Red Right Hand
- 2024
- 1h 51min
NOTE IMDb
5,5/10
6,2 k
MA NOTE
Cash essaie de mener une vie honnête et tranquille, mais lorsque Big Cat le force à revenir à ses services, il se montre capable de tout pour protéger la ville et la seule famille qu'il lui ... Tout lireCash essaie de mener une vie honnête et tranquille, mais lorsque Big Cat le force à revenir à ses services, il se montre capable de tout pour protéger la ville et la seule famille qu'il lui reste.Cash essaie de mener une vie honnête et tranquille, mais lorsque Big Cat le force à revenir à ses services, il se montre capable de tout pour protéger la ville et la seule famille qu'il lui reste.
- Réalisation
- Scénario
- Casting principal
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I guess acting is called acting for a reason but when Brits and Australians are acting as rednecks thugs it's almost laughable. The script is completely over the top and unbelievable and unfortunately the 2 hours you waste on this movie will never be returned to you. For the love of god is it too much to ask for an original story from Hollywood rather than the same old stories being regurgitated? I realize that the IQ level of the target audience for this movie is not very high blood lately the U. S. movie makers have been churning out nothing but diarrhea in terms of storytelling as well as acting.
Greetings again from the darkness. Regardless of how attractive the real estate prices seem, it's usually best to avoid small rural towns controlled by a violent crime boss nicknamed Big Cat. Especially when she doesn't hesitate to make an example of those who cross her, and she 'owns' the local Sheriff and runs drugs throughout the area. Even those who break away from her organization are likely to get dragged back in, 'do this or else' style, if Big Cat wants them back. It's a self-perpetuating cesspool of control and being controlled.
The SMALL TOWN CRIME (2018) directing team of brothers Eshom Nelms and Ian Nelms re-team to direct this surprisingly engaging backwoods crime thriller, with a screenplay from Jonathan Easley (his first). What's surprising about this is most movies of this genre are pretty simple and easy to predict. In this one, there are certainly some familiar tropes, but the depth of characters and the against-type performance by Orlando Bloom make this one quite a bit of fun. Also going against-type here is Andie MacDowell as Big Cat. It's her darkest role yet, and she seems to embrace the evil.
Mr. Bloom stars as Cash, a greasy, tatted, ripped dude with a Kentucky accent who is diligently working to keep his life on a good path. His past includes a beloved sister who passed away, severe alcoholism, and a life of crime while working as Big Cat's henchman. His life motto is "God-Family-Survival", and he's dedicated to his struggling brother-in-law, Finney (Scott Haze) and whip smart ninth grade niece, Savannah (newcomer Chapel Oaks). When Cash discovers that Finney has mortgaged the family farm to Big Cat, he quickly realizes he must cut a deal with his former boss to save what's left of his family. As Michael Corleone says, "they pull me back in." Big Cat values Cash's cool head under pressure - especially as compared to her other redneck lackeys. Her one misjudgment is in underestimating Cash after she has attacked his family. This leads to a blaze of violence and one crazy shootout on the grounds of Big Cat's estate. Supporting work is provided here by the always excellent Garrett Dillahunt (here as a rehabilitated preacher), Brian Geraghty as the Sheriff, Mo McRae as the good-intentioned Deputy, and Daniel David Stewart as Big Cat's ponytailed corrupt banker son. Johnny Derango adds some quality cinematography to this surprisingly intricate and well-developed crime thriller.
Magnolia Pictures will release the film in theaters and on VOD February 23, 2024.
The SMALL TOWN CRIME (2018) directing team of brothers Eshom Nelms and Ian Nelms re-team to direct this surprisingly engaging backwoods crime thriller, with a screenplay from Jonathan Easley (his first). What's surprising about this is most movies of this genre are pretty simple and easy to predict. In this one, there are certainly some familiar tropes, but the depth of characters and the against-type performance by Orlando Bloom make this one quite a bit of fun. Also going against-type here is Andie MacDowell as Big Cat. It's her darkest role yet, and she seems to embrace the evil.
