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Daredevil: Born Again
S1.E3
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  • Distribution et équipe technique
  • Avis des utilisateurs
  • Anecdotes
IMDbPro

The Hollow of His Hand

  • Épisode diffusé le 12 mars 2025
  • TV-MA
  • 47min
NOTE IMDb
8,5/10
13 k
MA NOTE
Kamar de los Reyes in Daredevil: Born Again (2025)
Drame juridiqueDrame psychologiqueGangsterSuper hérosThriller psychologiqueActionCriminalitéDrameFantaisieScience-fiction

Ajouter une intrigue dans votre langueThe trial of Hector Ayala begins. Fisk's old business associates seek to claim his vacant mantle.The trial of Hector Ayala begins. Fisk's old business associates seek to claim his vacant mantle.The trial of Hector Ayala begins. Fisk's old business associates seek to claim his vacant mantle.

  • Réalisation
    • Michael Cuesta
  • Scénario
    • Dario Scardapane
    • Matt Corman
    • Chris Ord
  • Casting principal
    • Charlie Cox
    • Vincent D'Onofrio
    • Margarita Levieva
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    8,5/10
    13 k
    MA NOTE
    • Réalisation
      • Michael Cuesta
    • Scénario
      • Dario Scardapane
      • Matt Corman
      • Chris Ord
    • Casting principal
      • Charlie Cox
      • Vincent D'Onofrio
      • Margarita Levieva
    • 58avis d'utilisateurs
    • 8avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos41

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    Rôles principaux37

    Modifier
    Charlie Cox
    Charlie Cox
    • Matt Murdock…
    Vincent D'Onofrio
    Vincent D'Onofrio
    • Wilson Fisk
    Margarita Levieva
    Margarita Levieva
    • Heather Glenn
    Arty Froushan
    Arty Froushan
    • Buck Cashman
    Nikki M. James
    Nikki M. James
    • Kirsten Mcduffie
    Ayelet Zurer
    Ayelet Zurer
    • Vanessa Fisk
    Michael Gandolfini
    Michael Gandolfini
    • Daniel Blake
    Zabryna Guevara
    Zabryna Guevara
    • Sheila Rivera
    Clark Johnson
    Clark Johnson
    • Cherry
    Genneya Walton
    Genneya Walton
    • BB Urich
    Cillian O'Sullivan
    Cillian O'Sullivan
    • Devlin
    Victor Verhaeghe
    Victor Verhaeghe
    • Carlo
    Gino Anthony Pesi
    Gino Anthony Pesi
    • Viktor
    Patrick Murney
    Patrick Murney
    • Luca
    John Benjamin Hickey
    John Benjamin Hickey
    • D.A. Hochberg
    Kamar de los Reyes
    Kamar de los Reyes
    • Hector Ayala…
    Dan Domingues
    Dan Domingues
    • Hector Ayala (Photo Double)
    Andrew Polk
    Andrew Polk
    • Judge Cooper
    • Réalisation
      • Michael Cuesta
    • Scénario
      • Dario Scardapane
      • Matt Corman
      • Chris Ord
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs58

    8,513.1K
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    Avis à la une

    8pinkmanboy

    The Weight of the Mask

    The second episode had already slowed down the frantic pace of the premiere to focus on worldbuilding and political tensions, and now this one takes things even deeper, using Hector's story as a brutal mirror for Matt. The biggest strength of this episode isn't in over-the-top action scenes or shocking twists, but in how the script lays bare the internal contradictions of its protagonist, contrasting his hesitation to fully embrace Daredevil again with Hector's absolute conviction as White Tiger. It's a narrative choice that might frustrate those expecting a more action-heavy episode, but it adds a much richer emotional depth to Daredevil's return.

