The Sacrifice Game

This is watchable and some of the attempts to recreate 1971 are decent, in fact the film seems partially intended to pay homage to the 1972 version of The Last House on the Left. However, fuzzy coats and greasy hair aside, other than the school's Hammer-esque sitting room The Sacrifice Game isn't at all convincingly 70s. Maybe if you're twelve years old? I can see how being born after 2000 would contribute to this uneven mess of a Christmas horror film.

The other obvious "tribute" I see here is a much more recent film - The Blackcoat's Daughter, but that 2015 supernatural possession horror film blows this mediocre effort completely out of the water.

Quick review: The opening scene in 'The Sacrifice Game' is a reasonably well done scene. Unfortunately that's about as good as the film gets and it's all downhill from there. Once we get into the school scenes the movie becomes a bit of slug-fest to get through.

It's quite a bizarre movie in that I really don't know who we were supposed to be rooting for. You'll understand this if/when you watch it. I can't remember many movies like this where everything flip flops and you are left with no real protagonist.

Regardless, the film didn't work for me I'm sad to say. It wasn't scary, or funny and I really don't know how seriously it was taking itself. It wasn't obvious. 4/10.

I recently watched The Sacrifice Game (2023) on Shudder. The storyline centers around a boarding school where students, left with no holiday plans, find themselves sharing their space with a gang on the run from the law. The challenge arises as the students must survive the presence of these ruthless killers.

Directed by Jenn Wexler (The Ranger), the film stars Mena Massoud (Aladdin), Olivia Scott Welch (Fear Street Part 1), Chloe Levine (Adam), Gus Kenworthy (80 for Brady), and Madison Baines (The Young Arsonists).

The Sacrifice Game proves to be an entertaining modern-day slasher. The film kicks off with a fun opening, establishing an intense tone that comes through with great stab sequences and throat slashes. The movie boasts good blood splatter, clean cinematography, and worthwhile gore. This has a well-selected cast and tremendous villain that keeps your attention. The unique twist at the end adds an extra layer of interest. I'm still not sure if I liked it.

In conclusion, while not the pinnacle of slasher films, The Sacrifice Game is a commendable addition to the genre. With a score of 6/10, I would recommend giving it a watch, at least once, for its contributions to the slasher genre.

I enjoyed this recent Shudder release, a film that while hokey and basic, still manages to capture the nostalgic essence of 70s and 80s slasher films.

Directed by Jenn Wexler, and set convincingly in 1971, the the events of The Sacrifice Game take place in an old boarding school where two lonely girls and their 20-something teacher find themselves spending Christmas.

Just when they're about to have their turkey supper, a gang of violent fugitives turn up at their door a la Krug Stillo and his cohorts from Last House On The Left (1974). They intend to perform a ritual to raise a demon but that inevitably goes wrong, and the tables are turned.

The strength of the film lies not only in its homage to the slasher genre but also in the compelling performances of its cast. The "good guys", Clara, Stephanie and Miss Rose evoke sympathy, while the antagonists, a group of Satanic Manson Family types, elicits genuine disdain.

All-in-all, a successful addition to the realm of Christmas horror films.

The premise here is pretty straight forward.

A Manson-style cult takes over a private girls school on Christmas Eve, as they seek to enact an ancient demonic ritual, through a series of murders.

Because it's Christmas...only one teacher and a couple of students are present.

Making it relatively easy for the twisted gang of killers to force their way in, and get what they want.

Their next victim.

The one they need to complete the ritual...and bring forth the demon.

However...things don't exactly go as planned once it's complete.

And it's at this point when the tables start to turn.

The film exudes a relatively dark atmosphere, and has a decent amount of tension.

But the twist is pretty obvious (as a series of incidents strewn throughout the opening foreshadow it).

Fortunately, the film isn't broken because of it.

Good character development manages to salvage it from being a complete bust...and keep you engaged, so as to see how things play out.

After the "twist" kicks in...it takes a bit of a lackluster turn.

But ends up redeeming itself in the end.

Not a bad little Christmass horror, at all.

6 out of 10.