Lorsque les habitants de Littlehampton, y compris le conservateur Edith, commencent à recevoir des lettres remplies de blasphèmes hilarants, Rose, une immigrante irlandaise turbulente, est a... Tout lireLorsque les habitants de Littlehampton, y compris le conservateur Edith, commencent à recevoir des lettres remplies de blasphèmes hilarants, Rose, une immigrante irlandaise turbulente, est accusée du crime.Lorsque les habitants de Littlehampton, y compris le conservateur Edith, commencent à recevoir des lettres remplies de blasphèmes hilarants, Rose, une immigrante irlandaise turbulente, est accusée du crime.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 9 nominations au total
Avis à la une
The movie at once both addresses distrust of the "other" (especially considering how the English viewed the Irish) and people's tendency to dumb down their language to sound "appropriate". One scene in particular seems to say "well that felt good". I wouldn't call it a masterpiece - especially when you read about the inaccuracies - but it's got some funny stuff. I suspect that deep down, a lot of Christians wish that they could spout all the profanities they want.
In addition to stars Olivia Colman and Jessie Buckley, it also has Anjana Vasan (from last year's season finale of "Black Mirror"), Timothy Spall (Wormtail in the Harry Potter movies) and Alisha Weir (the title character in the recent "Abigail").
Olivia Colman and Jessie Buckley are both fantastic here. Buckley brings the energy to the movie and Colman brings the subtle hilarity, "...on a Wednesday." Her facial acting throughout the movie is mesmerising. She's fascinating to watch and her reactions are both natural, and hilarious at the same time. This was a good one. 7/10.
The narrative and themes within this are incredibly strong. By exploring how female behaviour was strictly controlled in a patriarchal and religious setting, the film emphasises the absurdity and hypocrisy in how 1920s women were treated. Jessie Buckley, Olivia Coleman, and Anjana Vasan make for an excellent leading trio!
Although, the cinematography and editing needed to be more adventurous. It could have visually reflected the personality of each of the main trio, such as having Buckley's character scenes having more unconventional visuals. This is only a slight criticism though. Please check this one out if you are not adversed to swearing!
Le saviez-vous
- AnecdotesBritain's first women police constables were employed in 1915; an important example of women showing they were capable of doing previously exclusive "men's work" during the First World War and not standing down afterwards.
- GaffesThe sound of the judge banging a gavel is heard several times in the courtroom scenes. In England only auctioneers use gavels; judges have never done so.
- Citations
[last lines]
Edward Swan: I know you didn't do it!
Edith Swan: Yes, I did.
Edward Swan: We'll get you bail.
Edith Swan: I did it, father!
Edward Swan: When you get back...
Edith Swan: [interrupts] I'm not coming back.
Edward Swan: You know, don't say that.
Edith Swan: I'm not coming back home to you ever.
Edward Swan: Where else are you gonna go?
Edith Swan: Anywhere!
Edward Swan: Edie, shut up!
Edith Swan: Anywhere!
Edward Swan: Shut up! Shut up! *Shut up!*
Edith Swan: [overlapping] Anywhere! Anywhere!
[not overlapping, shouting]
Edith Swan: *Oh, fuck off you pasty old shrivelled old piss bastard fucking old cunt!*
- ConnexionsFeatured in The 7PM Project: Épisode datant du 22 mars 2024 (2024)
- Bandes originalesCrazy Blues
Written by Perry Bradford
Published by Universal/MCA Music Ltd. on behalf of Universal Music Corp.
Performed by Noble Sissle with Eubie Blake
Courtesy of Document Records
Licence by arrangement with Fine Gold Music
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Pequeñas Cartas Indiscretas
- Lieux de tournage
- HMP Shepton Mallet, Royaume-Uni (RU)(Trailer, prison yard)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 5 008 179 $US
- Week-end de sortie aux États-Unis et au Canada
- 76 654 $US
- 31 mars 2024
- Montant brut mondial
- 27 219 729 $US
- Durée
- 1h 40min(100 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1