Un automne à Manhattan

Piper is about to turn 30 and she wants to make her own path, figure out what she wants to do. So, she moves to NYC and tries a few different temp jobs. There she meets her handsome neigbour Austin, a wanna be writer whose mom insists follows her path.

It's realistic in a way that a 30 year old doesn't know what to do with life and also in a way in which a parent wants them to follow their same path. I kind of sympathise with both.

I thought Aimee was amazing and there was chemistry with Evan. I personally thought Evan's character Austin could show more excitement and a fun, silly scene was missing from this as well.

This is clearly not a Hallmark production even if it was shown there. I'm not sure if a few of the NYC shots were real but they looked like it (The Manhattan skyline and Washington Square Park). The streets certainly weren't and that's okay.

I had big expectations about this. It's definitely not a 10 but this tv film certainly delivers what's promised.

The story has bizarre moments. Early on, some were even slightly cringe worthy. What part of "be seen and not heard" did you not get, Piper? For a bit, I thought Piper was going to turn me off. To be honest, she mellowed a little as the movie went on which is not unusual. Writers like to establish some antagonism early on and once that is gotten past, the characters drop the really rough edges.

Piper is from a very small town background, but this is not your typical girl next door. She has some of the better qualities of that GND but she's much more than that. She knows how to be appealing to people, even virtual strangers, but she isn't at all fake. It is unrealistic how naive she is the way she is approaching finding a career, but as a viewer, I had to ignore that so that I could enjoy what was truly appealing about her character. And Piper is the reason I loved this movie.

Aimee Teagarden and Evan Roderick have great chemistry. Their dialogue helps. It's fun and interesting.

The story seems to ramble a bit, but in fact it's right where it wants to be.

Another thing that really irritated me early was Austin's mom. It's pretty bad when your mom doesn't let you order what you want for lunch even after you bring it up. He's a full grown adult, even if for a while he doesn't act like one.

One development from the latter half of the movie is totally predictable, but who Piper turned to totally surprised me.

I look forward to watching this again in the future because I'm pretty sure I'll pick up things I missed the first time.

To be young in the city...Aimee Teegarden breathes life into this New York City romance that is equally about finding your calling.

Aimee plays Piper who is on the verge of turning thirty and has given herself that as a deadline to find her career or true calling. She bravely signs up at a New York temp agency and tells the agent to throw everything at her. She quickly meets her grumpy neighbor Austin, a wealthy quintessential New Yorker who is trying to buck the family reporting business of his famous reporter mother because he wants to write children's stories. Piper also meets another transplant to New York, Will and his romantic partner Toby, who own a corner coffee shop and bakery. Piper, Will and Toby become fast friends. Will and Toby seem to think that Piper and Austin would be good together and they set about doing a little matchmaking like a picnic in the park.

Great cast, fun working through career ideas and good chemistry between the leads. This is like a very sweet fall postcard to New York.

If you love New York, romance and the idea of finding yourself...you will enjoy this movie.

Obviously romance writers are not expected to churn out "Citizen Kane," but couldn't they at least consult the dictionary? Worse than the fact that Roderick's character uses the term "hoi polloi" incorrectly (he uses it to refer to the rich, elite of society - but it means the rabble, the commoners), but no one corrected it. Does NO ONE on this production have a vocabulary? Or access to a dictionary. I wanted mindless entertainment, but...there are limits. Also, I agree with the reviewer that said the leads were mismatched - it bordered on a reverse "Lolita" - he didn't look old enough to drive, let alone drink, and while she's not old by any means, she looked ancient next to him. Creepy.

Aimee Teagarden was great in Friday Night Lights and has been in some very good movies lately (Once Upon a Christmas Miracle, New Year's Resolution, My Christmas Family Tree). She's a perfect fit for Hallmark (which is why they signed her to a new multi-film deal). Here she's cast as a wholesome, adorable, relentlessly upbeat and idealistic woman who shows up in NYC looking for a career. But she's only given herself two months to find an inspiring job (wildly unrealistic).

