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5,8/10
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Ajouter une intrigue dans votre langueA documentary exploring genre based monster art takes an odd turn when the filmmakers are contacted by a man who claims he can prove that monsters are indeed real.A documentary exploring genre based monster art takes an odd turn when the filmmakers are contacted by a man who claims he can prove that monsters are indeed real.A documentary exploring genre based monster art takes an odd turn when the filmmakers are contacted by a man who claims he can prove that monsters are indeed real.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 4 nominations au total
Jimmy McCarthy
- Sgt. Sean Ross
- (as James McCarthy)
Avis à la une
This is a horror flick, taking the road of a fake documentary (mockumentary) that's all about the plot.
The whole thought put into making the overall Marrow structure kinda amazed me. While watching, even though you're not thrilled or anything, you're deep curious to know what's going to be the outcome of all that.
Acting is regular, nothing special. Also, I liked that they went down the practical effects road. Even though it's pretty obvious that the effects are cheap, I like that feeling you get while seeing someone in rubber costumes and go full "aaah, practical effects all the way"! (It's way better than seeing bad CGI).
There're some jump scares here and there, but that's about it; it's all about the story indeed.
The whole thought put into making the overall Marrow structure kinda amazed me. While watching, even though you're not thrilled or anything, you're deep curious to know what's going to be the outcome of all that.
Acting is regular, nothing special. Also, I liked that they went down the practical effects road. Even though it's pretty obvious that the effects are cheap, I like that feeling you get while seeing someone in rubber costumes and go full "aaah, practical effects all the way"! (It's way better than seeing bad CGI).
There're some jump scares here and there, but that's about it; it's all about the story indeed.
A documentary exploring genre based monster art takes an odd turn when the filmmakers are contacted by a man (Ray Wise) who claims he can prove that monsters are indeed real.
At first, the concept of a monster documentary is good and the first few minutes are really enjoyable. The footage of asking convention guests about monsters seems genuine, and it could have been a story worth pursuing if a narrative could be built around the interviews.
But once we shift, it becomes obvious that casting Ray Wise is the biggest mistake. Rue Morgue said it (and then let it slide). Aaron Christensen came down hard on Adam Green for this. I am somewhere between the two. I think the concept is really clever, and my admiration for Green lets me be a bit more open-minded. But there really is no getting around it: Wise, who is incredible in this role, simply cannot be anyone other than Ray Wise in a "documentary".
We also learn that Mick Garris is a terrible actor. That should probably come as no surprise, but it is amusing to see that Garris cannot even play Mick Garris for less than five minutes without goofing it up.
At first, the concept of a monster documentary is good and the first few minutes are really enjoyable. The footage of asking convention guests about monsters seems genuine, and it could have been a story worth pursuing if a narrative could be built around the interviews.
But once we shift, it becomes obvious that casting Ray Wise is the biggest mistake. Rue Morgue said it (and then let it slide). Aaron Christensen came down hard on Adam Green for this. I am somewhere between the two. I think the concept is really clever, and my admiration for Green lets me be a bit more open-minded. But there really is no getting around it: Wise, who is incredible in this role, simply cannot be anyone other than Ray Wise in a "documentary".
We also learn that Mick Garris is a terrible actor. That should probably come as no surprise, but it is amusing to see that Garris cannot even play Mick Garris for less than five minutes without goofing it up.
good movie, even if it is a total ripoff from Clive Barkers Nightbreed, right down to some of the characters and names, Decker. With that said i did really enjoy the movie and hope he makes a follow up. Especially with the found film/first person camera horror has been so overdone ove the last 15 years or so. I've watched his other movies and was pretty disappointed overall, they are watchable but pretty unrealistic and again most of his characters and plots are blatantly stolen from other works and B lister both in acting and plot. But if you like the cheesy horror genre they are worth watching. It would be really great to see if he can come up with something completely original in the future.
This is a film I have been wanting to see for a while now. I hadn't even seen a trailer, just read the story line and it sounded amazing. When I finally found it, I was excited and even watched the trailer just to make sure it was going to be worth watching. The trailer was awesome and I was ready to dive right in.
Unfortunately, everything in the trailer is pretty much all the great moments in this movie.
With such an awesome story idea I was greatly disappointed that the deliver wasn't as good. In fact, the film relied to heavy on plot and story line that I think it forgot it was a horror film. In fact the music used in the movie was cheesy and reminded me of a romantic comedy score.
The biggest problem with this film is the Director/Writer Adam Green, not that he didn't write or direct a good film, it was that he starred in it and was the most obnoxious character I have seen on film in the past ten years (and that includes ALL of Will Farrell's films in the last ten years).
