Retour à Séoul
- 2022
- Tous publics
- 1h 59min
NOTE IMDb
6,9/10
10 k
MA NOTE
Une Française de vingt-cinq ans revient pour la première fois en Corée, où elle est née avant d'être adoptée par un couple français. Elle décide de retrouver ses parents biologiques, mais so... Tout lireUne Française de vingt-cinq ans revient pour la première fois en Corée, où elle est née avant d'être adoptée par un couple français. Elle décide de retrouver ses parents biologiques, mais son voyage prend une tournure surprenante.Une Française de vingt-cinq ans revient pour la première fois en Corée, où elle est née avant d'être adoptée par un couple français. Elle décide de retrouver ses parents biologiques, mais son voyage prend une tournure surprenante.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 10 victoires et 25 nominations au total
Heo Jin
- Grandmother
- (as Jin Heo)
Régine Vial
- Gisèle Benoît
- (as Régine Vial Goldberg)
Shin Dong-ho
- Tena's Father
- (as Dong-ho Shin)
Avis à la une
Return to Seoul is a captivating film that presents an intimate and complex portrayal of Freddie, although the larger context of her life is missing. However, the film's commitment to staying in the moment keeps the audience engaged. While the film does not have a strong emotional impact, it remains focused on Freddie's search for her identity and origins. Nevertheless, the movie lacks originality and does not distinguish itself from other films with similar themes. Despite this, Return to Seoul is still a well-made film that provides a compelling character portrait, albeit with some rambling sequences that do not add much to the story.
Return to Seoul is an ambitious film, telling the story of a young woman named Freddie, who was born to Korean parents, but grew up in France. She - you guessed it - returns to Seoul, partly motivated to search for them, in her early to mid-20s. From there, the movie plays out sort of the way you'd expect for a while... until it makes some interesting narrative decisions, spanning far more time than I'd expected it would. As such, we get an insight into Freddie and the ways she changes throughout her 20s and into her early 30s.
Tonally, it's very different from The Worst Person in the World, but I got flashes of that film from this; maybe it scratched a similar itch. Each looks at a troubled & flawed, yet interesting, compelling, and sympathetic young protagonist, each spans quite a long period of time, each explores loneliness and the trials and tribulations of early adulthood in a very hard-hitting way, and each is quite visually striking. But like I said, they're tonally different, given Return to Seoul is more of a straightforward drama than a romantic-dramedy, and it gets darker and more in-depth with its exploration of loneliness (which hits extra hard, given what the world's been through since the start of the 2020s).
It's not always clear where the film is going, and some of the decisions it makes are quite jarring (though most work for the story and characters, once the shock wears off). The pacing is quite slow, but the compelling main character, the visually pleasing look of the film, and the amazing acting kept me engaged for almost all of its two-hour runtime. Park Ji-Min gives one of the best performances of 2022, and I was shocked to read this is her first ever movie. A performance like this that's so central makes or breaks this kind of character-focused film, and thankfully, she's up to the task and then some.
This might not be everyone's cup of tea, but I liked it a lot. While it was deliberately-paced, it never lost me, and I found some of the scenes quite moving. It's a very good movie; hopefully it won't go under too many people's radars, as Awards Season ramps up.
Tonally, it's very different from The Worst Person in the World, but I got flashes of that film from this; maybe it scratched a similar itch. Each looks at a troubled & flawed, yet interesting, compelling, and sympathetic young protagonist, each spans quite a long period of time, each explores loneliness and the trials and tribulations of early adulthood in a very hard-hitting way, and each is quite visually striking. But like I said, they're tonally different, given Return to Seoul is more of a straightforward drama than a romantic-dramedy, and it gets darker and more in-depth with its exploration of loneliness (which hits extra hard, given what the world's been through since the start of the 2020s).
It's not always clear where the film is going, and some of the decisions it makes are quite jarring (though most work for the story and characters, once the shock wears off). The pacing is quite slow, but the compelling main character, the visually pleasing look of the film, and the amazing acting kept me engaged for almost all of its two-hour runtime. Park Ji-Min gives one of the best performances of 2022, and I was shocked to read this is her first ever movie. A performance like this that's so central makes or breaks this kind of character-focused film, and thankfully, she's up to the task and then some.
This might not be everyone's cup of tea, but I liked it a lot. While it was deliberately-paced, it never lost me, and I found some of the scenes quite moving. It's a very good movie; hopefully it won't go under too many people's radars, as Awards Season ramps up.
What stands out the most about this film is its refusal to take the easy route. While viewers may think they can predict the direction after the first act, they are mistaken. The narrative defies predictability, mirroring the unpredictable nature of wounded souls and those who never feel truly at home.
The protagonist's actions may seem foolish, but what truly captivates is the striking humanity portrayed with raw realism, making it impossible to abandon the desire and hope for her to find solace within. I was left speechless when I found out that this is Ji-Min Park's debut role. A role that made me shed tears on more than one occasion and that is her merit in making us see so well that everything she is, is the result of her life's circumstances.
The experiende Oh Gwan-rok, in the role of the biological father, is also outstanding, but this is not just a film of performances. It boasts brilliant scenes, expertly paced storytelling, daring technical choices, and a secure, risk-taking direction, all complemented by a flawless soundtrack.
