Ajouter une intrigue dans votre langueA Hollywood actor grows tired of making the same corporate movies, so he moves to Argentina to find more experimental and meaningful work.A Hollywood actor grows tired of making the same corporate movies, so he moves to Argentina to find more experimental and meaningful work.A Hollywood actor grows tired of making the same corporate movies, so he moves to Argentina to find more experimental and meaningful work.
- Réalisation
- Scénario
- Casting principal
Chloé Bello
- Translator
- (as Chloe Bello)
Leticia Brédice
- Dalmacia
- (as Leticia Bredice)
María Abadi
- Olinda
- (as Maria Abadi)
Mario Alarcón
- Gonzalito
- (as Mario Alarcon)
Héctor Díaz
- Pacheco
- (as Hector Diaz)
Avis à la une
Warm little movie. A collage of digressions and partial thoughts, no apt for who is looking to be caught in a melodrama. To see great actors playing with such a freedom, makes me think on the cynical and shallow part of this art form.
As soon we have the chance to liberate our mind, we dream, and snore. As soon we seat front of the TV, we are forced to dream the dreams others, sometimes just money makers
This movie have much of a dream, but is enough imperfect, rough, and sometimes nonsensical, that you can hear your own mind without feeling being used.
As soon we have the chance to liberate our mind, we dream, and snore. As soon we seat front of the TV, we are forced to dream the dreams others, sometimes just money makers
This movie have much of a dream, but is enough imperfect, rough, and sometimes nonsensical, that you can hear your own mind without feeling being used.
"No somos animales" is a film you'll either love or hate...and this is obvious when you look at the ratings which either are 9s or 10s...or 1s....with little in between. I can certainly understand this after watching the movie, as it looks like an indie reworking of "8 1/2"...and it's not the sort of movie the average person would rush to see.
Instead of a traditional narrative, this film feels like someone took some home movies and pieced them together. Some folks might recognize what is happening...but most will just feel that the plot is disjoint and confusing. What you DO know is that John Cusack plays a famous actor who is tired of Hollywood and he heads to Argentina to make a film. Other than that...there really isn't a ton of plot.
For me, I'd much rather watch "8 1/2" because it is more coherent and enjoyable. Additionally, the film lacks energy and after a while, I just didn't care about anything and wanted it to end.
Instead of a traditional narrative, this film feels like someone took some home movies and pieced them together. Some folks might recognize what is happening...but most will just feel that the plot is disjoint and confusing. What you DO know is that John Cusack plays a famous actor who is tired of Hollywood and he heads to Argentina to make a film. Other than that...there really isn't a ton of plot.
For me, I'd much rather watch "8 1/2" because it is more coherent and enjoyable. Additionally, the film lacks energy and after a while, I just didn't care about anything and wanted it to end.
Was far much better the version I saw in the BAFICI festival, I miss that music and some scenes that are not there. This is now a kind of "making off" of what had far more sense and story, plus atmosphere. But, anyway, even if is not a real work of Agresti, and the Americans touched it like know all-know nothing typical spoiled, colonialist kids some are over there, I still I enjoy the freedom that exudes from the director's original. Hope Netflix could show us the original!!!
That's why I give it a 10 from Uruguay. As a normal movie it probably would have deserve only a 6 or 7. But this is another kind of "thing". Personally made me feel close to the characters, as never a movie made me feel before. I could call it an ODE to friendship. The "thing" never tried to manipulate me, from the start shows that taste of parody, makes you part of a crazy party, full of contradictions, drinks,different points of view, and space for personal thoughts...
Anyway, Cusack shows his best, or a my say himself after so many forgettable films. I wish it could be a serial, with those friends saying what come to their minds. After watching the last Argentine blockbusters designed to be that, like The Clan etc., or the "artistic movies", that are film school pastiches of old classics, overall french, No Somos Animales got my heart. Makes me believe that cinema could be something different that manipulation and money, something more simple, and participatory.
Anyway, Cusack shows his best, or a my say himself after so many forgettable films. I wish it could be a serial, with those friends saying what come to their minds. After watching the last Argentine blockbusters designed to be that, like The Clan etc., or the "artistic movies", that are film school pastiches of old classics, overall french, No Somos Animales got my heart. Makes me believe that cinema could be something different that manipulation and money, something more simple, and participatory.
I watched this largely because I love Argentina. What a waste of 90 minutes. I stuck it out and watched the entire thing because I wanted it to be a decent movie. It wasn't. To say this movie is dull and dry is really being generous. There's no plot. Nothing of any significance happens. It's not even funny. This seems like a movie where someone was trying way too hard to be sophisticated and ended up producing garbage as a result.
Le saviez-vous
- AnecdotesThe film is loosely based on John Cusack's take on Hollywood creativity according to interviews and Looper.
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- How long is We Are Not Animals?Alimenté par Alexa
Détails
Box-office
- Montant brut mondial
- 1 902 $US
- Durée
- 1h 30min(90 min)
- Couleur
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