Signe et Thomas sont dans une relation compétitive malsaine qui prend une tournure vicieuse lorsque Thomas perce soudainement en tant qu'artiste contemporain. En réponse, Signe tente désespé... Tout lireSigne et Thomas sont dans une relation compétitive malsaine qui prend une tournure vicieuse lorsque Thomas perce soudainement en tant qu'artiste contemporain. En réponse, Signe tente désespérément d'attirer l'attention et la sympathie.Signe et Thomas sont dans une relation compétitive malsaine qui prend une tournure vicieuse lorsque Thomas perce soudainement en tant qu'artiste contemporain. En réponse, Signe tente désespérément d'attirer l'attention et la sympathie.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 7 victoires et 10 nominations au total
Mathilda Höög
- Anja
- (as Matilda Höög)
Elisabeth Aschehoug
- Anine
- (as Elisabeth Bech Aschehoug)
Avis à la une
Watching "Syk Pike" I felt amusement, puzzlement, aversion and compassion. The pursuit of easy glory, a sense of uniqueness and a life for the audience, but still nothing important to show or say. Sounds familiar? All the above aspects are very relatable in our age of social media. The actors did their job very well, and I had no doubts for a moment that they did not fit their characters. The whole movie was well composed, neither too long nor too short. After the movie, I remembered the saying: "stop making stupid people famous" and in my opinion that's the punch line of "Syk Pike".
All kinds of emotions guaranteed and food for thought. A good movie!
All kinds of emotions guaranteed and food for thought. A good movie!
I didn't expect it to be THIS good. There's a lot of film talent in Scandinavia lately. If you're reading this and the combo "drama, comedy, horror" sounds appealing you can't go wrong with this one (I recommend watching it alone). It does those three genres well with great timing. It's funny, it's horrific, it's devastating and beautiful. A lot of films - most of them really - nail the beginning and then fall apart, or resort to generic formulas for the ending, but a good ending makes it all worth it, gives meaning to the whole thing, I believe it's the most crucial part of a film.
This is really great stuff, a descent into madness presented with intelligence, sensitivy and style, it's up there close to heavy weights like Cronenberg's The Fly or Polanski's Repulsion; and Kristine Kujath Thorp is outstanding, without her there is no film. Besides, she is absolutely gorgeous. This deserves much more attention (ha!).
This is really great stuff, a descent into madness presented with intelligence, sensitivy and style, it's up there close to heavy weights like Cronenberg's The Fly or Polanski's Repulsion; and Kristine Kujath Thorp is outstanding, without her there is no film. Besides, she is absolutely gorgeous. This deserves much more attention (ha!).
There is a lot of social commentary to be found in this film, which revolves around a young woman named Signe, who cannot deal with her pathological need for attention. It not only brings a character portrait of someone suffering from Münchhausen syndrome, but it also highlights topics like how we choose our beauty standards, even with "imperfect" beauty to be politically correct, or how we portray ourselves to the outside world.
A funny dynamic is her relationship with an equally attention hungry boyfriend Thomas: he asked for her help stealing furniture which he makes into his "art" and takes all the credit for himself. The more attention he receives, the more revolted she becomes and vice versa.
The movie starts off fantastically with increasingly absurd social situations and how far people are willing to go for a second in the spotlight. However, the speed decreases halfway through the movie and instead focusses more on the actual sickness Signe forced on herself. Even though her state of being gets worse and worse, the initial lighthearted yet dark humor that worked so well is kind of forgotten. The ending was felt anticlimactic and out of place for a movie that borded on the absurd and extreme during the first half.
The ideas and the script are really great, but all in all I feel the makers did not exactly know how to end the story. It would have been better - in my opinion - if it went out with a bang or at least a bit more on par with the intensity delivered in the beginning.
A funny dynamic is her relationship with an equally attention hungry boyfriend Thomas: he asked for her help stealing furniture which he makes into his "art" and takes all the credit for himself. The more attention he receives, the more revolted she becomes and vice versa.
The movie starts off fantastically with increasingly absurd social situations and how far people are willing to go for a second in the spotlight. However, the speed decreases halfway through the movie and instead focusses more on the actual sickness Signe forced on herself. Even though her state of being gets worse and worse, the initial lighthearted yet dark humor that worked so well is kind of forgotten. The ending was felt anticlimactic and out of place for a movie that borded on the absurd and extreme during the first half.
The ideas and the script are really great, but all in all I feel the makers did not exactly know how to end the story. It would have been better - in my opinion - if it went out with a bang or at least a bit more on par with the intensity delivered in the beginning.
When Signe's artist boyfriend finds fame for the sculptures he makes out of furniture he's stolen from businesses, she will stop at nothing to get the attention of the crowd back on her. Munchausen's syndrome: that's what they call it when a person makes an art-form out of malingering. Or when they go so far to fake illness that they're no longer really faking.
"Sick of Myself" is a comedy so dark it's almost a horror story. Not only a horror story: a *body* horror story. I wonder what David Cronenberg or Clive Barker would think of it.
It's also a challenging viewing experience. The tone is so troubling and uncomfortable that it reminded me of another Scandinavian flick from last year, "Speak No Evil" - but that one certainly wasn't a comedy.
I often had to take breathers while watching it.
It also reminded me of "Ingrid Goes West", another dark comedy about a mentally ill young woman and the place society holds for crazy people, which it finds easy to exploit. The difference is that "Ingrid" had a stronger sense of plot and I always knew what it was trying to say. "Sick of Myself" feels more organic and unstructured, which gives you the feeling that anything can happen.
"Sick of Myself" is a comedy so dark it's almost a horror story. Not only a horror story: a *body* horror story. I wonder what David Cronenberg or Clive Barker would think of it.
It's also a challenging viewing experience. The tone is so troubling and uncomfortable that it reminded me of another Scandinavian flick from last year, "Speak No Evil" - but that one certainly wasn't a comedy.
I often had to take breathers while watching it.
It also reminded me of "Ingrid Goes West", another dark comedy about a mentally ill young woman and the place society holds for crazy people, which it finds easy to exploit. The difference is that "Ingrid" had a stronger sense of plot and I always knew what it was trying to say. "Sick of Myself" feels more organic and unstructured, which gives you the feeling that anything can happen.
This movie, about a woman who hatches a vicious plan to reclaim her rightfully deserved attention, is quite a unique story with interesting content, and is definitely something different. I think it was smart to add some humor here and there, which made the movie very alive. Narcissism is the core theme here, and the brutality was almost frighteningly strange. The crazy thing about this is that there are actually people out there doing the same kind of action like in this movie. A very interesting topic! I think the camera and the lightning work wasn't to good, which made it sometimes feel like a homemade movie, but at the same time, I think the script and the editing was great. Also, time and reality were well used. Recommending for those who wants to experience something different!
Le saviez-vous
- AnecdotesNorwegian star actor Anders Danielsen Lie, who has a single scene cameo playing the doctor revealing test results back to Signe at the hospital, is a licensed medical doctor in real life, and regularly works as a general practitioner in between film shoots. He had graduated from University of Oslo with a medical degree in 2007.
- ConnexionsFeatured in Aksel is a Fish in the Aquarium (2024)
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- How long is Sick of Myself?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Chất độc của sự nổi tiếng
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 106 156 $US
- Week-end de sortie aux États-Unis et au Canada
- 20 462 $US
- 16 avr. 2023
- Montant brut mondial
- 1 102 579 $US
- Durée
- 1h 37min(97 min)
- Couleur
- Rapport de forme
- 1.85 : 1
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