It's hard to take a videomaker like Max Candy seriously for even a moment, given that his dubious claim to fame is helming the ALL VENUS NO PENIS series. But with RICH LITTLE BITCH he delivers the storyline XXX goods. In the fine print (end credits) it's revealed that the actual director (realisateur) is writer/editor Alex Conte, with exec producer Candy taking the usual "un film de..." credit.
Meal ticket here is stunning Jade Laroche, a young performer who is perhaps the most beautiful and natural star in producer Marc Dorcel's stable of talent. I had enjoyed gazing at her in two earlier outings, and this 2011 release showcases her well.
My only quibble (and it's a serious one) with the video is that Jade is styled immensely sexier on the DVD box cover than in the video proper. This is the conundrum dating back to the outset of the Video Era 30 years ago: more attention is usually paid to the stills shoot and ultimate packaging than to the video's principal photography. In this case, she's stunning on the front cover, and in shots on the back cover depicting her scene having sex in a hangar next to a light plane, her fabulous foot-gear is prominent in the stills, but absent in the live action.
Besides Jade, perfectly cast (and convincing) as a teen, Dorcel's premiere big-bust actress Tarra White is alluring as always, though clearly miscast as a fellow schoolgirl. The other mainly Czech talent is easy on the eye, and video is actually set at a girl's school in Prague.
Video's English-track option proved useful, since there's a subplot involving a demure English girl named Monika, whose blossoming sexually provides the show's best story arc. Scenes of the girls masturbating in class incongruously as their oldie prof intones in very boring fashion about the Nazis in World War II (or Napleon's demise on St. Helena) brought back memories of vintage porn films made in the '70s when schoolgirls were all the rage.
This is far more interesting than Dorcel's ongoing series of Russian INSTITUTE videos, since it has effective story material, compared to that tent pole's reliance on loop-styled vignettes.
