LaRoy

LaRoy, Texas, a small scale, small town, crime drama with hint sof comedy that can make or break it. It likes to be silly as a harsh counterpart to the drama. The only issue here is writing and forthcoming characters.

Directing is pretty good, editing is just okay with some off beat cuts here and there but it looks the part and overall keeps a nice consistent style of a beatdown small town in a America. That being said, it's a surprisingly lively town once we go inside of places. Which to me felt odd. You are introduced into practically a ghost town, but the first diner and bar you walk into are full of people and have a pretty cozy/normal vibe to them. For the rest though, good enough, action directing not amazing.

Acting, overall great performances, though mostly quite one note. What irks me most though is the writing and the main downfall of this for me. The main character is intentionally written as a person not to root for, which is fine, if it also meant for a interesting and engaging story with his side characters and his own development. But not really. The character stays stuck in place so hard it becomes annoying to the point where you start to question the character even more, which also leads to a underwhelming ending.

Seeing someone mention Coen brothers, yeah, this is maybe something like that, it comes into that area of oddball characters and a main character that just kind of glides around them. But it lacks the writing (and dialog writing) to make it stick the landing. Only Zahn's character got a couple of chuckles out of me but that's about it.

It's fine, but tends to feel somewhat blunt and lacking.

A completely washed up loser, Ray (John Magaro) finds out his wife is having an affair and plans to kill himself. However he inadvertently gets mistaken for a hit man and is given a pile of cash. Through various circumstances he accidentally kills the target with the complex outcome involving his brother, wife, the real hit man and over confident wannabe PI Skip (Steve Zahn) causing him to be placed in all kinds of trouble.

Very Coenesque, this features a lot of sometimes fun, sometimes silly and annoying rather cliched caricatures as they attempt to extricate themselves from various situations. The film is saved by Zahn, funny as an idiot who thinks he's a smart PI and Dylan Baker as the real and merciless hit man. What frankly irks is Magaro's central character, so dumb and irritating that you just wish he'd go away. Some fun stuff here though, with a few clever plotting ideas making the who will prevail and who won't notion worth the wait to the climax where all is sorted one way or another.

I must say I like to give opinions of movies I have not heard of or read anything before, hence not having been influenced by critics or media in the first place. Well I'm afraid this one is far from what it may looks like. A good 10 minute start brings and offers promising plot, although right after the movie starts its descend to nowhere. A ridiculous Steve Zahn character combined with an excessive twisted plot, pushes the whole story to the edge of the cliff, where it finishes by falling into the abyss of boredom and grotesque. Yet the atmosphere and other characters like Dylan Baker and a good photography, may deserve some consideration, so I dare to give a 5,9 over 10, in the end. LaRoy, Texas results of an failed attempt of bringing back Fargo to live. The division line is clear; whilst Fargo is a tough and violent drama combining horror with bitterness humor, LaRoy Texas just end up being a whole dumb redneck game of useless characters trying but getting nowhere. Nope, not this one guys. Better try with small movies like Sweet Virginia (2017) or the more mainstream Three Billboards outside Edding (2017) , as they may keep the Fargo spirit with some better dignity.

1) LAROY, TEXAS doesn't look like a 2024 Holywood movie and i appreciated it. There are no "messages" here, script didn't obey to non-cinematic guidelines which have nothing to do with the Art of Cinema. This is an artistic creation, a real movie which told me a STORY. I can't take for granted even this nowadays, so i applaud the creators here just for this reason.

2) Unfortunately, it's flawed. First of all, its running time. If you want to create a 2 hours movie, you should make it interesting at least, from the beginning to the end. Especially when this is a dark comedy or comedy/drama/crime or something like this. This is not an Ingmar Bergman/Andrei Tarkovsky movie, this is a FARGO-esque. You will lose viewers' attention if you present them a 2 hours slow-paced movie which is kinda sad and miserable at times.

3) Having said that, overall this was not boring neither sad. There were many interesting moments, pace is getting better in the second half and Steve Zahn's presence made it more enjoyable. The last 40-50 minutes were much more enjoyable overall. Not the most convincing movie of the world, not everything made totally sense but i liked it. Unfortunately, it took too long for the movie to find its rhythm.

It's a well acted and well directed movie and i was this close to recommend it but i can't. Still, i cannot NOT recommend it either. Not a MUST WATCH, but enjoyable and watchable.

It's pretty clear from the outset that first-time feature director Shawn Atkinson is a big fan of the Coen brothers because there isn't a scene in this evocative albeit overlong 2024 character-driven thriller that didn't remind me of genuine classics like "Fargo", "Blood Simple", or "No Country for Old Men". The convoluted plot centers on put-upon Ray, a sad sack who owns the town's family hardware store with his slick brother Junior. Married to an unfaithful former beauty queen Stacy-Linn, Ray decides to end it all but gets caught up as an inadvertent hit man on the track of missing cash with his hapless private eye buddy Skip. Much like William H. Macy's Jerry Lundegaard in "Fargo", Ray is such a pitiful character that John Magaro can only do so much to flesh out his role and elicit empathy for his character. On the other hand, Steve Zahn brings welcome over-the-top comic gusto to Skip, while Dylan Baker plays effectively against type as Harry, the true hit man. Matthew Del Negro and Megan Stevenson play Junior and Stacy-Linn pretty much by the numbers. As with the Coens' films, there are comic scenes punctuated by shots of extreme violence. Really for fans of this particular genre.