PS: The main theme of this and the one of "Decision to Leave" are two haunting melodies that linger in my mind, compelling me to delve deeper into the history of South Korean music.
The protagonist's actions may seem foolish, but what truly captivates is the striking humanity portrayed with raw realism, making it impossible to abandon the desire and hope for her to find solace within. I was left speechless when I found out that this is Ji-Min Park's debut role. A role that made me shed tears on more than one occasion and that is her merit in making us see so well that everything she is, is the result of her life's circumstances.
The experiende Oh Gwan-rok, in the role of the biological father, is also outstanding, but this is not just a film of performances. It boasts brilliant scenes, expertly paced storytelling, daring technical choices, and a secure, risk-taking direction, all complemented by a flawless soundtrack.
PS: The main theme of this and the one of "Decision to Leave" are two haunting melodies that linger in my mind, compelling me to delve deeper into the history of South Korean music.
I could not watch this film without any expectation or prejudice, as I know someone who has a sibling that is an adopted Korean child. However I still tried to keep an open mind, and I think the film is executed well.
Freddie is the only character that is really fleshed out and I think that's right. There are several other characters, notably Freddie's father, that are treated with respect by the film but they are not given a lot of depth. But since it's not their story that is being told they all have to take a back seat to the little girl that it's all about.
After watching this I did a little digging and I found that adoption, foreign or not, is culturally, politically and therefore historically laden in South Korea. You have to want to go looking for it as the film does not push the subject too heavily, but it certainly has several scenes referring to this subject from the institutional rather than the personal viewpoint.
I do think the film has some problems in finding the right tone and there are segments that do not help progress the story. The whole birthday party segment might be nicely shot but does not really add anything.
All in all it's a good film and it triggered me to learning a bit more about its subject matter.
Freddie is the only character that is really fleshed out and I think that's right. There are several other characters, notably Freddie's father, that are treated with respect by the film but they are not given a lot of depth. But since it's not their story that is being told they all have to take a back seat to the little girl that it's all about.
After watching this I did a little digging and I found that adoption, foreign or not, is culturally, politically and therefore historically laden in South Korea. You have to want to go looking for it as the film does not push the subject too heavily, but it certainly has several scenes referring to this subject from the institutional rather than the personal viewpoint.
I do think the film has some problems in finding the right tone and there are segments that do not help progress the story. The whole birthday party segment might be nicely shot but does not really add anything.
All in all it's a good film and it triggered me to learning a bit more about its subject matter.
The film offers a fresh and nuanced perspective on the complexities of identity, home, and emotional upheaval. The central character's multi-year quest to return to her place of birth serves as an intense focal point for exploring the intricate emotions and challenges related to adoption and self-discovery. However, a minor drawback lies in the occasional reliance on clichés, which briefly detract from the otherwise innovative approach.
The narrative structure stands out for its inventiveness, seamlessly weaving multiple timelines in a way that enriches the emotional landscape. The fragmented narrative is both audacious and purposeful, reflecting the protagonist's evolving inner world.
Beyond visual appeal, the film's cinematography serves as a narrative tool, adding layers of meaning to characters and themes. The score acts as the emotional backbone, elevating key moments and offering another layer to the viewer's experience.
In summary, the film emerges as a deeply affecting and intellectually stimulating exploration of identity, adoption, and the pursuit of true belonging. With its compelling storytelling, captivating performances, and visually arresting cinematography, it provides not just entertainment but a profound cinematic experience.
The narrative structure stands out for its inventiveness, seamlessly weaving multiple timelines in a way that enriches the emotional landscape. The fragmented narrative is both audacious and purposeful, reflecting the protagonist's evolving inner world.
Beyond visual appeal, the film's cinematography serves as a narrative tool, adding layers of meaning to characters and themes. The score acts as the emotional backbone, elevating key moments and offering another layer to the viewer's experience.
In summary, the film emerges as a deeply affecting and intellectually stimulating exploration of identity, adoption, and the pursuit of true belonging. With its compelling storytelling, captivating performances, and visually arresting cinematography, it provides not just entertainment but a profound cinematic experience.
Le saviez-vous
- AnecdotesThe movie is based on the life of Laure Badufle, a friend of director Davy Chou. Like Freddie, she was born in South Korea, stayed a year there before being adopted in France. At age 23, she came back and lived for two years there before returning to France. A few years after that, Chou accompanied her to South Korea, when they met her biological father and grandmother. According to him, the meeting was full of emotions, of regret and bad communication, with the translator struggling to convey Badufle's anger into polite Korean.
- Bandes originalesPetals
Written by Shin Jung-Hyun
Performed by Lee Junh-Hwa
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- How long is Return to Seoul?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Return to Seoul
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 2 200 000 € (estimé)
- Montant brut aux États-Unis et au Canada
- 798 774 $US
- Week-end de sortie aux États-Unis et au Canada
- 27 315 $US
- 19 févr. 2023
- Montant brut mondial
- 2 175 376 $US
- Durée
- 1h 59min(119 min)
- Couleur
- Rapport de forme
- 1.85 : 1
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