Mr. Bloom stars as Cash, a greasy, tatted, ripped dude with a Kentucky accent who is diligently working to keep his life on a good path. His past includes a beloved sister who passed away, severe alcoholism, and a life of crime while working as Big Cat's henchman. His life motto is "God-Family-Survival", and he's dedicated to his struggling brother-in-law, Finney (Scott Haze) and whip smart ninth grade niece, Savannah (newcomer Chapel Oaks). When Cash discovers that Finney has mortgaged the family farm to Big Cat, he quickly realizes he must cut a deal with his former boss to save what's left of his family. As Michael Corleone says, "they pull me back in." Big Cat values Cash's cool head under pressure - especially as compared to her other redneck lackeys. Her one misjudgment is in underestimating Cash after she has attacked his family. This leads to a blaze of violence and one crazy shootout on the grounds of Big Cat's estate. Supporting work is provided here by the always excellent Garrett Dillahunt (here as a rehabilitated preacher), Brian Geraghty as the Sheriff, Mo McRae as the good-intentioned Deputy, and Daniel David Stewart as Big Cat's ponytailed corrupt banker son. Johnny Derango adds some quality cinematography to this surprisingly intricate and well-developed crime thriller.
Magnolia Pictures will release the film in theaters and on VOD February 23, 2024.
No pun intended - and don't take everything literally ... talking more to myself of course. Orlando Bloom is in this to start off with the obvious. And I reckon after Pirates it is tough to find something ... I think he is underrated as an actor ... and I wish he was able to be in more diverse projects. But this is kind of fun - well action and tense, but you know what I mean.
Low budget, but with a tight story and really good editing. Cinematography is good too - but we get used to that, even with movies that don't seem to have a large budget. That all said, it does deal with a few cliches, but nothing too off putting. The acting is at least decent to good ... if you like the story, you will have fun.
Low budget, but with a tight story and really good editing. Cinematography is good too - but we get used to that, even with movies that don't seem to have a large budget. That all said, it does deal with a few cliches, but nothing too off putting. The acting is at least decent to good ... if you like the story, you will have fun.
This movie was a perfect example of how you can't trust most people's ratings. If you want an entertaining movie with a dark protagonist trying to be good but has to let his violent side back out for his family, then you'll like this movie. Orlando Bloom's performance was very good and I thought everyone else did a more than fine job. It did not feel like a B movie. It kept my attention the whole time and I didn't find myself checking my phone. People who are giving this anything less than a 6 are just pretentious and believe every movie has to be Oscar nominated. Just go into it knowing what you are getting and you will be entertained.
ONCE in a lifetime means I will only watch this movie ONCE in my lifetime. If I could take it back a couple of hours that number would be nonce in a lifetime.
All previous great respect for Andie MacDowell instantly destroyed.
The plot we have seen endlessly The characters (bad guys) were so over the top it seemed like every single one of them was on the high end of the psycho scale, with their tendancies for torture and their delight in the process.
They even throw in the compulsory gum chewing moron.
As we see again and again... a decent storyline ruined by delusions of grandeur from the director(s) It had promise to be a good movie... a bit of subtlety, a bit of realism, a whole lot less manure.
All previous great respect for Andie MacDowell instantly destroyed.
The plot we have seen endlessly The characters (bad guys) were so over the top it seemed like every single one of them was on the high end of the psycho scale, with their tendancies for torture and their delight in the process.
They even throw in the compulsory gum chewing moron.
As we see again and again... a decent storyline ruined by delusions of grandeur from the director(s) It had promise to be a good movie... a bit of subtlety, a bit of realism, a whole lot less manure.
Le saviez-vous
- AnecdotesThe man on the phone in the parking lot when Finney is threatened, is the current Pastor of the church.
- GaffesAt 28:12, one of the characters takes a swig of "bourbon" revealing a full head of white bubbles as he does so, something no bourbon or whisky of any sort does. However, this is a characteristic of ice tea.
- Bandes originalesWhen I Get There
written by Dune Butler, Kate Dinsmore & Peter Donovan
performed by Up & Over feat. Kate Dinsmore
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- How long is Red Right Hand?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Pacto de sangre
- Lieux de tournage
- Lexington, Kentucky, États-Unis(Production Agent: Paracorp Incorporated 828 Lane Allen Road #219 Lexington, KY 40504)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 35 368 $US
- Week-end de sortie aux États-Unis et au Canada
- 18 135 $US
- 25 févr. 2024
- Montant brut mondial
- 153 552 $US
- Durée
- 1h 51min(111 min)
- Couleur
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