Mike Taylor est de retour à Wolf Creek. Un jeune couple de touristes allemands, Katarina Schmidt et Rutger Enqvist, font la traversée de l’Australie en auto-stop. Ils visitent le site du cra... Tout lireMike Taylor est de retour à Wolf Creek. Un jeune couple de touristes allemands, Katarina Schmidt et Rutger Enqvist, font la traversée de l’Australie en auto-stop. Ils visitent le site du cratère de Wolf Creek...Mike Taylor est de retour à Wolf Creek. Un jeune couple de touristes allemands, Katarina Schmidt et Rutger Enqvist, font la traversée de l’Australie en auto-stop. Ils visitent le site du cratère de Wolf Creek...
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 victoires et 4 nominations au total
- French Girl #2
- (as Chloe Boreham)
- English Dude
- (as Ryan Clark)
- American Dude
- (as Tom Green)
Avis à la une
Likewise, this leads to Mick's victims being that little less relatable and sympathetic, as we are much more familiar with Mick than we are with them.
Like the original, 'Wolf Creek 2' is obviously not for the faint of heart, with the gore and sadistic violence being ramped up. The film's car chases and fright scenes are all the more elaborate and effective due to an obvious budget increase. This much more polished look obviously removes a bit of the grindhouse aesthetic present in the preceding film, however makes up for it in terms of sheer scale.
On the whole, 'Wolf Creek 2' is still quite an intense thrill-ride, and one worth checking out, especially if you enjoyed the first. Unfortunately, the creative team's decision to spend more time with Mick and less with the unfortunate tourists who encounter him deprives the film of what could have made it a superior sequel.
It's about mass murdering psychopath Mick Taylor (once again played brilliantly by John Jarrett) who lives deep in the Australian Outback and has a tendency to slaughter any hapless backpacker who passes through his town of Wolf Creek. And, when I say the film is ABOUT Mick Taylor, I really mean it. The film doesn't ever really focus on his victims. He is definitely the star. Granted, he deserves it – he truly plays the 'nutter' well. However, this does leave us not that bothered about whether his victims live or die, as we never really get to know them half as well as we do him.
Therefore, we're left learning more about the 'monster' than the 'heroes.' So, if you're not looking for a film where you're going to feel that sympathetic towards the victims, then you'll find what you're looking for right here.
It's not so 'condensed' as the first Wolf Creek. The original was mainly set in one location (when the murdering finally got going), whereas much of this movie is a cat and mouse style chase across the desert.
Don't expect much in the way of a story (well, about as much as the next slasher film), but if you're looking to see a really good/creepy performance from a mass-murdering villain then you'll find it here. My only real gripe was the ending, but you'll have to watch the last thirty seconds to see if you agree with me.
Well acted. The usual pursuit of the prey scenes, but what makes this a seven vs. eight or nine stars are the stupid decisions of our prey. A common problem in this genre and it's not clear if it's written into the script on purpose to annoy viewers or the writers simply need to prolong the agony to fill 90 minutes or they just don't have a good understanding of thinking under pressure.
John Jarratt returns as serial killer Mick Taylor. He delivers another strong performance. His laugh and hoarse, Aussie voice never falter. He gets totally into character and runs the show. He has too much screen time, however, to make him as scary as he should be. The viewer is given too much knowledge of his whereabouts, I felt.
The actors who play the tourists are good, notably Ryan Corr, playing well-educated British traveler, Paul. The film doesn't provide much insight into his character which might be the reason why I had little empathy for him, or any of Mick's victims in this film. Towards the end I was routing for the tourists solely because as the viewer we have witnessed the hell their put through. For whatever reason, I really liked the characters in the first film and it was hard to watch them meet their fate.
The sense of isolation is there but doesn't have the same effect as it did in the first film, probably because there are a few more characters in this film, and other devices used to create action, which made the film appear less chilling and more thrilling.
I liked that McLean used subtitles for the German couple because I wasn't expecting it. Of course English isn't always going to be a tourists first language and they're not going to speak it for our benefit. Fret not, once the screaming begins you don't have to do a lot of reading.
Some parts of the film felt a little odd to me at first, and there are a couple of comical sequences. I took it in the movie's stride. Perhaps that was writer number 2, Aaron Sterns, input. I didn't mind. There was enough Mick Taylor sadism to pull me back to the horror film I went in to watch. The setting at the end was a little disappointing because it felt too orchestrated and unlike Mick Taylor. It felt more like a scene from 'Hostel'.
The first film is a rare beauty, and Wolf Creek 2 is a good sequel - nothing more, nothing less IMO.
Le saviez-vous
- AnecdotesIronically, John Jarratt doesn't like to watch horror movies and stated that watching Psychose (1960) frightened him when he was a child.
- GaffesBoth the highway patrol car in the opening scenes, and the 4x4 as Rutger and Katarina are looking for a ride leaving Wolf Creek Crater (at around 20 mins), bear the same Western Australian license pate 1DUU347.
- Citations
Mick Taylor: Welcome to Australia, cocksucker!
Mick Taylor: [jabs his fist into Paul's jaw] Give me that fucking hand... or I'll knock your fucking teeth down your fucking throat!
- Versions alternativesGerman version was cut for violence to secure a "Not under 18" rating.
- ConnexionsFeatured in Creating a Monster: The Making of Wolf Creek 2 (2014)
- Bandes originalesWhen the Rain Tumbles Down in July
Written by Slim Dusty (as David Kirkpatrick)
©1946 EMI Music Publishing Australia Pty Limited
Performed by Slim Dusty
Under exclusive license to EMI Music Australia Pty Limited
Licensed courtesy of EMI Music Australia Pty Limited
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Thung Lũng Sói 2
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 7 200 000 $US (estimé)
- Montant brut mondial
- 4 383 978 $US
- Durée1 heure 46 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1