    And there's no way to talk about this episode without mentioning Kamar de los Reyes. His White Tiger could've easily been just a plot device-a vigilante sacrificed to push Matt's identity crisis-but Kamar's performance elevates the role into something infinitely more memorable. The opening scene, where Matt visits him in prison, already makes it clear that this isn't just another street-level hero trying to prove his innocence. The way he carries tension in his body, the weight in every word he speaks, makes Hector feel real-someone who understands exactly what's at stake but refuses to compromise his principles. He's not just fighting for his freedom; he's fighting for something bigger, for a purpose that Matt has spent a long time trying to ignore. That makes his fate even more tragic and cruel, especially considering the respect and trust he builds with Matt throughout the episode.

    Fisk's political arc continues unfolding with an air of inevitability. The former Kingpin is now a mayor focused on consolidating power, but the cost of that legitimacy is starting to show... The emotional distance between him and Vanessa keeps growing, and their breakfast scene-masked as a casual conversation about art-is one of the sharpest moments of the episode. The symbolism of the Francis Bacon painting couldn't be more fitting: a distorted portrait of reality, just like the life Fisk is trying to keep intact while still getting his hands dirty behind the scenes to ensure his plans move forward. And speaking of dirty hands, the episode doesn't shy away from hinting that Fisk might be directly involved in the rising violence across the city, suggesting that his transition to politics doesn't mean he's abandoned his more brutal methods. This duplicity mirrors Matt's own struggles, and the cross-cutting between the two characters, both suppressing their true nature, is one of the smartest visual moments in the episode.

    In the courtroom, the tension between Matt and Officer Powell adds another layer of danger to the narrative. Their stare-down in the courthouse bathroom, both still carrying scars from the previous episode, is one of those simple but loaded moments filled with subtext. Powell knows Matt isn't just another lawyer, and Matt knows Powell could destroy him if he decided to talk too much. This fragile balance between justice and self-preservation is what makes "Daredevil" so incredible, and this scene is a reminder that the show's world is never black and white. In the end, it's Powell who twists the situation with false testimony, while Matt finds himself trapped, out of options.

    The trial's big twist-Matt revealing that Hector is White Tiger-completely caught me off guard. Like, we know he shouldn't have done it, but it makes sense within his internal conflict. He's trying to win a game where the rules are clearly rigged against him, and in his desperation, he makes a move that may have cost his own client's life. And what makes it even more painful is that Hector, even after being freed, remains exactly who he's always been. He doesn't run, doesn't hide, doesn't abandon his mission. And that's what dooms him.

    The final sequence, with the sound of coquis echoing over the credits, is SO tragically beautiful. The memory of Hector's lost paradise-a place he'll never see again-brutally contrasts with the reality of the city that destroyed him. And for Matt, this death isn't just another injustice-it's a wake-up call. Because no matter how much he tries to deny it, he knows he's still Daredevil. He knows he can't just stand by. And now, someone's gonna have to pay for what happened.

    Overall, this episode is one of the best in "Born Again" so far and one of the most powerful in the entire "Daredevil" franchise. It captures everything the series does best: complex moral dilemmas, razor-sharp performances, and an overwhelming sense of inevitable tragedy that pits its characters against themselves in painfully human ways. And if the ending is any indication, the real Daredevil is about to come back-and he's not gonna be happy...
    10juligonperez

    The sound of the Coquis

    What a perfect drama episode that included absolutely zero action in a marvel show. Im a sucker for court scenes and this episode was delivered one of the most tense court scenes I've seen in a while. It had me really rooting for Hector to win the case.

    As a Puerto Rican, I really loved the ongoing mention of Puerto Rico and the coquis throughout the ep.

    This episode really resonated with me and I would prob be biased, but it genuinely was the best episode so far in my opinion. Crazy to think it included no action at all.

