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6,4/10
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Ajouter une intrigue dans votre langueThe established relationship between university student Bruno and aspiring photographer Carla is thrown into turmoil when Bruno feels drawn to sexy karate instructor/break dancer Rai. Compli... Tout lireThe established relationship between university student Bruno and aspiring photographer Carla is thrown into turmoil when Bruno feels drawn to sexy karate instructor/break dancer Rai. Complications ensue.The established relationship between university student Bruno and aspiring photographer Carla is thrown into turmoil when Bruno feels drawn to sexy karate instructor/break dancer Rai. Complications ensue.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 victoires et 7 nominations au total
Marc Garcia Coté
- Adrián
- (as Marc García-Coté)
Avis à la une
About love, about a relationship in 3, two boys and a girl.
The film is interesting, has constant action, unpredictable and well played.
He is optimistic and shows that we set our limits in life.
A 2-guys-and-1-girl comedy (with a modicum of kitschy dramatic tone), zeroing in on the pan-sexuality relationship conundrum happened in Barcelona, a modern tale smells like teen spirit from director Xavier Villaverde (a 10-year-absence since his last feature, THIRTEEN CHIMES, 2002).
The film kick-starts with a Hip-Hop routine performance and ends up in a casual and cozy dancing moment in the room with the three protagonist, the harmonious denouement maybe ephemeral since the trilogy linkage very likely falls apart when life goes on (a feeble solidification which counters the basic triangle axiom owing to human being's innate doubt and lust), but the film graphically proffers some sincere perception into the young generation's vintage point about love-romance (in alliance with the progression against homophobia discrimination), which is a further step over the rather stale coming-out melodrama during last one or two decades.
The three main actors are cleverly selected, Astrid Bergès-Frisbey (afresh from PIRATES OF THE CARIBBEAN: ON STRANGER TIDES 2011, 5/10) is much confident and versatile in her mother language; Álvaro Cervantes has a killing charisma which could be perceived and indulged by both genders (complies with the character's "seducer"tag and his unorthodox but quite common pan-sexuality attitude - it is the particular individual who we fall for, it is nothing about gender). Llorenç González, as the befuddled and jealousy boyfriend who has his immature trait but at least honest with his feelings. Pitifully besides that, other sidekicks are plainly foils without any distinctive antics to be remembered.
The film contains quite a few explicit sex scenes (between boy-girl, boy-boy and a three-way smooching near the end), may be a bit superfluous (beautifully shot though), and the plot has a sinuous redundancy of buzz-killing twist-and-turns, which could hinder the revelational message the film engages with. Personally I will give one thumb up to this film, simply because it is an innovative torrent of the genre and turns out be to a refreshingly uplifting adventure for the viewers (again sexuality is irrelevant here).
p.s: my Oscar race, Astrid and Álvaro both enter my top 10 of leading actress and leading actor race respectively.
The film kick-starts with a Hip-Hop routine performance and ends up in a casual and cozy dancing moment in the room with the three protagonist, the harmonious denouement maybe ephemeral since the trilogy linkage very likely falls apart when life goes on (a feeble solidification which counters the basic triangle axiom owing to human being's innate doubt and lust), but the film graphically proffers some sincere perception into the young generation's vintage point about love-romance (in alliance with the progression against homophobia discrimination), which is a further step over the rather stale coming-out melodrama during last one or two decades.
The three main actors are cleverly selected, Astrid Bergès-Frisbey (afresh from PIRATES OF THE CARIBBEAN: ON STRANGER TIDES 2011, 5/10) is much confident and versatile in her mother language; Álvaro Cervantes has a killing charisma which could be perceived and indulged by both genders (complies with the character's "seducer"tag and his unorthodox but quite common pan-sexuality attitude - it is the particular individual who we fall for, it is nothing about gender). Llorenç González, as the befuddled and jealousy boyfriend who has his immature trait but at least honest with his feelings. Pitifully besides that, other sidekicks are plainly foils without any distinctive antics to be remembered.
The film contains quite a few explicit sex scenes (between boy-girl, boy-boy and a three-way smooching near the end), may be a bit superfluous (beautifully shot though), and the plot has a sinuous redundancy of buzz-killing twist-and-turns, which could hinder the revelational message the film engages with. Personally I will give one thumb up to this film, simply because it is an innovative torrent of the genre and turns out be to a refreshingly uplifting adventure for the viewers (again sexuality is irrelevant here).
p.s: my Oscar race, Astrid and Álvaro both enter my top 10 of leading actress and leading actor race respectively.
This shallow, irritating, sterile movie offers nothing but titillation for a certain sort of voyeur, maybe for women who like to watch men make out... the female equivalent of men whose ultimate fantasy is sex with two women. Any gay man who likes this movie needs to have his head examined - both of them.
This is a movie, like Brokeback Mountain, that was made BY straight people FOR straight people (as if they didn't already have enough movies) who think shoehorning gay sex into their movie makes it cool, or something dumb like that. It's an attitude that makes me furious and insults the gay men I suppose it means to pander to.
It's even worse than Brokeback Mountain, though, and casting Llorenç González can't be a coincidence: he looks almost exactly like Jake Gyllenhaal and is almost as ugly. Álvaro Cervantes is gorgeous and extremely sexy; without him this movie would have been just another stupid straight movie, but he's wasted in it.
Gay men should boycott all movies (like this one) that show twenty minutes of graphic straight sex for every twenty seconds of censored, castrated gay sex. That's like spitting in our faces, proving that we're nothing but pawns in their sick heterosexual fantasies.
This is a movie, like Brokeback Mountain, that was made BY straight people FOR straight people (as if they didn't already have enough movies) who think shoehorning gay sex into their movie makes it cool, or something dumb like that. It's an attitude that makes me furious and insults the gay men I suppose it means to pander to.
It's even worse than Brokeback Mountain, though, and casting Llorenç González can't be a coincidence: he looks almost exactly like Jake Gyllenhaal and is almost as ugly. Álvaro Cervantes is gorgeous and extremely sexy; without him this movie would have been just another stupid straight movie, but he's wasted in it.
Gay men should boycott all movies (like this one) that show twenty minutes of graphic straight sex for every twenty seconds of censored, castrated gay sex. That's like spitting in our faces, proving that we're nothing but pawns in their sick heterosexual fantasies.
This film totally blew me away! Maybe it's my age (72) but this film was really a shock. I sat there with my mouth open thinking am I really seeing what I am seeing? There's nothing worse than the idea that time has passed you by and you are not plugged in to current ideas but this film really showed me how little I know about the world as it exists today and probably how it has always existed. Sure, in my youth I had fun and did things I would never do again but always under the cloud of Catholic guilt which in this film does not even remotely rear its ugly head and we're talking about Spain one of the most Catholic countries on the planet. Everything about this film is unique as far as I am concerned. It seems to me that it has established a new threshold in terms of sex, opening the door for other filmmakers to expand sexual horizons in ways never seen before.
I LOVED this movie! Stumbled upon it by a happy accident and was thrilled to find it! It is very seductive and alive with energy and explores love and sexuality and how these characters refuse to be limited in their lives and how they express that love. It's very realistic and the acting and writing is very good and the look of the movie has high production values and great direction! I love indie films because they are brave enough to explore themes you rarely see in main stream films. Alvaro Cervantes who plays Rai is poised for stardom and he could seduce anyone into falling in love with him. Highly recommend this film!!
Le saviez-vous
- AnecdotesLast acting credit, as of 2023, for Ana Cimini.
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Détails
Box-office
- Montant brut mondial
- 54 405 $US
- Durée
- 1h 45min(105 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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