Signe et Thomas sont dans une relation compétitive malsaine qui prend une tournure vicieuse lorsque Thomas perce soudainement en tant qu'artiste contemporain. En réponse, Signe tente désespé... Tout lireSigne et Thomas sont dans une relation compétitive malsaine qui prend une tournure vicieuse lorsque Thomas perce soudainement en tant qu'artiste contemporain. En réponse, Signe tente désespérément d'attirer l'attention et la sympathie.Signe et Thomas sont dans une relation compétitive malsaine qui prend une tournure vicieuse lorsque Thomas perce soudainement en tant qu'artiste contemporain. En réponse, Signe tente désespérément d'attirer l'attention et la sympathie.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 7 victoires et 10 nominations au total
Mathilda Höög
- Anja
- (as Matilda Höög)
Elisabeth Aschehoug
- Anine
- (as Elisabeth Bech Aschehoug)
Avis à la une
This movie, about a woman who hatches a vicious plan to reclaim her rightfully deserved attention, is quite a unique story with interesting content, and is definitely something different. I think it was smart to add some humor here and there, which made the movie very alive. Narcissism is the core theme here, and the brutality was almost frighteningly strange. The crazy thing about this is that there are actually people out there doing the same kind of action like in this movie. A very interesting topic! I think the camera and the lightning work wasn't to good, which made it sometimes feel like a homemade movie, but at the same time, I think the script and the editing was great. Also, time and reality were well used. Recommending for those who wants to experience something different!
This is very uncomfortable viewing for any human being who has ever been ignored and wants to be seen and recognized; so probably most in the 7 billion + will be triggered here out of humanity :]
- It truly is a comedy which shows flaws and unbalances in couples and also in society at large
- It makes fun of The Art World The World of Fashion; it makes fun of TV programs Newspapers The Realm of The Internet; nothing is left out ...
- It is clever funny disturbing but not too much of either of these 3; it also has that odd Scandinavian detachment which probably Scandinavians do not perceive and non-Scandinavians do not comprehend.
- I thought that it would be too serious but then the humour started to seep in and out like the main character's face at times; the acting was adequate but not striking
- Is it a comedy; a social commentary; a horror tale? A bit of all of those in a bright nicely furnished story
- Watch it for yourself and decide ...
What an interesting character study of an attention-seeking masochist at heart. The lead is wonderfully performed by Kristine Kujath Thorp and the directing and editing by Kristoffer Borgli is impressive. Shooting on 35mm is no easy task, but he makes it not only look seamless, but also has a visual flair that I'm looking forward to seeing again in the future. I can see why Ari Aster is producing his next project. I do think there are some minor flaws with the picture, especially with its depiction of certain disabilities, but overall, the themes work in terms of the context of this story. If you like interesting character studies, I would definitely recommend checking this one out.
There's a girl who likes to exceed expectations, just to grab, grasp, claw, pluck, seize, the world's attention, a girl whose boundaries are so wide, it's hard to even give a guide, as she smashes, crashes, bashes her foundations.
Original for sure, as Signe, superbly performed by Kristine Kujath Thorp, captures the eye, refocuses your gaze, turns your head at an angle and distracts with dismay, all for the sake of the brainwashing world so many have come to be seduced, deceived and ensnared by, and the rewards it invariably fails to deliver, as the clock tik toks and the masses fail to take stock, lock and flock.
Original for sure, as Signe, superbly performed by Kristine Kujath Thorp, captures the eye, refocuses your gaze, turns your head at an angle and distracts with dismay, all for the sake of the brainwashing world so many have come to be seduced, deceived and ensnared by, and the rewards it invariably fails to deliver, as the clock tik toks and the masses fail to take stock, lock and flock.
There is a lot of social commentary to be found in this film, which revolves around a young woman named Signe, who cannot deal with her pathological need for attention. It not only brings a character portrait of someone suffering from Münchhausen syndrome, but it also highlights topics like how we choose our beauty standards, even with "imperfect" beauty to be politically correct, or how we portray ourselves to the outside world.
A funny dynamic is her relationship with an equally attention hungry boyfriend Thomas: he asked for her help stealing furniture which he makes into his "art" and takes all the credit for himself. The more attention he receives, the more revolted she becomes and vice versa.
The movie starts off fantastically with increasingly absurd social situations and how far people are willing to go for a second in the spotlight. However, the speed decreases halfway through the movie and instead focusses more on the actual sickness Signe forced on herself. Even though her state of being gets worse and worse, the initial lighthearted yet dark humor that worked so well is kind of forgotten. The ending was felt anticlimactic and out of place for a movie that borded on the absurd and extreme during the first half.
The ideas and the script are really great, but all in all I feel the makers did not exactly know how to end the story. It would have been better - in my opinion - if it went out with a bang or at least a bit more on par with the intensity delivered in the beginning.
A funny dynamic is her relationship with an equally attention hungry boyfriend Thomas: he asked for her help stealing furniture which he makes into his "art" and takes all the credit for himself. The more attention he receives, the more revolted she becomes and vice versa.
The movie starts off fantastically with increasingly absurd social situations and how far people are willing to go for a second in the spotlight. However, the speed decreases halfway through the movie and instead focusses more on the actual sickness Signe forced on herself. Even though her state of being gets worse and worse, the initial lighthearted yet dark humor that worked so well is kind of forgotten. The ending was felt anticlimactic and out of place for a movie that borded on the absurd and extreme during the first half.
The ideas and the script are really great, but all in all I feel the makers did not exactly know how to end the story. It would have been better - in my opinion - if it went out with a bang or at least a bit more on par with the intensity delivered in the beginning.
Le saviez-vous
- AnecdotesNorwegian star actor Anders Danielsen Lie, who has a single scene cameo playing the doctor revealing test results back to Signe at the hospital, is a licensed medical doctor in real life, and regularly works as a general practitioner in between film shoots. He had graduated from University of Oslo with a medical degree in 2007.
- ConnexionsFeatured in Aksel is a Fish in the Aquarium (2024)
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Chất độc của sự nổi tiếng
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 106 156 $US
- Week-end de sortie aux États-Unis et au Canada
- 20 462 $US
- 16 avr. 2023
- Montant brut mondial
- 1 102 579 $US
- Durée
- 1h 37min(97 min)
- Couleur
- Rapport de forme
- 1.85 : 1
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