She tries out a remarkably wide array of seemingly decent jobs that would likely have supported her (Including one that seemed like a wonderful opportunity to travel) but none stirs her passion ("I'm not just looking for a job, I'm looking for a fulfilling career and, when I find it, it's going to feel like a lightning bolt."). And yet she spends a lot of her free time sitting on park benches and drawing. When asked why she doesn't pursue that as a career, she insists that it's impractical and would be a betrayal of her parents who "scrimped and saved" to pay for her college.

Austin (played by Evan Roderick) doesn't create the same good first impression as Piper. He's called a "curmudgeon" and "grumpy" and grudgingly takes a job that anyone with a journalism degree would kill for (writing "features" for the Chronicle). But he shows up late, when he shows up at all, makes no effort to do his job properly and demonstrates a complete lack of integrity (as he does again later in the movie). There's also a pathetic early scene where he let his mother veto his chicken sandwich lunch order and, instead, lets her order him HER favorite kale salad. Ugh.

But, thankfully, Piper has a positive effect on him. And their chemistry is great. But one of the more frustrating aspects of Hallmark movies is their rather chaste approach to romance. These are two attractive, single, 30 year-olds, living across the hall from each other in New York City. In real life (and on Netflix) they'd be in bed together (or at least making out like teenagers) the night the candles came out. I counted about two dozen pumpkin colored candles. Heck, that setting called for a kiss at least. Or even one of Hallmark's famous (and ridiculous) "almost" kisses. But no. Nothing. And yet, in this particular movie, it may actually have made sense for them to wait given the circumstances.

Also, in a laudable continuation of Hallmark's commitment to diversity and inclusion, the movie features a gay couple who own a nearby coffee shop. Initially, Piper's "efforts" (asking if a stranger has tried a pumpkin bread sample) somehow earns her a "coffee on the house". And then Austin waltzes in and also gets a coffee without paying. And then the coffee shop owners offer to plan Piper a party after knowing her for just a couple of weeks. Those were some rather unrealistic moments, but I liked the characters. They were kind, good-natured, and provided sympathetic ears and support for Austin and Piper. And they set up a really sweet surprise in the park.

There's a question of "who will 'champion' who?" that played out in a way I initially thought reflected poorly on one of the characters, but I was pleasantly surprised by how that was eventually handled by the writers (Joey Elkins and Blake Silver). Another reviewer fairly criticized the desperate "fight for yourself or yell" scene but I liked it; it reminded me of the old classic Bob Dylan song with the lyrics "when you ain't got nothing, you got nothing to lose."

Random observations:

The "hostess" mix up was beyond improbable. There's no way that happens.

Temp agencies make their money when a temp is offered and accepts a permanent position. They certainly didn't make any money off Piper.

Pretty good fake view of Washington Square and the Brooklyn Bridge. I wish they had filmed on location in New York City but Hallmark is famous for keeping their filming costs low by filming in Vancouver.

I agree with those who spotted very little evidence that it was autumn which was a shame because in certain locations, fall colors can really be spectacular (and "autumn" is literally in the movie title).

Although running into someone you know in NYC seemed to another reviewer like it would "literally never happen" it actually happened to me when I visited Manhattan and bumped into somebody from my hometown in California, even though I had no idea they were even going to be there. And Piper and Austin don't actually run into each other unexpectedly except for the planned park set up and their run ins at their favorite coffee shop by their apartment (I run into people I know all the time at my favorite coffee shop). That said, it's a familiar technique to have lead characters get into the elevator at the same time, or walk out of the building at the same time, or bump into each other at a local business. That just drives the story along. You have to suspend your disbelief to some extent when you watch a guaranteed happy ending Hallmark movie. They're not documentaries (which, sadly, can be stranger than fiction).

Good use of the song "A Night Like This" by Carmi Esta towards the end. I've noticed that the background music in Hallmark movies has really improved over the years.