    And ngl when that last scene hit and the end credits roll with the coquis sound. I cried :(
    9mcugot

    Wow

    Where to even begin. If you're expecting crazy action this episode, don't. However, it's still attracting through Matt's personal life and the legal aspect and case with Hector. Great themes of what it is to be a hero and the complex nature of them. The acting is great along with the dialogue. The cinematography continues to be decent enough ti give that mature and gritty feeling. Like I said, the pacing is definitely slower but great storytelling, nonetheless. Not much need for effects other than practical and has it's grounded feel. The music hits and and makes an emotional scene stand out. The directing is great and White Tiger's storyline is in good hands and being handled great and respecting the source material. I wouldn't say it's the perfect episode but a great one.
    9rohan0404

    loved it

    The court room drama part is really in full gears and i wont mind another. The easter eggs are damn good. I cant wait to see jonny boy in action cause they have teased him enough. Its going to be another one of those much loved conversations between frank and matty. They are nailing the visuals, performances and the sound too. Its really good. Wilson fisk and his anti vigilante agenda is going to be the key to this show i guess. Enough close ups of fisk's fist and just tell what the heck is he upto. Just found out that the actor who played victor ayala passed away which is heartbreaking. May his soul rest in peace.
    9cthirlby

    Fantastic legal drama with intense ending

    A fascinating and thrilling legal episode with Matt and White Tiger in the courtroom that is done and written extremely well bringing the roots of the original show out. Fisk and his continued arc as Mayor and his hatred for Murdock is very clearly shown in this. The ending is completely insane but further shows how much unpredictability and brutality this show has.

    Charlie Cox stuns again with his dialogue in the courtroom and his overall performance is captivating. Kamar de los Reyes is also brilliant showing off more about this intriguing character, his performance and all the emotions that comes with it are done really well.

    Centres d’intérêt connexes

    Tom Cruise, Demi Moore, and Kevin Pollak in Des hommes d'honneur (1992)
    Drame juridique
    Jim Carrey and Kate Winslet in Eternal Sunshine of the Spotless Mind (2004)
    Drame psychologique
    Marlon Brando and Salvatore Corsitto in Le Parrain (1972)
    Gangster
    Robert Downey Jr., Chris Evans, Scarlett Johansson, Jeremy Renner, Mark Ruffalo, and Chris Hemsworth
    Super héros
    Rosamund Pike in Gone Girl (2014)
    Thriller psychologique
    Bruce Willis in Piège de cristal (1988)
    Action
    James Gandolfini, Edie Falco, Sharon Angela, Max Casella, Dan Grimaldi, Joe Perrino, Donna Pescow, Jamie-Lynn Sigler, Tony Sirico, and Michael Drayer in Les Soprano (1999)
    Criminalité
    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drame
    Elijah Wood in Le Seigneur des anneaux : La Communauté de l'anneau (2001)
    Fantaisie
    James Earl Jones and David Prowse in L'Empire contre-attaque (1980)
    Science-fiction
    Cho Yeo-jeong in Parasite (2019)
    Thriller

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The fictional Brazilian soft drink "Pingo Doce" appears on a bus stop advertisement. Bruce Banner worked at a Pingo Doce bottling plant in L'Incroyable Hulk (2008).
    • Gaffes
      Police reports are not admissible as evidence. When evidence is admitted, the other side must be able to cross-examine it; one cannot cross-examine the written word. The police officers who wrote the reports could be sworn in as witnesses, but the reports themselves are not admissible.

      Under certain circumstances, official government records, such as police reports, are admissible as evidence in many jurisdictions.
    • Citations

      Vanessa Fisk: [about rogue criminals] They're misbehaving because there's no one at the head of the table. Without you or me there, they'll turn on each other.

      Wilson Fisk: They're rats. Rats at the bottom of the barrel. Let them kill each other.

      Vanessa Fisk: And when they're done with each other, whoever is left standing will come after you.

    • Crédits fous
      A coqui frog is heard croaking over the closing credits.
    • Connexions
      References Homicide: The Subway (1997)
    • Bandes originales
      Mi Canto
      Written by Salvi Carreras, Franklin Quinonez, Julisa Pineda, and Jose Ramirez

      Performed by Salvi ft. Franklin Dam, Yuli, Sitofunk

      By arrangement with Bodega Sync

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    Détails

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    • Date de sortie
      • 12 mars 2025 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Lieux de tournage
      • Ville de New York, New York, États-Unis
    • Sociétés de production
      • 20th Television
      • Marvel Studios
      • Marvel Television
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

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    • Durée
      • 47min
    • Couleur
      • Color
    • Mixage
      • Dolby Atmos

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