L'Amérique face à l'Holocauste
Titre original : The U.S. and the Holocaust
Ajouter une intrigue dans votre langueExplores America's response to the Holocaust, and how it challenged the ideals of democracy.Explores America's response to the Holocaust, and how it challenged the ideals of democracy.Explores America's response to the Holocaust, and how it challenged the ideals of democracy.
- Récompensé par 1 Primetime Emmy
- 2 victoires et 7 nominations au total
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The program for some reason left out the importance of Margaret Sanger and the left democratic eugenics motivating the 3rd Reich for the final solution and holocaust. The idea was hatched and implemented in the US before trips to Germany spread our filth to them. And where were the righteous voices coming to the aid of innocents? They are complicit for now stopping this satanic philosophy that still can be heard in Georgia governor candidate this week. Great job producers and team, wow! Should be required in every high school social studies class. NEVER REPEAT IT IN ANY FORM! The research super!
This film presents an interesting take on Jewish immigration during World War Two. Ken Burns et al do a good job of giving us the backstory of how FDR's administration approached the situation and the constant barrage of anti semitic forces working to keep the United States out of the war for as long as possible. The documentary is raw, graphic , and in your face but people need to see this to realize that life is precious. Man's hatred and cruelty knows no bounds but if we are reminded of it by films such as these, hopefully we can keep ourselves in check to try never to repeat this type of heinous cruelty.
I typically like Mr Burns's content. Yes, he does have a left-leaning slant but compared to other historical documentaries produced today its slight and very
This revealed Burns's current stance on immigration policy more than it was history of the USA & Holocaust.
Comparing today's political discourse with societal attitudes and legislation passed (on immigration) in 1920s and 30s America is dishonest and anti intellectual... you're no better than the Bush campaign in 92 playing the prison furlough commercial. If you vote/advocate for this, then this could happen. Politics thru baseline emotions.
Comparing today's political discourse with societal attitudes and legislation passed (on immigration) in 1920s and 30s America is dishonest and anti intellectual... you're no better than the Bush campaign in 92 playing the prison furlough commercial. If you vote/advocate for this, then this could happen. Politics thru baseline emotions.
Mr ken burns for his ever so connective and brutally consistent narrative talents and partner in the direction crew together with lynn novick and sara botstein. This documentary doesnt just put the magnifying glass on the usa, indirec tly it tells the story about how the entire globe positioned itself on the jewish and other surpressed minorities going under the term of refugees during the nazi era.
Its just a pitty mr burns (et.co.) that you didnt make this series in 1985 when the war generation still lived, the year you famed the brooklyn bridge forever. I think that the number of reciepients are highly diminished due to digital media platforms, the topic of ww2 is alien and the subject of the jewish destiny is a heavy subject to elaborate and devour for the fast food and fast news generation x and z'ers of today.
I really admire the efforts done searching archives for pictorials and film reels used in this 3 part series, loads of material i havent seen in the past, and i, the grumpy old man, have a sofisticated interest on an amateur level the ww2 history and have seen almost everything that has been issued from english, french, german and japanese language spheres + the italian, and loads and loads of norwegian war history.
Im glad mr burns that you still have many productive years to come, i can not praise enough the impact and inspiration youve released in miself as your products have appeared
so to everyone sceptical to the harrowing title making usa seem like a crook, well then watch and learn, cause the refugee problem will always be there. Its an overwhelming recommend from the g.o.m..
Its just a pitty mr burns (et.co.) that you didnt make this series in 1985 when the war generation still lived, the year you famed the brooklyn bridge forever. I think that the number of reciepients are highly diminished due to digital media platforms, the topic of ww2 is alien and the subject of the jewish destiny is a heavy subject to elaborate and devour for the fast food and fast news generation x and z'ers of today.
I really admire the efforts done searching archives for pictorials and film reels used in this 3 part series, loads of material i havent seen in the past, and i, the grumpy old man, have a sofisticated interest on an amateur level the ww2 history and have seen almost everything that has been issued from english, french, german and japanese language spheres + the italian, and loads and loads of norwegian war history.
Im glad mr burns that you still have many productive years to come, i can not praise enough the impact and inspiration youve released in miself as your products have appeared
so to everyone sceptical to the harrowing title making usa seem like a crook, well then watch and learn, cause the refugee problem will always be there. Its an overwhelming recommend from the g.o.m..
This is as much a story about American history as it is about the Holocaust. As with another Burns' documentary The Vietnam War, the director masterfully places the personal stories in the forefront while at the same time explains the complexities of the politics and public mood at the time. Why it was plausible that FDR didn't do as much as he could have given the implications for negotiating with a Congress that represented the mood of the country at the time. You can agree or not whether FDR did the right thing but by interjecting the narrative with interviewed with historians, Burns leaves it up to the viewer to decide.
He also explains the upper crust Ivy League culture at the State Department that stymied opportunities to help people immigrate, the pervasive acceptance of eugenics and the popularity of the isolationist movement.
I take issue with the reviewers on this forum who criticized this series for not focusing as much attention on the plight of the homosexuals or Romanies. The focus of this series is the historical context in America which was also the history of the Jews in America. And it was the Jewish population of Europe that had the largest connection to America, as opposed to other groups who were met with the same fate. Each of those groups has its own unique history that would take another documentary to explore. Many Holocaust memorials actually do this because the point of remembering this horrific event is to learn how pervasive genocide is and how vulnerable we all are.
He also explains the upper crust Ivy League culture at the State Department that stymied opportunities to help people immigrate, the pervasive acceptance of eugenics and the popularity of the isolationist movement.
I take issue with the reviewers on this forum who criticized this series for not focusing as much attention on the plight of the homosexuals or Romanies. The focus of this series is the historical context in America which was also the history of the Jews in America. And it was the Jewish population of Europe that had the largest connection to America, as opposed to other groups who were met with the same fate. Each of those groups has its own unique history that would take another documentary to explore. Many Holocaust memorials actually do this because the point of remembering this horrific event is to learn how pervasive genocide is and how vulnerable we all are.
Le saviez-vous
- AnecdotesPeter Coyote, the narrator of this series, has been a frequent narrator in Ken Burns's documentaries since their first collaboration, 1996's The West. In a 2019 New York Magazine interview with Coyote and Burns conducted by Tim Greiving (during the release of Burns's film Country Music), Greiving asked, "Ken, is it project-specific when you choose to use Peter?" and Burns's response was, "Yes it is. I would ask him for every project except those that are subject-wise African-American. There's a process: We would prefer that Peter not see the script and he prefers not to see the script. And we do not run the film while we're recording. We get about 95 percent of the way through editing, and then we say, 'Time for Peter.' An episode might run an hour and 50 minutes. Peter reads it cold. And more often than you could possibly believe, that first take is often terrific. It's usually two, three takes. I'm sure it now drives him insane. I always say, 'Perfect. One more for the insurance company.'"
- ConnexionsFeatured in Ken Burns: One Nation, Many Stories (2024)
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- How many seasons does The U.S. and the Holocaust have?Alimenté par Alexa
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- Durée2 heures 13 minutes
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