I really felt that Adam Green had such a great idea, something unique even though the story line itself is not all that original, but the idea was wasted. Throughout the whole film I kept thinking that this was nothing more than a huge advertisement for his other films, especially his TV show on FearNet which was said about a thousand times in this film.
I won't say it's a complete waste of time, in fact when the scary moments happen, and they are far and few in between, it was interesting and fun to watch. The rest of it however, was annoying and boring. Such a wasted opportunity.
I would like to a sequel, something that would follow the horror aspect of the story line a lot more. There is just so much more this film could have given us and instead wasted the whole time promoting his other movies. The ending left me wanting more and not in a good way.
Unfortunately, everything in the trailer is pretty much all the great moments in this movie.
With such an awesome story idea I was greatly disappointed that the deliver wasn't as good. In fact, the film relied to heavy on plot and story line that I think it forgot it was a horror film. In fact the music used in the movie was cheesy and reminded me of a romantic comedy score.
The biggest problem with this film is the Director/Writer Adam Green, not that he didn't write or direct a good film, it was that he starred in it and was the most obnoxious character I have seen on film in the past ten years (and that includes ALL of Will Farrell's films in the last ten years).
I really felt that Adam Green had such a great idea, something unique even though the story line itself is not all that original, but the idea was wasted. Throughout the whole film I kept thinking that this was nothing more than a huge advertisement for his other films, especially his TV show on FearNet which was said about a thousand times in this film.
I won't say it's a complete waste of time, in fact when the scary moments happen, and they are far and few in between, it was interesting and fun to watch. The rest of it however, was annoying and boring. Such a wasted opportunity.
I would like to a sequel, something that would follow the horror aspect of the story line a lot more. There is just so much more this film could have given us and instead wasted the whole time promoting his other movies. The ending left me wanting more and not in a good way.
a documentary-style found footage film by the writer/director of Holliston and the Hatchet slasher series. i'd heard good things about the monster design and make-up, but wasn't very impressed. the monsters get only a few seconds a piece of shaky-camera screen time and are actually pretty cartoonishly goofy-looking if you pause on them
the movie suffers a bit from the shaky camera syndrome typical of its genre — there's a point where the crew is sitting in the woods at night, waiting for a monster to appear, and when one of them points to a shape moving through the trees, the camera guy focuses literally everywhere but where the character is pointing. i can only imagine it was done on purpose to parody the genre style, and the actors were laughing about it behind the scenes
the story is imaginative and compelling, and Ray Wise, as detective William Dekker who invites director Adam Green to witness and record proof of the existence of monsters, is a great actor and storyteller. my favourite scenes are the ones where Adam and the film crew are just sitting in Dekker's house, recording his stories of past encounters with and illustrations of monsters from a subterranean metropolis he calls The Marrow
i like the film despite it's flaws and wouldn't mind a sequel picking up exploration, where this one ends rather abruptly, of The Marrow and its inhabitants. recommended for fans of found footage monster movies
the movie suffers a bit from the shaky camera syndrome typical of its genre — there's a point where the crew is sitting in the woods at night, waiting for a monster to appear, and when one of them points to a shape moving through the trees, the camera guy focuses literally everywhere but where the character is pointing. i can only imagine it was done on purpose to parody the genre style, and the actors were laughing about it behind the scenes
the story is imaginative and compelling, and Ray Wise, as detective William Dekker who invites director Adam Green to witness and record proof of the existence of monsters, is a great actor and storyteller. my favourite scenes are the ones where Adam and the film crew are just sitting in Dekker's house, recording his stories of past encounters with and illustrations of monsters from a subterranean metropolis he calls The Marrow
i like the film despite it's flaws and wouldn't mind a sequel picking up exploration, where this one ends rather abruptly, of The Marrow and its inhabitants. recommended for fans of found footage monster movies
Le saviez-vous
- AnecdotesThe last screen appearance for Dave Brockie, the singer of the metal band GWAR. Brockie was a regular on Adam Green's TV show Holliston (2012), as well as a close friend. There was discussion of cutting Brockie's scene (in which he prophetically declared, "I have been a monster, I will always be a monster and after I'm dead, I will be a dead monster!") but it was ultimately decided that it would be retained since it was the last footage of Brockie that was ever shot.
- Citations
Oderus Urungus: I have been a monster, I will always be a monster and after I'm dead, I will be a dead monster!
- ConnexionsFeatured in Monsters of the Marrow (2015)
- Bandes originalesJump and Jive
Composed and performed by Ron Komie (as Ron D. Komie)
Published by Alliance Audiosparx
Courtesy of Audiosparx
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- How long is Digging Up the Marrow?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 10 969 $US
- Montant brut mondial
- 10 969 $US
- Durée1 heure 29 minutes
- Couleur
- Rapport de forme
- 1.78 : 1
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