in "Passion" was stilted and flat. The story by itself was powerful but the telling of it in "Passion" seemed so amateurish, as if there was no confidence that the story could hold the audience's attention so other aspects had to be added to improve it. Those added touches made no sense and the ending was just confusing. "Love Crimes" told the story straight out and the performances held it together. I wanted so much to like "Passion" and in the end I was disappointed. "Love Crime" was a far superior movie. I rate "Passion" a 5; "Love Crime" an 8.
Saw this one at the Toronto International Film Festival, it's a cross between a late night made for cable movie and a European art film. The cinematography is great, lots of inventive shots. Actually, nearly every shot is a winner. The musical score can
Rachel McAdams and Noomi Rapace ham it up as back stabbing mind f*cking executives. They have great chemistry and as the plot twists along we are never quite sure who to root for. Rachel McAdams' Christine basically plays a grown up version of Regina George from Mean Girls.
None of it is meant to be taken too seriously. The Anyone who liked Basic Instinct, Fatal Attraction or De Palma's own Dressed to Kill will be into this movie.
Rachel McAdams and Noomi Rapace ham it up as back stabbing mind f*cking executives. They have great chemistry and as the plot twists along we are never quite sure who to root for. Rachel McAdams' Christine basically plays a grown up version of Regina George from Mean Girls.
None of it is meant to be taken too seriously. The Anyone who liked Basic Instinct, Fatal Attraction or De Palma's own Dressed to Kill will be into this movie.
Brian De Palma returns with a remake of a 2010 french thriller, Crime d'amour (Love Crime), now renamed Passion. It stars Rachel McAdams and everyone's newest favorite actress, Noomi Rapace, who we all feel in-love with for being the original Girl With The Dragon Tattoo. They are work colleagues and we witness the beginning of what becomes a rivalry between them that spirals out of control until one of them is left dead.
The opening scene makes you wonder if you've just found yourself watching an improvised video that will eventually lead to a softcore pornographic lesbian sex scene between the two actresses. If this doesn't make you want to watch it, you'll be more likely to enjoy where the story actually does go. Rachel McAdams is who Rachel McAdams is in half of the other movies she is in, like a grown-up version of her role in Mean Girls. Noomi Rapace's performance gets better with each scene. Two great actresses, but we already know that.
The story is a throwback to the 1970's when directors were all trying to imitate the master of suspense, Alfred Hitchcock. Brian De Palma is quite a high profile director himself, often put up on a pedestal with Martin Scorsese and Francis Ford Coppola. He can be innovate but sometimes we can go a little too far with experimental framing and different editing techniques. How much does it enhance the story to use split screens in the scenes that he does? Sister and Phantom of the Paradise put him in his place but he peeked with such classics as Carrie, Scarface, The Untouchables and Carlito's Way. With Mission Impossible he had hit the top of his career, as far as success. His next film, Snake Eyes, would be torn apart by critics and Mission to Mars was unforgivably bad by everyone's standards. And though he is trying, he is unable to tap into what it was that originally made him such an exiting director to look out for through the 70's and into the 90's.
Passion is a fun, twisted little story that is told without any real passion. A low-budget we can look past, this just feels cheap.
The opening scene makes you wonder if you've just found yourself watching an improvised video that will eventually lead to a softcore pornographic lesbian sex scene between the two actresses. If this doesn't make you want to watch it, you'll be more likely to enjoy where the story actually does go. Rachel McAdams is who Rachel McAdams is in half of the other movies she is in, like a grown-up version of her role in Mean Girls. Noomi Rapace's performance gets better with each scene. Two great actresses, but we already know that.
The story is a throwback to the 1970's when directors were all trying to imitate the master of suspense, Alfred Hitchcock. Brian De Palma is quite a high profile director himself, often put up on a pedestal with Martin Scorsese and Francis Ford Coppola. He can be innovate but sometimes we can go a little too far with experimental framing and different editing techniques. How much does it enhance the story to use split screens in the scenes that he does? Sister and Phantom of the Paradise put him in his place but he peeked with such classics as Carrie, Scarface, The Untouchables and Carlito's Way. With Mission Impossible he had hit the top of his career, as far as success. His next film, Snake Eyes, would be torn apart by critics and Mission to Mars was unforgivably bad by everyone's standards. And though he is trying, he is unable to tap into what it was that originally made him such an exiting director to look out for through the 70's and into the 90's.
Passion is a fun, twisted little story that is told without any real passion. A low-budget we can look past, this just feels cheap.
I had grown disappointed with Brian DePalma throughout the 1990s and 2000s. The man who gave us "Phantom of the Paradise", "Carrie", "Dressed to Kill", "Scarface" and "Carlito's Way"* suddenly turned to overblown stuff like "Mission: Impossible", "Snake Eyes" and "The Black Dahlia". So it's a little bit of a treat to see "Passion". It's not as good as his early work, but the tension between the main characters is definitely what I hope for in one of his movies. In fact, DePalma tricks the audience by getting them to think that it's a clash-of-egos story...before the real plot line sets in. Far from her perky roles in previous movies, Rachel McAdams plays a scary executive. The viewer practically wishes for Noomi Rapace's character to do something nasty.
Basically, "Passion" has a hint of what usually made DePalma's movies good. It's probably not going to be for everyone, but I liked it.
*For the record, I didn't think that "Bonfire of the Vanities" was that bad.
Basically, "Passion" has a hint of what usually made DePalma's movies good. It's probably not going to be for everyone, but I liked it.
*For the record, I didn't think that "Bonfire of the Vanities" was that bad.
Le saviez-vous
- AnecdotesThis is a remake of the French film Crime d'amour (2010), directed by Alain Corneau, who died the same year this film was released.
- GaffesExterior shot supposedly in London - see the double-decker bus - except the vehicles are driving on the wrong side of the road. The scene was actually shot in Berlin, Germany.
- Citations
Isabelle James: What do you want?
Christine Stanford: I used to want to be admired.
Isabelle James: I admire you.
Christine Stanford: Well, now I want to be loved.
- Crédits fousIn the copyright notice at the end, the proper nouns "European" and "United States of America" are all lower case, rather than with initial capital letters.
- ConnexionsFeatured in Talking About Passion (2013)
- Bandes originalesProgrammed
Written by Dave Pen (as D. Penney), Darius Keeler (as D. Keeler), Danny Griffiths (as D. Griffiths) and Mickey Hurcombe (as M. Hurcombe)
Performed by Archive
© Fintage Publishing
(p) 2006 Archive
Courtesy of Fintage Publishing and WARNER MUSIC
A Warner Music Group Company
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- How long is Passion?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Pasión, un asesinato perfecto
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 20 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 92 181 $US
- Week-end de sortie aux États-Unis et au Canada
- 33 400 $US
- 1 sept. 2013
- Montant brut mondial
- 713 616 $US
- Durée1 heure 42 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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